{"id":14642,"date":"2016-09-12T18:22:00","date_gmt":"2016-09-12T18:22:00","guid":{"rendered":""},"modified":"2026-06-29T01:37:13","modified_gmt":"2026-06-29T01:37:13","slug":"anunciamos-nuestra-seleccion-oficial-2","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=14642","title":{"rendered":"Anunciamos nuestra selecci\u00f3n oficial 2016, donde todo es posible"},"content":{"rendered":"
\n\"\"<\/strong><\/span><\/div>\n
\n<\/div>\n
\n<\/div>\n
\nEn el transcurso de diez a\u00f1os, el Festival Internacional de Cine Documental de la Ciudad de M\u00e9xico se ha caracterizado por tener una programaci\u00f3n de calidad con el prop\u00f3sito de seguir mostrando historias y ofrecer a los espectadores la mejor oferta cinematogr\u00e1fica del mundo. Sin embargo, hemos cambiado despu\u00e9s de una d\u00e9cada, tanto nosotros como en lo que queremos que el festival signifique para ustedes.<\/span>
 <\/span>
Desde el 2015, la manera de presentar la programaci\u00f3n cambi\u00f3 y este a\u00f1o existen nuevas secciones con pel\u00edculas que necesitan ser vistas por el p\u00fablico y as\u00ed establecer un di\u00e1logo entre la no ficci\u00f3n para conocer la realidad desde m\u00faltiples perspectivas en un mundo donde todo es posible.<\/span>
 <\/span>
Por ello, nos complace anunciar la selecci\u00f3n oficial en competencia para la d\u00e9cima primera edici\u00f3n, la cual qued\u00f3 conformada por 92 t\u00edtulos provenientes de diversas partes del mundo como Suecia, Polonia, Alemania, Lituania, Pa\u00edses Bajos, Espa\u00f1a, M\u00e9xico, entre otros pa\u00edses. T\u00edtulos que fueron elegidos entre los 1452 documentales que se inscribieron en nuestra convocatoria.<\/span>

As\u00ed pues, sean todos bienvenidos a una nueva edici\u00f3n del festival. Abramos bien los ojos a las historias que este a\u00f1o ser\u00e1n protagonistas, adquiramos conciencia de que en verdad todo es posible.<\/span>
 <\/span><\/div>\n
\n
Selecci\u00f3n oficial 2016 <\/strong> <\/span>
 <\/span>
Around the Cities<\/strong><\/span>
Wim Wenders afirma que el \u00abcine pertenece a la ciudad y refleja su esencia\u00bb y no se equivoca.<\/span>
 <\/span><\/div>\n
\n21 x Nueva York<\/strong> | 21 x Nowy Jork | 21 x New York<\/span>
Piotr Stasik | Polonia | 2016 | 71\u2019 | ingl\u00e9s, chino, ruso, polaco<\/span>
 <\/span>
Cuando la Tierra parece ligera<\/strong> | Rotsda dedamitsa msubukia | When the Earth Seems to Be Light<\/span>
Salome Machaidze, Tamuna Karumidze, David Meskhi | Georgia, Alemania | 2015 | 75\u2019 | georgiano<\/span>
 <\/span>
El fin del mundo<\/strong> | Koniec \u015bwiata | End of the World<\/span>
Monika Pawluczuk | Polonia | 2015 | 40\u2019 | polaco<\/span>
 <\/span>
La ciudad de los fragmentos<\/strong> | City of Fragments<\/span>
Anaid Gonz\u00e1lez S\u00e1enz | M\u00e9xico | 2015 | 40\u2019 | espa\u00f1ol<\/span>
 <\/span>
Los nueve<\/strong> | The Nine<\/span>
