{"id":14256,"date":"2016-09-30T19:24:00","date_gmt":"2016-09-30T19:24:00","guid":{"rendered":""},"modified":"2026-06-29T01:33:20","modified_gmt":"2026-06-29T01:33:20","slug":"cinema23-revela-nominados-la-3ra","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=14256","title":{"rendered":"CINEMA23 revela nominados a la 3ra. edici\u00f3n de los Premios F\u00c9NIX\u200f"},"content":{"rendered":"<ul style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 22.72px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px;\"><span style=\"font-size: 14px; line-height: 14px;\"><em style=\"line-height: 19.88px;\"><b>El Premio iberoamericano de cine F\u00e9nix\u00ae se realizar\u00e1 el 7 de diciembre en el Teatro de la Ciudad \u201cEsperanza Iris\u201d, en la Ciudad de M\u00e9xico<\/b><\/em><\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px;\"><span style=\"font-size: 14px; line-height: 14px;\"><em style=\"line-height: 19.88px;\"><b>Integrantes de Cinema23 e invitados especiales dan a conocer las pel\u00edculas nominadas a los Premios F\u00e9nix<\/b><\/em><\/span><\/li>\n<\/ul>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgpFt4yvYYj_DmiNYG7K1G777p98icL0dMvYbhBdfsllPuoX4oeALiUAg7CsWDopFFfWoMn8CNH_3xN_6_xF1xievD0V3rWsZXopytU7TQ73AoIHFXJIenWubaW-cyfyBygcZIuZkFOMbCQ\/s1600\/x23.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" border=\"0\" height=\"225\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/09\/x23.gif\" class=\"wp-image-14257\" width=\"400\" \/><\/a><\/div>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 24px; margin-bottom: 1.35em; padding: 0px;\">\n<\/div>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 24px; margin-bottom: 1.35em; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 12px; line-height: 12px;\">Cinema23, asociaci\u00f3n conformada por m\u00e1s de 750 profesionales de cine de Iberoam\u00e9rica, revel\u00f3 los nominados para la tercera edici\u00f3n del&nbsp;<em style=\"line-height: 17.04px;\">Premio iberoamericano de cine F\u00e9nix\u00ae<\/em>, que se entregar\u00e1 el pr\u00f3ximo 7 de diciembre de 2016 en el Teatro de la Ciudad \u201cEsperanza Iris\u201d en la Ciudad de M\u00e9xico. El premio se transmitir\u00e1 en vivo y en directo por televisi\u00f3n en Am\u00e9rica Latina, el Caribe y Estados Unidos a trav\u00e9s de E! Entertainment Television, Studio Universal, Canal 52 MX y Cinelatino.&nbsp;&nbsp;<br style=\"line-height: 17.04px;\" \/>&nbsp;<br style=\"line-height: 17.04px;\" \/>La conferencia de prensa, que se llev\u00f3 a cabo en el Museo de Memoria y Tolerancia, cont\u00f3 con la presencia de la actriz mexicana Ilse Salas, el actor y productor colombiano Manolo Cardona, Ricardo Giraldo, director de Cinema23, y Rodrigo Pe\u00f1afiel, presidente de los Premios F\u00e9nix, quienes dieron a conocer las pel\u00edculas nominadas.<br style=\"line-height: 17.04px;\" \/>&nbsp;<br style=\"line-height: 17.04px;\" \/>A partir de los 58 largometrajes de ficci\u00f3n y 25 largometrajes de documental preseleccionados por el Comit\u00e9 de selecci\u00f3n y nominaci\u00f3n, un Comit\u00e9 t\u00e9cnico, conformado por directores, guionistas, actores, fot\u00f3grafos, dise\u00f1adores de arte, sonidistas, editores y m\u00fasicos que hacen parte de la asociaci\u00f3n de Cinema23, estableci\u00f3 las nominaciones. 