{"id":13843,"date":"2016-10-28T15:53:00","date_gmt":"2016-10-28T15:53:00","guid":{"rendered":""},"modified":"2026-06-29T01:29:44","modified_gmt":"2026-06-29T01:29:44","slug":"hou-hsiao-hsien-regresa-la-cineteca","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=13843","title":{"rendered":"Hou Hsiao-Hsien regresa a la Cineteca Nacional con La asesina"},"content":{"rendered":"<div align=\"center\" style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<\/div>\n<ul>\n<li><strong><i>Premiado en Cannes como mejor director, el realizador taiwan\u00e9s ofrece una historia entre el amor y la disciplina de las artes marciales<\/i><\/strong><\/li>\n<\/ul>\n<p><\/p>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhGWgNsuQaVHNpBNMK9htHFnB7qXMUdcZC8kEttADkL3LlwMhx1SQfCd0k4a_N27g4HsKNhGmAkuhOb5VXL66iegZV1PbPLGFM6c5efc31Byi1QV_l1-wKAceLQVAgJJpDn6d-7wykC_IVQ\/s1600\/x7.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" border=\"0\" height=\"225\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/10\/x7.jpg\" class=\"wp-image-13844\" width=\"400\" \/><\/a><\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\nEl cine chino de artes marciales, tambi\u00e9n conocido como&nbsp;<em>wuxia<\/em>, es f\u00e1cilmente identificado por sus complejas coreograf\u00edas de acci\u00f3n que desaf\u00edan la gravedad, agitan a la audiencia y resaltan un c\u00f3digo de honor siempre necesario en un guerrero de la antigua China. La nueva propuesta de Hou Hsiao-Hsien es de un tono muy distinto.<\/div>\n<div style=\"font-family: Arial, Helvetica, sans-serif; margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n<span style=\"background-color: white;\">La m\u00e1s reciente producci\u00f3n de este chino, premiado como mejor director en Cannes por&nbsp;<\/span><em style=\"background-color: white;\">La asesina<\/em><span style=\"background-color: white;\">, regresa a la&nbsp;<span class=\"highlight\" id=\"0.9815972996365003\" name=\"searchHitInReadingPane\">Cineteca<\/span>&nbsp;Nacional tras su paso por la 60 Muestra Internacional de Cine. La cinta podr\u00e1 disfrutarse a partir del 30 de septiembre en salas de la&nbsp;<\/span><span class=\"highlight\" id=\"0.6064543243042972\" name=\"searchHitInReadingPane\" style=\"background-color: white;\">Cineteca<\/span><span style=\"background-color: white;\">.<\/span><\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\nEl filme se desarrolla en la China del siglo IX. A la edad de 10 a\u00f1os, Nie yin niang, hija de un general, es secuestrada por una monja para ser entrenada en artes marciales. Despu\u00e9s de varios a\u00f1os se convierte en una extraordinaria asesina encargada de eliminar a los gobernadores corruptos de la regi\u00f3n. Despu\u00e9s de fallar una importante misi\u00f3n, su maestra le encomienda regresar a su lugar de origen para asesinar a un prominente blanco que la obligar\u00e1 a decidir entre el amor y la ancestral disciplina que ha regido su vida.<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\nA pesar de contar con una trama sencilla,&nbsp;<em>La asesina<\/em>&nbsp;deja muchos elementos a la imaginaci\u00f3n del p\u00fablico y no se detiene para aclarar cada paso del relato. Extra\u00edda de una novela de la lejana \u00e9poca de la dinast\u00eda Tang, se trata de una cinta m\u00e1s cercana al minimalismo que al espect\u00e1culo caracter\u00edstico de las pel\u00edculas&nbsp;<em>wuxia<\/em>. El director opt\u00f3 por favorecer la escenograf\u00eda con largos planos generales, capturados por la distinguida fotograf\u00eda de Ping Bin Lee, e incluyendo muy pocos di\u00e1logos y escenas de acci\u00f3n, dejando la historia en segundo plano.<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\nAl respecto, el cineasta taiwan\u00e9s aclar\u00f3, en una entrevista con Xan Brooks, de&nbsp;<em>The Guardian<\/em>, que no consideraba a la trama como algo imprescindible y que su intenci\u00f3n no era agradarle al p\u00fablico: \u201cYo no creo que la trama sea la \u00fanica manera de apelar a la audiencia. La audiencia puede captar el mensaje de una pel\u00edcula a trav\u00e9s del paisaje, los personajes y los detalles\u201d.<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\nEse estilo naturalista ya hab\u00eda estado presente en su obra de 1998&nbsp;<em>Flores de Shanghai<\/em>&nbsp;(<em>H\u01cei Sh\u00e0ng Hu\u0101<\/em>), de un ritmo pausado y meditativo. Sin embargo, sus trabajos anteriores hab\u00edan dado m\u00e1s peso a la estructura dram\u00e1tica, como en&nbsp;<em>The Puppetmaster<\/em>&nbsp;(<em>Xi meng ren sheng<\/em>, 1993),&nbsp;<em>Ciudad del dolor<\/em>&nbsp;(<em>Bei qing cheng shi<\/em>, 1989) y&nbsp;<em>Los chicos de Fengkuei<\/em>&nbsp;(<em>F\u0113nggu\u00ec l\u00e1i de r\u00e9n<\/em>, 1983), el filme que lo puso en la vanguardia de la Nueva Ola de Cine Taiwan\u00e9s.<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\n\u201cA ratos desconcertante, por una ambig\u00fcedad maliciosamente dosificada,&nbsp;<em>La asesina&nbsp;<\/em>es una cinta realmente novedosa incluso dentro del trabajo del propio Hsiao-Hsien. Una suma de sus constantes est\u00e9ticas y exploraci\u00f3n de una tradici\u00f3n narrativa y filos\u00f3fica s\u00f3lo en apariencia herm\u00e9tica, ciertamente fascinante\u201d, expres\u00f3 Carlos Bonfil en su cr\u00edtica para&nbsp;<em>La Jornada<\/em>.<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; margin-bottom: 8px; margin-top: 8px; text-align: justify;\">\nRobbie Collin, de&nbsp;<em>The Telegraph<\/em>, aplaudi\u00f3 la serenidad en el ritmo de la pel\u00edcula. \u201cAunque&nbsp;<em>La asesina<\/em>&nbsp;tiene sus ra\u00edces en el cine de acci\u00f3n, Hou quiere bajar tu frecuencia cardiaca, no incrementarla. La banda sonora raramente es m\u00e1s compleja que un ritmo de tambor grave, que casi podr\u00eda ser el latido controlado del coraz\u00f3n de la asesina\u201d.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Premiado en Cannes como mejor director, el realizador taiwan\u00e9s ofrece una historia entre el amor y la disciplina de las artes marciales El cine chino de artes marciales, tambi\u00e9n conocido como&nbsp;wuxia, es f\u00e1cilmente identificado por sus complejas coreograf\u00edas de acci\u00f3n que desaf\u00edan la gravedad, agitan a la audiencia y resaltan un c\u00f3digo de honor siempre [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":13844,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-13843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - 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