Katy Grannan | Estados Unidos | 2016 | 98\u2019 | ingl\u00e9s<\/span>
 <\/span>
Si\u00e9ntate y mira<\/strong> | Sit and Watch<\/span>
Francisco Forbes, Matthew Barton | Reino Unido | 2016 | 37\u2019 | ingl\u00e9s<\/span><\/div>\n
\n <\/span>
Breaking Docs<\/strong><\/span>
Una visi\u00f3n diferente de las noticias que ocupan las primeras planas alrededor del planeta.<\/span>
 <\/span><\/div>\n
\nAlisa en el pa\u00eds de la guerra<\/strong> | Alisa w krainie wojny | Alisa in Warland<\/span>
Alisa Kovalenko, Liubov Durakova | Polonia | 2015 | 74\u2019 | ucraniano, ruso, franc\u00e9s, ingl\u00e9s<\/span>
 <\/span>
Freightened. El precio real del transporte mar\u00edtimo<\/strong> | Freightened. The Real Price of Shipping<\/span>
Denis Delestrac | Espa\u00f1a, Francia | 2016 | 84\u2019 | ingl\u00e9s, franc\u00e9s, espa\u00f1ol<\/span>
 <\/span>
Hoka Hey. Un buen d\u00eda para morir<\/strong> | Hoka Hey. A Good Day to Die<\/span>
Harold Monfils | Malasia | 2016 | 87\u2019 | ingl\u00e9s, espa\u00f1ol<\/span>
 <\/span>
Libertad de expresi\u00f3n, libre de miedo<\/strong> | Free Speech Fear Free<\/span>
Tarquin Ramsay | Reino Unido, Alemania | 2016 | 80\u2019 | ingl\u00e9s<\/span>
 <\/span>
Una filtraci\u00f3n en el para\u00edso. El hombre que quer\u00eda destruir el secreto bancario<\/strong> | A Leak in Paradise. L\u2019homme qui voulait d\u00e9truire le secret bancaire<\/span>
David Leloup | B\u00e9lgica, Pa\u00edses Bajos | 2015 | 76\u2019 | franc\u00e9s, ingl\u00e9s, alem\u00e1n suizo<\/span>
 <\/span><\/div>\n
\n<\/div>\n
\nCinepo\u00e8me<\/strong><\/span>
Poemas visuales que se transforman en apacibles o vertiginosos viajes por distintas latitudes.<\/span>
 <\/span><\/div>\n
\nDead Slow Ahead <\/strong><\/span>
Mauro Herce | Espa\u00f1a, Francia | 2015 | 74\u2019 | tagalo<\/span>
 <\/span>
Fantas\u00eda caribe\u00f1a<\/strong> | Caribbean Fantasy<\/span>
Johann\u00e9 G\u00f3mez Terrero | Rep\u00fablica Dominicana | 2016 | 53\u2019 | espa\u00f1ol<\/span>
 <\/span>
Hermanos<\/strong> | Br\u00f8dre | Brothers<\/span>
Aslaug Holm | Noruega | 2015 | 110\u2019 | noruego<\/span>
 <\/span>
Hermanos<\/strong> | Irm\u00e3os | Brothers<\/span>
Pedro Magano | Portugal | 2015 | 71\u2019 | portugu\u00e9s<\/span>
 <\/span>
La familia chechena<\/strong> | The Chechen Family<\/span>
Mart\u00edn Sol\u00e1 | Argentina, Rusia | 2015 | 60\u2019 | checheno<\/span>
 <\/span>
Nueva Venecia <\/strong><\/span>
Emiliano Mazza de Luca | Uruguay, Colombia, M\u00e9xico | 2016 | 80\u2019 | espa\u00f1ol<\/span><\/div>\n
\n<\/div>\n
\n
Doctubre Mx | Mx Doctober<\/strong><\/span>
Una red de exhibici\u00f3n colaborativa que desaf\u00eda las salas convencionales y teje comunidad.<\/span>
 <\/span><\/div>\n
\nCannabis en Uruguay<\/strong> | Cannabis in Uruguay<\/span>
Federika Odriozola | Uruguay | 2015 | 61\u2019 | espa\u00f1ol, ingl\u00e9s<\/span>
 <\/span>
