{"id":13581,"date":"2016-11-18T19:18:00","date_gmt":"2016-11-18T19:18:00","guid":{"rendered":""},"modified":"2026-06-29T01:27:33","modified_gmt":"2026-06-29T01:27:33","slug":"el-cine-mexicano-de-barrio-y-el-film","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=13581","title":{"rendered":"El cine mexicano de barrio y el film noir coincidieron en la Cineteca Nacional"},"content":{"rendered":"<div style=\"margin-bottom: 8px; margin-top: 8px; text-align: center;\">\n<\/div>\n<ul>\n<li style=\"text-align: left;\"><strong style=\"background-color: white; text-align: justify;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><i>Fernanda Sol\u00f3rzano habl\u00f3 de&nbsp;El suavecito, cinta de presupuesto limitado cuyo \u00e9xito se bas\u00f3 en la uni\u00f3n de ambos g\u00e9neros<\/i><\/span><\/strong><\/li>\n<\/ul>\n<p><\/p>\n<div style=\"margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhR56xz33G1ZY70-zluKlLphv7lKzKtR1iaaCvqrCH70-rKIg-lVX1WnXh_fY1kgxo4uZYdALfHasKVj4RvI3YbShbjORZi9tW-KDc299PAxDKlPD38zFSyOoDjw7JZSX7NQ6WG-fnKVsRR\/s1600\/x15.png\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" border=\"0\" height=\"266\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/11\/x15.png\" class=\"wp-image-13582\" width=\"400\" \/><\/a><\/span><\/div>\n<p><\/p>\n<div style=\"margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<span style=\"background-color: white;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><br \/><\/span><\/span><\/div>\n<div style=\"margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<span style=\"background-color: white;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">\u201cEl cine se puede adaptar a todas las realidades y todas las sociedades, incluso con poco presupuesto\u201d, declar\u00f3 Fernanda Sol\u00f3rzano, quien afirm\u00f3 que&nbsp;<em>El suavecito<\/em>&nbsp;(Fernando M\u00e9ndez, 1950) es un gran ejemplo de ello al adaptar el&nbsp;<em>film noir<\/em>&nbsp;a las condiciones de nuestro pa\u00eds. La cr\u00edtica mexicana present\u00f3 la cinta este lunes 14 de noviembre en la Sala 4, Arcady Boytler, de la&nbsp;<span class=\"highlight\" id=\"0.3265144110899494\" name=\"searchHitInReadingPane\">Cineteca<\/span>&nbsp;Nacional.<\/span><\/span><\/div>\n<div style=\"margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<span style=\"background-color: white;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Sol\u00f3rzano coment\u00f3 que este filme habla del estado en que se encontraba el cine nacional en aquella \u00e9poca, cuando el g\u00e9nero conocido como cine de barrio fue introducido. Adem\u00e1s, se\u00f1al\u00f3 que contiene gui\u00f1os tanto a la \u00c9poca de Oro de la industria como al g\u00e9nero negro, por contar con personajes de distintos valores morales. Durante su ponencia estuvo acompa\u00f1ada por Alejandro Pelayo, director general de la&nbsp;<span class=\"highlight\" id=\"0.4602156390198642\" name=\"searchHitInReadingPane\">Cineteca<\/span>.<\/span><\/span><\/div>\n<div style=\"margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<span style=\"background-color: white;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">La pl\u00e1tica se dio en el marco del ciclo&nbsp;<strong>Charlas sobre cine y literatura<\/strong>, que se lleva a cabo cada lunes y que retoma obras de la literatura que han sido adaptadas a la pantalla dentro del g\u00e9nero de cine negro. La actividad est\u00e1 organizada por la Coordinaci\u00f3n Nacional de Literatura del INBA, la Direcci\u00f3n de Literatura de la UNAM y la&nbsp;<span class=\"highlight\" id=\"0.7532870331381567\" name=\"searchHitInReadingPane\">Cineteca<\/span>&nbsp;Nacional.