18 ficciones y ocho documentales participar\u00e1n en las categor\u00edas&nbsp;<em style=\"line-height: 17.04px;\">Largometraje de ficci\u00f3n<\/em>,&nbsp;<em style=\"line-height: 17.04px;\">Direcci\u00f3n<\/em>,&nbsp;<em style=\"line-height: 17.04px;\">Actuaci\u00f3n masculina<\/em>,&nbsp;<em style=\"line-height: 17.04px;\">Actuaci\u00f3n femenina<\/em>,&nbsp;<em style=\"line-height: 17.04px;\">Guion<\/em>,<em style=\"line-height: 17.04px;\">Fotograf\u00eda<\/em>,&nbsp;<em style=\"line-height: 17.04px;\">Edici\u00f3n<\/em>,&nbsp;<em style=\"line-height: 17.04px;\">Dise\u00f1o de arte<\/em>,&nbsp;<em style=\"line-height: 17.04px;\">Sonido<\/em>,&nbsp;<em style=\"line-height: 17.04px;\">M\u00fasica<\/em>,&nbsp;<em style=\"line-height: 17.04px;\">Vestuario<\/em>&nbsp;y Largometraje&nbsp;<em style=\"line-height: 17.04px;\">documental<\/em>&nbsp;y&nbsp;<em style=\"line-height: 17.04px;\">Fotograf\u00eda documental<\/em>.<br style=\"line-height: 17.04px;\" \/>&nbsp;<br style=\"line-height: 17.04px;\" \/>As\u00ed, los largometrajes nominados en las diferentes categor\u00edas son:<br style=\"line-height: 17.04px;\" \/>&nbsp;<br style=\"line-height: 17.04px;\" \/><strong style=\"line-height: 17.04px;\"><u style=\"line-height: 17.04px;\">Largometraje de ficci\u00f3n<\/u><\/strong><\/span><\/div>\n<ul style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 22.72px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\"><em style=\"line-height: 17.04px;\">Aquarius&nbsp;<\/em>(Dir. Kleber Mendo\u00e7a. Brasil &#8211; Francia, 2016 &#8211; Cinemasc\u00f3pio Produ\u00e7\u00f5es, SBS Productions)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\"><em style=\"line-height: 17.04px;\">Boi Neon&nbsp;<\/em>(Dir. Gabriel Mascaro. Brasil &#8211; Uruguay &#8211; Pa\u00edses Bajos, 2015 &#8211; Desvia Filmes, Malbicho Cine, Viking Film)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\"><em style=\"line-height: 17.04px;\">El Clan&nbsp;<\/em>(Dir. Pablo Trapero. Argentina &#8211; Espa\u00f1a, 2015 &#8211; Kramer &amp; Sigman Films, Matanza Cine, El Deseo)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\"><em style=\"line-height: 17.04px;\">Desde all\u00e1&nbsp;&nbsp;<\/em>(Dir. Lorenzo Vigas. M\u00e9xico &#8211; Venezuela. 2015 &#8211; Factor RH Producciones, Luc\u00eda Films, Malandro Films)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\"><em style=\"line-height: 17.04px;\">Neruda&nbsp;<\/em>(Dir. Pablo Larra\u00edn. Chile &#8211; Francia &#8211; Espa\u00f1a- Argentina, 2016 &#8211; F\u00e1bula, AZ Films, Funny Balloons, Setembro Cine)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\"><em style=\"line-height: 17.04px;\">La muerte de Luis XIV&nbsp;<\/em>(Dir. Albert Serra. Francia &#8211; Espa\u00f1a &#8211; Portugal, 2016 &#8211; Capricci Production, Andergraun Films, Rosa Filmes, Bobi Lux)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\"><em style=\"line-height: 17.04px;\">Te prometo anarqu\u00eda&nbsp;<\/em>(Dir. Julio Hern\u00e1ndez Cord\u00f3n. M\u00e9xico &#8211; Alemania, 2015 &#8211; Interior XIII, FOPROCINE, World Cinema Fund, Rohfilm GMBH<\/span><\/li>\n<\/ul>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 16px; text-align: justify;\">\n<span style=\"font-size: 12px; line-height: 12px;\"><strong style=\"line-height: 17.04px;\"><u style=\"line-height: 17.04px;\">Direcci\u00f3n<\/u><\/strong><\/span><\/div>\n<ul style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 22.72px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Kleber Mendo\u00e7a por&nbsp;<em style=\"line-height: 17.04px;\">Aquarius&nbsp;<\/em>(Brasil &#8211; Francia, 2016)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Gabriel Mascaro por&nbsp;<em style=\"line-height: 17.04px;\">Boi Neon&nbsp;<\/em>(Brasil &#8211; Uruguay &#8211; Pa\u00edses Bajos, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Pablo Trapero