Caracoles<\/strong> | \u015alimaki | Snails<\/span>
Grzegorz Szczepaniak | Polonia | 2015 | 29\u2019 | polaco<\/span>
 <\/span>
FatMob<\/strong><\/span>
Julie Wyman | Estados Unidos | 2016 | 14\u2019 | ingl\u00e9s<\/span>
 <\/span>
La querencia<\/strong> | The Fondness<\/span>
Erick Rodr\u00edguez Alonso | M\u00e9xico | 2015 | 12\u2019 | espa\u00f1ol<\/span>
 <\/span>
La tortuga primordial<\/strong> | The Primordial Turtle<\/span>
Eduardo Quiroz | M\u00e9xico | 2015 | 73\u2019 | espa\u00f1ol, ingl\u00e9s<\/span>
 <\/span>
Lirio Mendoza<\/strong><\/span>
Alfredo Padilla, Marta Violante | M\u00e9xico | 2016 | 14\u2019 | espa\u00f1ol<\/span>
 <\/span>
Los homicidios del karma<\/strong> | The Karma Killings<\/span>
Ram Devineni | India | 2016 | 84\u2019 | hindi<\/span>
 <\/span>
Los otros chicos<\/strong> | The Other Kids<\/span>
Pablo de la Chica | Espa\u00f1a | 2016 | 82\u2019 | luganda, ingl\u00e9s, espa\u00f1ol<\/span>
 <\/span>
Porristas<\/strong> | Cheerleaderki | Cheerleaders<\/span>
S\u0142awomir Witek | Polonia | 2015 | 40\u2019 | polaco<\/span>
 <\/span>
\u00bfQui\u00e9n mat\u00f3 a Elo\u00e1?<\/strong> | Quem Matou Elo\u00e1? | Who Killed Elo\u00e1?<\/span>
L\u00edvia Perez | Brasil | 2015 | 24\u2019 | portugu\u00e9s<\/span>
 <\/span>
Un 9 de abril…<\/strong> | On an April 9…<\/span>
Edgar Humberto \u00c1lvarez | Colombia | 2016 | 15\u2019 | espa\u00f1ol<\/span><\/div>\n
\n<\/div>\n
\n
Docuthriller<\/strong><\/span>
Incre\u00edbles historias llenas de suspenso, intriga y misterio, una realidad que rebasa la ficci\u00f3n.<\/span>
 <\/span><\/div>\n
\nCuando hablamos de la KGB<\/strong> | A\u0161 u\u017e tave pakalb\u0117siu | When We Talk About KGB<\/span>
Max\u00ec Dejoie, Virginija Vareikyt\u0117 | Lituania, Italia | 2015 | 73\u2019 | lituano<\/span>
 <\/span>
El crazy che<\/strong> | The Crazy Che<\/span>
Pablo Chehebar, Nicol\u00e1s Iacouzzi | Argentina | 2015 | 87\u2019 | espa\u00f1ol, ingl\u00e9s<\/span>
 <\/span>
La promesa<\/strong> | Das Versprechen | The Promise<\/span>
Marcus Vetter, Karin Steinberger | Alemania, Estados Unidos | 2016 | 137\u2019 | alem\u00e1n, ingl\u00e9s<\/span>
 <\/span>
Rabia blanca<\/strong> | Valkoinen raivo | White Rage<\/span>
Arto Halonen | Finlandia | 2015 | 73\u2019 | fin\u00e9s<\/span>
 <\/span>
Un buen estadounidense<\/strong> | A Good American<\/span>
Friedrich Moser | Austria | 2015 | 100\u2019 | ingl\u00e9s<\/span><\/div>\n
\n<\/div>\n
\n
Fragmentos | Fragments<\/strong><\/span>
Microhistorias que duran una fracci\u00f3n, un instante, pero que perduran mucho tiempo en la memoria.<\/span>
 <\/span><\/div>\n
\nAurelia y Pedro<\/strong> | Aurelia and Pedro<\/span>
Jos\u00e9 Permar, Omar Robles | M\u00e9xico | 2015 | 16\u2019 | espa\u00f1ol, wix\u00e1rika<\/span>
 <\/span>
(Auto)exposiciones<\/strong> | (Self)Exhibitions<\/span>
Florencia Aliberti | Argentina, Espa\u00f1a | 2015 | 15\u2019 | ingl\u00e9s<\/span>
