{"id":14324,"date":"2016-09-30T16:22:00","date_gmt":"2016-09-30T16:22:00","guid":{"rendered":""},"modified":"2026-06-29T01:34:06","modified_gmt":"2026-06-29T01:34:06","slug":"por-undecimo-ano-consecutivo-premian","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=14324","title":{"rendered":"Por und\u00e9cimo a\u00f1o consecutivo premian guiones escritos por mujeres"},"content":{"rendered":"<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: small; line-height: 18.46px; margin-bottom: 1.35em; text-align: center;\">\n<\/div>\n<ul>\n<li style=\"text-align: left;\"><i><b><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; text-align: justify;\">La Asociaci\u00f3n Cultural Matilde Landeta A.C. premi\u00f3 a los guiones&nbsp;<\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; text-align: justify;\"><span style=\"line-height: 22.72px;\">Historia de una cabra<\/span><\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; text-align: justify;\">&nbsp;y&nbsp;<\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; text-align: justify;\"><span style=\"line-height: 22.72px;\">Mi madre la comediante<\/span><\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; text-align: justify;\">&nbsp;\u2013primer y segundo lugar,&nbsp;respectivamente-<\/span><\/b><\/i><\/li>\n<\/ul>\n<p><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgJT1zfOJy_3reGiSIogP3ErQFpg0yJ0Q9slwWgNpNu6Zgc0eZj2LhN_1XWOdvGJNp1G61ieG87LzLZgm1Oudziu68lPORcFB6AHPuZ_9E7j8obP_cByB2aHH_CZylYkzCgu3Lo119DLoBp\/s1600\/x14.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" border=\"0\" height=\"267\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/09\/x14.jpg\" class=\"wp-image-14325\" width=\"400\" \/><\/a><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: small; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><br \/><\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: small; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">Cineasta y guionista pionera en la \u2018\u00c9poca de Oro\u2019 del cine mexicano, Matilde Landeta inici\u00f3 su carrera como directora en 1948 con la pel\u00edcula&nbsp;<\/span><strong style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><em style=\"line-height: 22.72px;\">Lola Casanova<\/em><\/strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">&nbsp;&#8211;&nbsp;basada en la novela hom\u00f3nima de Francisco Rojas Gonz\u00e1lez-,&nbsp;&nbsp;le siguieron&nbsp;<\/span><strong style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><em style=\"line-height: 22.72px;\">La negra Angustias<\/em><\/strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">&nbsp;(1949);&nbsp;<\/span><strong style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><em style=\"line-height: 22.72px;\">Trotacalles<\/em><\/strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">&nbsp;(1951);&nbsp;&nbsp;y&nbsp;<\/span><strong style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><em style=\"line-height: 22.72px;\">Nocturno a Rosario<\/em><\/strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt;\">&nbsp;(1992).<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: small; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">Con la convicci\u00f3n de preservar el legado que dej\u00f3 como cineasta y su activismo en la defensa de los derechos de escritoras y directoras de M\u00e9xico, la Asociaci\u00f3n Cultural Matilde Landeta, realiz\u00f3 la ma\u00f1ana de este jueves en la Cineteca Nacional, la ceremonia de premiaci\u00f3n del Und\u00e9cimo Concurso de Guiones de Largometraje para Autoras y Adaptadoras de Cine.<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: small; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">El acto estuvo presidido por Marcela Fern\u00e1ndez Violante,&nbsp;presidenta de la Asociaci\u00f3n y secretaria&nbsp;general del Sindicato Nacional para Producci\u00f3n Cinematogr\u00e1fica (STPC)&nbsp;as\u00ed como por&nbsp;Cristina Prado, directora de Promoci\u00f3n Cultural Cinematogr\u00e1fica; Guadalupe Ferrer, directora de la Filmoteca de la UNAM;&nbsp;&nbsp;y&nbsp;Alan&nbsp;Coton, secretario general del Sindicato de Directores, entre otras personalidades<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: small; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">Las encargadas de elegir al primer y segundo lugar del concurso en su edici\u00f3n 2016, fueron las cineastas Ana Cruz, Lourdes Elizarrar\u00e1s y Bussy Cort\u00e9s,&nbsp;quienes como jurado optaron por distinguir&nbsp;&nbsp;dos proyectos que muestran en sus l\u00edneas, frescura e historias innovadoras.