por&nbsp;<em style=\"line-height: 17.04px;\">El clan<\/em>&nbsp;(Argentina &#8211; Espa\u00f1a, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Albert Serra por&nbsp;<em style=\"line-height: 17.04px;\">La muerte de Luis XIV&nbsp;<\/em>(Francia &#8211; Espa\u00f1a &#8211; Portugal, 2016)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Pablo Larra\u00edn por&nbsp;<em style=\"line-height: 17.04px;\">Neruda&nbsp;<\/em>(Chile &#8211; Francia &#8211; Espa\u00f1a &#8211; Argentina, 2016)<\/span><\/li>\n<\/ul>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 16px; text-align: justify;\">\n<span style=\"font-size: 12px; line-height: 12px;\"><strong style=\"line-height: 17.04px;\"><u style=\"line-height: 17.04px;\">Actuaci\u00f3n femenina<\/u><\/strong><\/span><\/div>\n<ul style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 22.72px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Sonia Braga por&nbsp;<em style=\"line-height: 17.04px;\">Aquarius&nbsp;&nbsp;<\/em>(Dir. Kleber Mendo\u00e7a. Brasil &#8211; Francia, 2016)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Juana Acosta por&nbsp;<em style=\"line-height: 17.04px;\">Anna&nbsp;<\/em>(Dir. Jacques Toulemonde. Colombia &#8211; Francia, 2015)\u00e7<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">\u00c9rica Rivas por&nbsp;<em style=\"line-height: 17.04px;\">La luz incidente&nbsp;<\/em>(Dir. Ariel Rotter. Argentina &#8211; Francia &#8211; Uruguay, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Magaly Solier por&nbsp;<em style=\"line-height: 17.04px;\">Magallanes&nbsp;<\/em>(Dir. Salvador del Solar. Argentina &#8211; Colombia &#8211; Per\u00fa &#8211; Espa\u00f1a, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Jana Raluy por&nbsp;<em style=\"line-height: 17.04px;\">Un monstruo de mil cabezas&nbsp;<\/em>(Dir. Rodrigo Pl\u00e1. M\u00e9xico, 2015)<\/span><\/li>\n<\/ul>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 16px; text-align: justify;\">\n<span style=\"font-size: 12px; line-height: 12px;\"><strong style=\"line-height: 17.04px;\"><u style=\"line-height: 17.04px;\">Actuaci\u00f3n masculina<\/u><\/strong><\/span><\/div>\n<ul style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 22.72px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Guillermo Francella por&nbsp;<em style=\"line-height: 17.04px;\">El clan&nbsp;<\/em>(Dir. Pablo Trapero. Argentina &#8211; Espa\u00f1a, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Alfredo Castro por&nbsp;<em style=\"line-height: 17.04px;\">Desde all\u00e1&nbsp;&nbsp;<\/em>(Dir. Lorenzo Vigas. M\u00e9xico &#8211; Venezuela. 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Gael Garc\u00eda Bernal por&nbsp;<em style=\"line-height: 17.04px;\">Neruda&nbsp;<\/em>(Dir. Pablo Larra\u00edn. Chile &#8211; Francia &#8211; Espa\u00f1a &#8211; Argentina, 2016)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Luis Gnecco por&nbsp;<em style=\"line-height: 17.04px;\">Neruda&nbsp;<\/em>(Dir. Pablo Larra\u00edn. Chile &#8211; Francia &#8211; Espa\u00f1a &#8211; Argentina, 2016)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Ricardo Dar\u00edn por&nbsp;<em style=\"line-height: 17.04px;\">Truman&nbsp;<\/em>(Dir. Ces Gay. Argentina &#8211; Espa\u00f1a, 2015)<\/span><\/li>\n<\/ul>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 16px; text-align: justify;\">\n<span style=\"font-size: 12px; line-height: 12px;\"><u style=\"line-height: 17.04px;\"><strong style=\"line-height: 17.04px;\">Gui\u00f3n<\/strong><\/u><\/span><\/div>\n<ul style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 