 <\/span>
Camrex <\/strong><\/span>
Mark Chapman | Reino Unido | 2015 | 14\u2019 | ingl\u00e9s<\/span>
 <\/span>
Desencuentros<\/strong> | Misencounters<\/span>
Sof\u00eda Landgrave Barbosa | M\u00e9xico | 2016 | 11\u2019 | espa\u00f1ol<\/span>
 <\/span>
El buzo<\/strong> | The Diver<\/span>
Esteban Arrangoiz | M\u00e9xico | 2015 | 16\u2019 | espa\u00f1ol<\/span>
 <\/span>
El francotirador de Kobane<\/strong> | The Sniper of Koban\u00ee<\/span>
Reber Dosky | Pa\u00edses Bajos | 2015 | 13\u2019 | \u00e1rabe<\/span>
 <\/span>
El lugar m\u00e1s cerca de Dios<\/strong> | The Closest Place to God<\/span>
Yreri Aguirre Palom\u00e9 | M\u00e9xico | 2015 | 14\u2019 | espa\u00f1ol<\/span>
 <\/span>
El nido<\/strong> | Gniazdo | Habitat<\/span>
Arjun Talwar, Oliver Kr\u00fcger | Polonia | 2015 | 18\u2019 | bereber<\/span>
 <\/span>
El viajero subterr\u00e1neo<\/strong> | The Underground Traveler<\/span>
Chantal Rodr\u00edguez Anguiano | M\u00e9xico | 2015 | 16\u2019 | espa\u00f1ol<\/span>
 <\/span>
En defensa del misil<\/strong> | In Defense of the Rocket<\/span>
Martin Ginestie | Reino Unido | 2015 | 6\u2019 | sin di\u00e1logos<\/span>
 <\/span>
Enemigo dentro<\/strong> | An Enemy Within<\/span>
Fran\u00e7ois Pesant | Canad\u00e1 | 2015 | 23\u2019 | ingl\u00e9s<\/span>
 <\/span>
Entre la huerta y el mar<\/strong> | Between a Garden and the Sea<\/span>
Ariane Lorrain | Palestina, Canad\u00e1 | 2016 | 17\u2019 | \u00e1rabe, franc\u00e9s, ingl\u00e9s<\/span>
 <\/span>
Existencia<\/strong> | Kuxtal | Existence<\/span>
Yamil Quintana | M\u00e9xico | 2016 | 11\u2019 | maya<\/span>
 <\/span>
Kil\u00f3metros por recorrer antes de dormir<\/strong> | Miles to Go Before I Sleep<\/span>
Hanna Hovitie | Finlandia | 2015 | 13\u2019 | ingl\u00e9s<\/span>
 <\/span>
La alianza del aprendizaje<\/strong> | The Learning Alliance<\/span>
Muhammad Umar Saeed | Pakist\u00e1n | 2016 | 9\u2019 | urdu<\/span>
 <\/span>
La carga<\/strong> | The Load<\/span>
V\u00edctor A. Guerrero Stoliar | Cuba | 2015 | 24\u2019 | espa\u00f1ol<\/span>
 <\/span>
Llamadas telef\u00f3nicas <\/strong>| Appels t\u00e9l\u00e9phoniques | Telephone Calls<\/span>
Francisco Rodr\u00edguez | Francia, Chile | 2015 | 10\u2019 | franc\u00e9s<\/span>
 <\/span>
Lo mejor de lo peor<\/strong> | The Best of the Worst<\/span>
Rafael Torrado, Antonio Contreras | M\u00e9xico | 2015 | 10\u2019 | espa\u00f1ol<\/span>
 <\/span>
Un documental<\/strong> | Dokument | A Documentary Film<\/span>
Marcin Podolec | Polonia | 2015 | 7\u2019 | polaco<\/span>
 <\/span>
Ojo por ojo<\/strong> | Eye for an Eye<\/span>
Steve Bache, Mahyar Goudarzi, Louise Peter | Alemania | 2016 | 5\u2019 | ingl\u00e9s<\/span>
 <\/span>
Puntos suspensivos<\/strong> | Ellipsis<\/span>
Paola Ovalle, Alfonso D\u00edaz Tovar | M\u00e9xico | 2015 | 9\u2019 | espa\u00f1ol<\/span>
 <\/span>
Reflejos de Londres<\/strong> | London Reflects<\/span>