<\/span><\/span><\/div>\n<div style=\"margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<span style=\"background-color: white;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Como parte de su lectura, Fernanda explic\u00f3 que el&nbsp;<em>film noir<\/em>&nbsp;ha surgido en diferentes lugares y momentos de la historia, siempre que existe alguna crisis social o de instituciones. Indic\u00f3 que&nbsp;<em>El suavecito<\/em>&nbsp;\u201cdeja ver c\u00f3mo la modernizaci\u00f3n de los a\u00f1os cincuenta va a provocar una desigualdad entre clases\u201d. Compar\u00f3 la pel\u00edcula con&nbsp;<em>Los olvidados<\/em>&nbsp;(Luis Bu\u00f1uel, 1950), pues en su momento ambas fueron motivo de esc\u00e1ndalo debido a su tono controvertido.<\/span><\/span><\/div>\n<div style=\"margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<span style=\"background-color: white;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Alejandro Pelayo agreg\u00f3 a los comentarios de la ponente que, adem\u00e1s del aspecto sombr\u00edo, el filme tambi\u00e9n debe su \u00e9xito a los elementos del cine de barrio, pues de esta manera logr\u00f3 una conexi\u00f3n inmediata con el p\u00fablico. El lenguaje, el humor y los escenarios urbanos permitieron que la gente se identificara con la historia, de acuerdo con el director general.<\/span><\/span><\/div>\n<div style=\"margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<span style=\"background-color: white;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Mencion\u00f3 tambi\u00e9n que se trata de una pel\u00edcula \u201cde personaje\u201d, haciendo referencia a la destacada actuaci\u00f3n del protagonista V\u00edctor Parra, que result\u00f3 emp\u00e1tica y realista al mostrar una versi\u00f3n v\u00edvida del personaje de pachuco, distinto al interpretado por las figuras de la comedia. Como dato interesante, coment\u00f3 que tanto la cinta de M\u00e9ndez como&nbsp;<em>Los olvidados<\/em>contaron con la filmaci\u00f3n de un final alternativo que permitiera apaciguar la pol\u00e9mica.<\/span><\/span><\/div>\n<div style=\"margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<span style=\"background-color: white;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Finalmente, el debate m\u00e1s amplio fue justo sobre el desenlace de la historia y sucedi\u00f3 entre los miembros del auditorio, pues algunos de ellos ofrecieron su propia interpretaci\u00f3n y las sensaciones que la pel\u00edcula les transmiti\u00f3, mientras que otros aseguraron que el final deja abierta toda posibilidad al destino del protagonista.<\/span><\/span><\/div>\n<div style=\"margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<span style=\"background-color: white;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><strong>Charlas sobre cine y literatura<\/strong>&nbsp;continuar\u00e1 el pr\u00f3ximo lunes 21 de noviembre, en punto de las 18:00 horas, con la proyecci\u00f3n de&nbsp;<em>La noche avanza&nbsp;<\/em>(Roberto Gavald\u00f3n, 1951), que ser\u00e1 comentada en la Sala 4 por Rafael Avi\u00f1a. La entrada es libre al presentar las cortes\u00edas de acceso que ser\u00e1n repartidas en la taquilla 5 de la&nbsp;<span class=\"highlight\" id=\"0.0051638895363250725\" name=\"searchHitInReadingPane\">Cineteca<\/span>&nbsp;Nacional.<\/span><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Fernanda Sol\u00f3rzano habl\u00f3 de&nbsp;El suavecito, cinta de presupuesto limitado cuyo \u00e9xito se bas\u00f3 en la uni\u00f3n de ambos g\u00e9neros \u201cEl cine se puede adaptar a todas las realidades y todas las sociedades, incluso con poco presupuesto\u201d, declar\u00f3 Fernanda Sol\u00f3rzano, quien afirm\u00f3 que&nbsp;El suavecito&nbsp;(Fernando M\u00e9ndez, 1950) es un gran ejemplo de ello al adaptar el&nbsp;film noir&nbsp;a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":13582,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-13581","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - 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