22.72px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Jos\u00e9 Luis Guer\u00edn por&nbsp;<em style=\"line-height: 17.04px;\">La academia de las musas&nbsp;<\/em>(Dir. Jos\u00e9 Luis Guer\u00edn. Espa\u00f1a, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Gabriel Mascaro por&nbsp;<em style=\"line-height: 17.04px;\">Boi Neon&nbsp;<\/em>(Dir. Gabriel Mascaro. Brasil &#8211; Uruguay &#8211; Pa\u00edses Bajos, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Juli\u00e1n Loyola, Esteban Student y Pablo Trapero por&nbsp;<em style=\"line-height: 17.04px;\">El clan&nbsp;<\/em>(Dir. Pablo Trapero. Argentina &#8211; Espa\u00f1a, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Lorenzo Vigas por&nbsp;<em style=\"line-height: 17.04px;\">Desde all\u00e1&nbsp;&nbsp;<\/em>(Dir. Lorenzo Vigas. M\u00e9xico &#8211; Venezuela. 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Laura Santullo por&nbsp;<em style=\"line-height: 17.04px;\">Un monstruo de mil cabezas&nbsp;<\/em>(Dir. Rodrigo Pl\u00e1. M\u00e9xico, 2015)<\/span><\/li>\n<\/ul>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 16px; text-align: justify;\">\n<span style=\"font-size: 12px; line-height: 12px;\"><strong style=\"line-height: 17.04px;\"><u style=\"line-height: 17.04px;\">Fotograf\u00eda de ficci\u00f3n<\/u><\/strong><\/span><\/div>\n<ul style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 22.72px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Diego Garc\u00eda por&nbsp;<em style=\"line-height: 17.04px;\">Boi Neon&nbsp;<\/em>(Dir. Gabriel Mascaro. Brasil &#8211; Uruguay &#8211; Pa\u00edses Bajos, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Jo\u00e3o Ribeiro por&nbsp;<em style=\"line-height: 17.04px;\">Cartas da guerra&nbsp;<\/em>(Dir. Ivo Ferreira. Portugal, 2016)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Iv\u00e1n Gierasinchuk por&nbsp;<em style=\"line-height: 17.04px;\">Eva no duerme&nbsp;<\/em>(Dir. Pablo Ag\u00fcero. Francia &#8211; Argentina &#8211; Espa\u00f1a, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Sergio Armstrong por&nbsp;<em style=\"line-height: 17.04px;\">Neruda&nbsp;<\/em>(Dir. Pablo Larra\u00edn. Chile &#8211; Francia &#8211; Espa\u00f1a &#8211; Argentina, 2016)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Fernando Lockett por&nbsp;<em style=\"line-height: 17.04px;\">Oscuro animal&nbsp;&nbsp;<\/em>(Dir. Felipe Guerrero. Colombia &#8211; Argentina &#8211; Pa\u00edses Bajos &#8211; Alemania &#8211; Grecia, 2016)<\/span><\/li>\n<\/ul>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 16px; text-align: justify;\">\n<span style=\"font-size: 12px; line-height: 12px;\"><strong style=\"line-height: 17.04px;\"><u style=\"line-height: 17.04px;\">Dise\u00f1o de arte<\/u><\/strong><\/span><\/div>\n<ul style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 22.72px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Maira Mesquita por&nbsp;<em style=\"line-height: 17.04px;\">Boi Neon&nbsp;<\/em>(Dir. Gabriel Mascaro. Brasil &#8211; Uruguay &#8211; Pa\u00edses Bajos, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Sebasti\u00e1n Orgambide por&nbsp;<em style=\"line-height: 17.04px;\">El clan&nbsp;<\/em>(Dir. Pablo Trapero. Argentina &#8211; Espa\u00f1a, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Aili Chen por&nbsp;<em style=\"line-height: 17.04px;\">La luz incidente&nbsp;<\/em>(Dir. Ariel Rotter. Argentina &#8211; Francia &#8211; Uruguay, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Sebasti\u00e1n Vogler por&nbsp;<em style=\"line-height: 17.04px;\">La muerte de Luis XIV&nbsp;<\/em>(Dir. Albert Serra. Francia &#8211; Espa\u00f1a &#8211; Portugal, 2016)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Estefan\u00eda Larra\u00edn por&nbsp;<em style=\"line-height: 17.04px;\">Neruda&nbsp;<\/em>(Dir. Pablo Larra\u00edn. Chile &#8211; Francia &#8211; Espa\u00f1a &#8211; Argentina, 2016)<\/span><\/li>\n<\/ul>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 16px; text-align: justify;\">\n<span style=\"font-size: 12px; line-height: 12px;\"><strong style=\"line-height: 17.04px;\"><u style=\"line-height: 17.04px;\">Vestuario<\/u><\/strong><\/span><\/div>\n<ul style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 22.72px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Flora Rabello por&nbsp;<em style=\"line-height: 17.04px;\">Boi Neon&nbsp;<\/em>(Dir. Gabriel Mascaro. Brasil &#8211; Uruguay &#8211; Pa\u00edses Bajos, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Julio Su\u00e1rez por&nbsp;<em style=\"line-height: 17.04px;\">El clan&nbsp;<\/em>(Dir. Pablo Trapero. Argentina &#8211; Espa\u00f1a, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">M\u00f3nica Toschi por&nbsp;<em style=\"line-height: 17.04px;\">La luz incidente&nbsp;<\/em>(Dir. Ariel Rotter. Argentina &#8211; Francia &#8211; Uruguay, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Nina Avramovic por&nbsp;<em style=\"line-height: 17.04px;\">La muerte de Luis XIV&nbsp;<\/em>(Dir. Albert Serra. Francia &#8211; Espa\u00f1a &#8211; Portugal, 2016)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Muriel Parra por&nbsp;<em style=\"line-height: 17.04px;\">Neruda&nbsp;<\/em>(Dir. Pablo Larra\u00edn. Chile &#8211; Francia &#8211; Espa\u00f1a &#8211; Argentina, 2016)<\/span><\/li>\n<\/ul>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 16px; text-align: justify;\">\n<span style=\"font-size: 12px; line-height: 12px;\"><strong style=\"line-height: 17.04px;\"><u style=\"line-height: 17.04px;\">Sonido<\/u><\/strong><\/span><\/div>\n<ul style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 22.72px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Ricardo Cutz y Nicolas Hallet por&nbsp;<em style=\"line-height: 17.04px;\">Aquarius&nbsp;&nbsp;<\/em>(Dir. Kleber Mendo\u00e7a. Brasil &#8211; Francia, 2016)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Vicente D&#8217;Elia y Leandro de Loredo por&nbsp;<em style=\"line-height: 17.04px;\">El clan&nbsp;<\/em>(Dir. Pablo Trapero. Argentina &#8211; Espa\u00f1a, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Sergio D\u00edaz, Rau\u0301l Locatelli, Vincent Arnardi por&nbsp;<em style=\"line-height: 17.04px;\">Desierto&nbsp;<\/em>(Dir. Jon\u00e1s Cuar\u00f3n. M\u00e9xico &#8211; Francia, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Miguel Hormaz\u00e1bal, Roberto Z\u00fa\u00f1iga, Ivo Moraga y Rub\u00e9n Piputto por&nbsp;<em style=\"line-height: 17.04px;\">Neruda&nbsp;<\/em>(Dir. Pablo Larra\u00edn. Chile &#8211; Francia &#8211; Espa\u00f1a &#8211; Argentina, 2016)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">C\u00e9sar Salazar y Roberta Ainstein por&nbsp;<em style=\"line-height: 17.04px;\">Oscuro animal&nbsp;&nbsp;<\/em>(Dir. Felipe Guerrero. Colombia &#8211; Argentina &#8211; Pa\u00edses Bajos &#8211; Alemania &#8211; Grecia, 2016)<\/span><\/li>\n<\/ul>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 16px; text-align: justify;\">\n<span style=\"font-size: 12px; line-height: 12px;\"><strong style=\"line-height: 17.04px;\"><u style=\"line-height: 17.04px;\">Edici\u00f3n<\/u><\/strong><\/span><\/div>\n<ul style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 