Jokin Pascual, Javier Dampierre | Espa\u00f1a, Reino Unido | 2015 | 3\u2019 | ingl\u00e9s<\/span>
 <\/span>
Tierra de brujas, mar de sirenas<\/strong> | Land of Witches, Sea of Mermaids<\/span>
Delia Luna Couturier | M\u00e9xico | 2016 | 10\u2019 | espa\u00f1ol<\/span>
 <\/span><\/div>\n
\n<\/div>\n
\nHecho en M\u00e9xico | Made in Mexico<\/strong><\/span>
Miradas consagradas que dentro y fuera de nuestras fronteras ponen en alto el cine mexicano.<\/span>
 <\/span><\/div>\n
\nEl hombre que vio demasiado<\/strong> | The Man Who Saw Too Much<\/span>
Trisha Ziff | M\u00e9xico | 2015 | 88\u2019 | espa\u00f1ol<\/span>
 <\/span>
El Paso<\/strong><\/span>
Everardo Gonz\u00e1lez | M\u00e9xico, Estados Unidos | 2015 | 76\u2019 | espa\u00f1ol<\/span>
 <\/span>
El remolino<\/strong> | The Swirl<\/span>
Laura Herrero Garv\u00edn | M\u00e9xico | 2016 | 73\u2019 | espa\u00f1ol<\/span>
 <\/span>
La balada del Oppenheimer Park<\/strong> | The Ballad of Oppenheimer Park<\/span>
Juan Manuel Sep\u00falveda | M\u00e9xico | 2016 | 76\u2019 | ingl\u00e9s<\/span>
 <\/span>
La laguna<\/strong> | The Lagoon<\/span>
Aaron Schock | Estados Unidos | 2015 | 40\u2019 | maya<\/span>
 <\/span>
Tempestad<\/strong> | Tempest<\/span>
Tatiana Huezo | M\u00e9xico | 2016 | 105\u2019 | espa\u00f1ol<\/span>
 <\/span><\/div>\n
\nM\u00e1s r\u00e1pido, m\u00e1s alto, m\u00e1s fuerte | Faster, Higher, Stronger<\/strong><\/span>
El deporte no s\u00f3lo son trofeos y reflectores, tambi\u00e9n es sacrificio, superaci\u00f3n y sobrevivencia.<\/span>
 <\/span><\/div>\n
\nAfro-Napoli United<\/strong> | Loro di Napoli<\/span>
Pierfrancesco Li Donni | Italia | 2015 | 74\u2019 | italiano<\/span>
 <\/span>
FC Roma<\/strong><\/span>
Tom\u00e1\u0161 Bojar, Roz\u00e1lie Kohoutov\u00e1 | Rep\u00fablica Checa | 2016 | 76\u2019 | checo<\/span>
 <\/span>
Larga distancia<\/strong> | The Long Distance<\/span>
Daniel Andreas Sager | Alemania | 2015 | 91\u2019 | ingl\u00e9s, alem\u00e1n, suajili, kalenjin, ruso<\/span>
 <\/span>
Pies ligeros<\/strong> | Swift Feet<\/span>
Juan Carlos N\u00fa\u00f1ez | M\u00e9xico | 2016 | 76\u2019 | rar\u00e1muri, espa\u00f1ol, ingl\u00e9s<\/span>
 <\/span>
Zebras<\/strong><\/span>
Javier Zevallos | Argentina | 2016 | 75\u2019 | espa\u00f1ol<\/span><\/div>\n
\n<\/div>\n
\n<\/div>\n
\nM\u00e9xico \u00f3pera prima | Mexico Debut Feature<\/strong><\/span>
Talentos emergentes que en el presente significan el futuro de la cinematograf\u00eda nacional.<\/span>
 <\/span><\/div>\n
\nBa\u00f1o de vida<\/strong> | A Bath of Life<\/span>
Dalia R. Reyes | M\u00e9xico | 2016 | 67\u2019 | espa\u00f1ol<\/span>
 <\/span>
Casi para\u00edso<\/strong> | Almost Paradise<\/span>
Pablo Narezo | M\u00e9xico, Alemania | 2016 | 56\u2019 | espa\u00f1ol, alem\u00e1n<\/span>
 <\/span>
El Charro de Toluquilla<\/strong> | The Charro of Toluquilla<\/span>
Jos\u00e9 Villalobos Romero | M\u00e9xico | 2016 | 89\u2019 | espa\u00f1ol<\/span>