<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: small; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">El primer lugar \u2013dotado de un premio en efectivo de 50 mil pesos- fue para&nbsp;<strong style=\"line-height: 22.72px;\"><em style=\"line-height: 22.72px;\">Historia de una cabra<\/em><\/strong>, de Paulina Barros Reyes Retana, \u201c<em style=\"line-height: 22.72px;\">p<\/em><em style=\"line-height: 22.72px;\">or ser una historia conmovedora, bien narrada, respetando el g\u00e9nero de la f\u00e1bula, con personajes entra\u00f1ables. El viaje de la protagonista nos lleva por un camino en donde la solidaridad y la amistad afloran como parte esencial de condici\u00f3n humana\u201d.<\/em><\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: small; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">El segundo lugar \u2013dotado de un premio en efectivo de 40 mil pesos- fue para&nbsp;<strong style=\"line-height: 22.72px;\"><em style=\"line-height: 22.72px;\">Mi madre la comediante<\/em><\/strong>, de Gabriela&nbsp;Ivette&nbsp;Sandoval Torres, \u201c<em style=\"line-height: 22.72px;\">p<\/em><em style=\"line-height: 22.72px;\">or ser un relato interesante en el que abunda el nuevo g\u00e9nero de la comedia el&nbsp;\u2018Stand Up\u2019&nbsp;con un tono de farsa;&nbsp;sus personajes bordean el conflicto padre e hijo, quienes acaban por asumir sus propias limitaciones\u201d.<\/em><\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: small; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">A once a\u00f1os de la primera edici\u00f3n del concurso, Fern\u00e1ndez Violante celebr\u00f3 que desde 2005 \u2013a\u00f1o en que se entreg\u00f3 por primera vez el premio Matilde Landeta-, y hasta la fecha, por lo menos 7 guiones que fueron reconocidos se han llevado a&nbsp;la pantalla&nbsp;o est\u00e1n en proceso de producci\u00f3n.<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: small; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">\u00abEn el inicio se premi\u00f3 a un guion de Mariana Chenillo &nbsp;que despu\u00e9s termin\u00f3 en la pel\u00edcula,&nbsp;&nbsp;<em style=\"line-height: 22.72px;\">Cinco&nbsp;d\u00edas sin Nora<\/em>;&nbsp;&nbsp;en otra ocasi\u00f3n Maryse Sistach y Consuelo Garrido obtuvieron el segundo lugar con proyecto que se materializ\u00f3&nbsp;bajo&nbsp;el nombre de&nbsp;<em style=\"line-height: 22.72px;\">Sue\u00f1os roto<\/em>s; tambi\u00e9n el guion de&nbsp;<em style=\"line-height: 22.72px;\">La habitaci\u00f3n<\/em>, de Mari&nbsp;Diego que est\u00e1 en rodaje. As\u00ed como&nbsp;<em style=\"line-height: 22.72px;\">Asfixia<\/em>, de Kenya M\u00e1rquez y Alfonso Su\u00e1rez, que ya se encuentra en etapa de preproducci\u00f3n. En un futuro esperamos tener buenas noticias de los guiones premiados el d\u00eda de hoy\u00bb, indic\u00f3 la presidenta de la A.C.<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>La Asociaci\u00f3n Cultural Matilde Landeta A.C. premi\u00f3 a los guiones&nbsp;Historia de una cabra&nbsp;y&nbsp;Mi madre la comediante&nbsp;\u2013primer y segundo lugar,&nbsp;respectivamente- Cineasta y guionista pionera en la \u2018\u00c9poca de Oro\u2019 del cine mexicano, Matilde Landeta inici\u00f3 su carrera como directora en 1948 con la pel\u00edcula&nbsp;Lola Casanova&nbsp;&#8211;&nbsp;basada en la novela hom\u00f3nima de Francisco Rojas Gonz\u00e1lez-,&nbsp;&nbsp;le siguieron&nbsp;La negra Angustias&nbsp;(1949);&nbsp;Trotacalles&nbsp;(1951);&nbsp;&nbsp;y&nbsp;Nocturno [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":14325,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14324","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - 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