22.72px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Jos\u00e9 Luis Guer\u00edn por&nbsp;<em style=\"line-height: 17.04px;\">La academia de las musas&nbsp;&nbsp;<\/em>(Dir. Jos\u00e9 Luis Guer\u00edn. Espa\u00f1a, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Fernando Epstein y Eduardo Serrano por&nbsp;<em style=\"line-height: 17.04px;\">Boi Neon&nbsp;<\/em>(Dir. Gabriel Mascaro. Brasil &#8211; Uruguay &#8211; Pa\u00edses Bajos, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Alejandro Carrillo Penovi y Pablo Trapero por&nbsp;<em style=\"line-height: 17.04px;\">El clan&nbsp;<\/em>(Dir. Pablo Trapero. Argentina &#8211; Espa\u00f1a, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Isabela Monteiro de Castro por&nbsp;<em style=\"line-height: 17.04px;\">Desde all\u00e1&nbsp;&nbsp;<\/em>(Dir. Lorenzo Vigas. M\u00e9xico &#8211; Venezuela. 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Herv\u00e9 Schneid por&nbsp;<em style=\"line-height: 17.04px;\">Neruda&nbsp;<\/em>(Dir. Pablo Larra\u00edn. Chile &#8211; Francia &#8211; Espa\u00f1a &#8211; Argentina, 2016)<\/span><\/li>\n<\/ul>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 16px; text-align: justify;\">\n<span style=\"font-size: 12px; line-height: 12px;\"><strong style=\"line-height: 17.04px;\"><u style=\"line-height: 17.04px;\">M\u00fasica original<\/u><\/strong><\/span><\/div>\n<ul style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 22.72px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Ot\u00e1vio Santos, Cl\u00e1udio N. y Carlos Montenegro por&nbsp;<em style=\"line-height: 17.04px;\">Boi Neon&nbsp;<\/em>(Dir. Gabriel Mascaro. Brasil &#8211; Uruguay &#8211; Pa\u00edses Bajos, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Sebasti\u00e1n Escofet por&nbsp;<em style=\"line-height: 17.04px;\">El clan&nbsp;<\/em>(Dir. Pablo Trapero. Argentina &#8211; Espa\u00f1a, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Jo\u00e3o Lobo por&nbsp;<em style=\"line-height: 17.04px;\">John From&nbsp;&nbsp;<\/em>(Dir. Jo\u00e3o Nicolau, Portugal &#8211; Francia, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Oleg Karavaichuk por&nbsp;<em style=\"line-height: 17.04px;\">Oleg y las raras artes&nbsp;&nbsp;<\/em>(Dir. Andr\u00e9s Duque. Espa\u00f1a, 2016)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Leonardo Heiblum y Jacobo Lieberman por&nbsp;<em style=\"line-height: 17.04px;\">Tempestad&nbsp;<\/em>(Dir. Tatiana Huezo. M\u00e9xico, 2015)<\/span><\/li>\n<\/ul>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 16px; text-align: justify;\">\n<span style=\"font-size: 12px; line-height: 12px;\"><strong style=\"line-height: 17.04px;\"><u style=\"line-height: 17.04px;\">Fotograf\u00eda documental<\/u><\/strong><\/span><\/div>\n<ul style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 22.72px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Luis Armando Arteaga por&nbsp;<em style=\"line-height: 17.04px;\">Eldorado XXI<\/em>&nbsp;(Dir. Salom\u00e9 Lamas. Portugal &#8211; Francia, 2016)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Carmen Torres por&nbsp;<em style=\"line-height: 17.04px;\">Oleg y las raras artes&nbsp;&nbsp;<\/em>(Dir. Andr\u00e9s Duque. Espa\u00f1a, 2016)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Ernesto Pardo por&nbsp;<em style=\"line-height: 17.04px;\">Tempestad&nbsp;<\/em>(Dir. Tatiana Huezo. M\u00e9xico, 2015)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Jo\u00e3o Ribeiro por&nbsp;<em style=\"line-height: 17.04px;\">Treblinka&nbsp;&nbsp;<\/em>(Dir. S\u00e9rgio Tr\u00e9faut. Portugal, 2016)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\">Cristian