 <\/span>
La mu\u00f1eca fea<\/strong> | The Ugly Doll<\/span>
Claudia L\u00f3pez Garc\u00eda, George Reyes | M\u00e9xico | 2016 | 88\u2019 | espa\u00f1ol<\/span>
 <\/span>
Margarita <\/strong><\/span>
Bruno Santamar\u00eda | M\u00e9xico | 2016 | 73\u2019 | espa\u00f1ol<\/span>
 <\/span>
Regreso a la bruma<\/strong> | Back to the Haze<\/span>
Alicia Ortega Garc\u00eda | M\u00e9xico | 2016 | 40\u2019 | espa\u00f1ol<\/span>
 <\/span>
Te prometo nunca regresar<\/strong> | I Promise You to Never Come Back<\/span>
Pepe Guti\u00e9rrez Garc\u00eda | M\u00e9xico | 2016 | 67\u2019 | espa\u00f1ol<\/span>
 <\/span>
The Weekend Sailor <\/strong>| El navegante de fin de semana<\/span>
Bernardo Arsuaga | M\u00e9xico | 2016 | 74\u2019 | espa\u00f1ol, ingl\u00e9s, franc\u00e9s, portugu\u00e9s<\/span>
 <\/span>
 <\/span><\/div>\n
\nNuestra Am\u00e9rica | Our America<\/strong><\/span>
Una mirada al continente, lejano y desconocido en ocasiones, incluso, para sus habitantes.<\/span>
 <\/span><\/div>\n
\nCantos y cr\u00f3nicas de una barriada olvidada<\/strong> | Songs and Chronicles of a Forgotten Neighborhood<\/span>
Marcos Macarro Sender | Espa\u00f1a, Nicaragua | 2016 | 70\u2019 | espa\u00f1ol<\/span>
 <\/span>
Chicago Boys<\/strong><\/span>
Carola Fuentes, Rafael Valdeavellano | Chile | 2015 | 85\u2019 | espa\u00f1ol, ingl\u00e9s<\/span>
 <\/span>
El buen cristiano<\/strong> | The Good Christian<\/span>
Izabel Acevedo | M\u00e9xico | 2016 | 100\u2019 | espa\u00f1ol<\/span>
 <\/span>
Jonas y el circo del patio<\/strong> | Jonas e o Circo sem Lona | Jonas and the Backyard Circus<\/span>
Paula Gomes | Brasil | 2015 | 81\u2019 | portugu\u00e9s<\/span>
 <\/span>
Luchando por la paz<\/strong> | Fighting for Peace<\/span>
Joost van der Valk, Mags Gavan | Pa\u00edses Bajos, Brasil | 2015 | 72\u2019 | portugu\u00e9s, ingl\u00e9s<\/span>
 <\/span>
Muerte por mil cortes<\/strong> | Death by a Thousand Cuts<\/span>
Juan Mej\u00eda Botero, Jake Kheel | Estados Unidos, Rep\u00fablica Dominicana, Hait\u00ed | 2016 | 73\u2019 | espa\u00f1ol, criollo haitiano<\/span><\/div>\n
\n<\/div>\n
\n<\/div>\n
\nOtro mundo es posible | Another World Is Possible<\/strong><\/span>
Personas, comunidades y culturas enteras que luchan para mejorar el entorno que les rodea.<\/span>
 <\/span><\/div>\n
\nDisidentes digitales<\/strong> | Digitale Dissidenten | Digital Dissidents<\/span>
Cyril Tuschi | Alemania | 2015 | 90\u2019 | ingl\u00e9s<\/span>
 <\/span>
El poder del cambio. La rebeli\u00f3n energ\u00e9tica<\/strong> | Power to Change. Die EnergieRebellion | Power to Change. The Energy Rebellion<\/span>
Carl-A. Fechner | Alemania | 2016 | 94\u2019 | alem\u00e1n<\/span>
 <\/span>
La chica que me salv\u00f3 la vida<\/strong> | Flickan som r\u00e4ddade mitt liv | The Girl Who Saved My Life<\/span>
Hogir Hirori | Suecia | 2016 | 79\u2019 | kurdo, sueco<\/span>
 <\/span>
Otro mundo. Los que llegan por mar<\/strong> | Another World. Ceux qui arrivent par la mer | Another World. Those Who Arrive by Sea<\/span>
Manuela Morgaine | Francia | 2016 | 33\u2019 | franc\u00e9s, italiano<\/span>
 <\/span>
Pr\u00f3xima estaci\u00f3n: Utop\u00eda<\/strong> | Epomenos stathmos: Outopia | Next Stop: Utopia<\/span>
Apostolos Karakasis | Grecia | 2015 | 91\u2019 | griego<\/span><\/div>\n
\n<\/div>\n
\n<\/div>\n
\nRetratos | Portraits<\/strong><\/span>
Obras que trascienden la individualidad de sus protagonistas, alcanzando la universalidad<\/span><\/div>\n
\n5 de octubre<\/strong> | 5. okt\u00f3ber | October 5<\/span>
Martin Koll\u00e1r | Rep\u00fablica Checa, Eslovaquia | 2016 | 52\u2019 | eslovaco<\/span>
 <\/span>
Adi\u00f3s, amor, voy a luchar<\/strong> | Ciao amore, vado a combattere | Goodbye, Darling, I\u2019m Off to Fight<\/span>
Simone Manetti | Italia | 2016 | 72\u2019 | tailand\u00e9s, franc\u00e9s, italiano, ingl\u00e9s<\/span>
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Europa, ella ama<\/strong> | Europe, She Loves<\/span>
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Las ra\u00edces permanecen<\/strong> | The Roots Remain<\/span>
Andrew Marchand-Boddy, Jean-Sebastien Francoeur | Camboya, Canad\u00e1 | 2015 | 77\u2019 | ingl\u00e9s, franc\u00e9s, jemer<\/span>
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Peque\u00f1as mentiras piadosas<\/strong> | The Travel Agent<\/span>
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Maya Kosa, Sergio da Costa | Suiza, Portugal | 2015 | 95\u2019 | portugu\u00e9s<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

En el transcurso de diez a\u00f1os, el Festival Internacional de Cine Documental de la Ciudad de M\u00e9xico se ha caracterizado por tener una programaci\u00f3n de calidad con el prop\u00f3sito de seguir mostrando historias y ofrecer a los espectadores la mejor oferta cinematogr\u00e1fica del mundo. Sin embargo, hemos cambiado despu\u00e9s de una d\u00e9cada, tanto nosotros como en lo que queremos […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14642","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nAnunciamos nuestra selecci\u00f3n oficial 2016, donde todo es posible - EntrePalabras<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/entrepalabrasmxdigital.com\/?p=14642\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anunciamos nuestra selecci\u00f3n oficial 2016, donde todo es posible - EntrePalabras\" \/>\n<meta property=\"og:description\" content=\"En el transcurso de diez a\u00f1os, el Festival Internacional de Cine Documental de la Ciudad de M\u00e9xico se ha caracterizado por tener una programaci\u00f3n de calidad con el prop\u00f3sito de seguir mostrando historias y ofrecer a los espectadores la mejor oferta cinematogr\u00e1fica del mundo. 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