Soto por&nbsp;<em style=\"line-height: 17.04px;\">El viento sabe que vuelvo a casa&nbsp;<\/em>(Dir. Jos\u00e9 Luis Torres Leiva. Chile, 2016)<\/span><\/li>\n<\/ul>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 16px; text-align: justify;\">\n<span style=\"font-size: 12px; line-height: 12px;\"><strong style=\"line-height: 17.04px;\"><u style=\"line-height: 17.04px;\">Largometraje documental<\/u><\/strong><\/span><\/div>\n<ul style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 22.72px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\"><em style=\"line-height: 17.04px;\">327 cuadernos (<\/em>Dir. Andr\u00e9s di Tella. Argentina &#8211; Chile, 2016 &#8211; Gema Films, Lupe Films)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\"><em style=\"line-height: 17.04px;\">Cinema Novo&nbsp;<\/em>(Dir. Eryk Rocha. Brasil, 2016 &#8211; Coqueir\u00e3o Pictures, Aruac Filmes Production)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\"><em style=\"line-height: 17.04px;\">Tempestad&nbsp;<\/em>(Dir. Tatiana Huezo. M\u00e9xico, 2015 &#8211; Pimienta Films, Cactus Films, Terminal)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\"><em style=\"line-height: 17.04px;\">Todo comenz\u00f3 por el fin&nbsp;<\/em>(Dir. Luis Ospina. Colombia, 2016 &#8211; Luis Ospina)<\/span><\/li>\n<li style=\"line-height: 22.72px; margin: 0px 0px 3px; text-align: justify;\"><span style=\"font-size: 12px; line-height: 12px;\"><em style=\"line-height: 17.04px;\">El viento sabe que vuelvo a casa&nbsp;<\/em>(Dir. Jos\u00e9 Luis Torres Leiva. Chile, 2016 &#8211; Globo Rojo Producciones Limitada)<\/span><\/li>\n<\/ul>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 16px; text-align: justify;\">\n<span style=\"font-size: 12px; line-height: 12px;\">&nbsp;<br style=\"line-height: 17.04px;\" \/>Adicionalmente, se entregar\u00e1n tres premios especiales: El Premio F\u00e9nix a la Trayectoria, en colaboraci\u00f3n con la Academia de Artes y Ciencias Cinematogr\u00e1ficas -AMACC-; el Premio F\u00e9nix de los Exhibidores, otorgado por los principales exhibidores de la regi\u00f3n y coordinado por Cin\u00e9polis y El Premio F\u00e9nix al Trabajo Cr\u00edtico, otorgado por FIPRESCI. Los ganadores de estos reconocimientos se revelar\u00e1n el pr\u00f3ximo 24 de octubre en el marco del Festival Internacional de Cine de Morelia.<\/span><\/div>\n<div style=\"background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 24px; margin-bottom: 1.35em; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 12px; line-height: 12px;\">El&nbsp;<em style=\"line-height: 17.04px;\">Premio iberoamericano de cine F\u00e9nix\u00ae&nbsp;<\/em>se entregar\u00e1 en el marco de la Semana F\u00e9nix, la cual reunir\u00e1 una serie de actividades que se llevar\u00e1n a cabo entre el 1 y el 10 de diciembre en la Ciudad de M\u00e9xico con actividades paralelas en Madrid, Montevideo y Bogot\u00e1.<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>El Premio iberoamericano de cine F\u00e9nix\u00ae se realizar\u00e1 el 7 de diciembre en el Teatro de la Ciudad \u201cEsperanza Iris\u201d, en la Ciudad de M\u00e9xico Integrantes de Cinema23 e invitados especiales dan a conocer las pel\u00edculas nominadas a los Premios F\u00e9nix Cinema23, asociaci\u00f3n conformada por m\u00e1s de 750 profesionales de cine de Iberoam\u00e9rica, revel\u00f3 los [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":14257,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14256","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - 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