{"id":15000,"date":"2016-08-22T15:41:00","date_gmt":"2016-08-22T15:41:00","guid":{"rendered":""},"modified":"2026-06-29T01:40:41","modified_gmt":"2026-06-29T01:40:41","slug":"apichatpong-weerasethakul-vuelve-la","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=15000","title":{"rendered":"Apichatpong Weerasethakul vuelve a la Cineteca con Cementerio de esplendor"},"content":{"rendered":"<div align=\"center\" style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<ul>\n<li><strong style=\"line-height: 21.3px;\"><i><span style=\"font-family: Arial, Helvetica, sans-serif;\">El realizador regresa con un filme sobre el misterio de la vida y sus l\u00edmites con la irrealidad, una cinta que retrata el duro panorama social en Tailandia<\/span><\/i><\/strong><\/li>\n<\/ul>\n<p><\/p>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjtFQhiJBzDO27uyJDKor_CbTmd3UDnZkVTPcAsHVM7wmAxx23sCAygeSHQVMLrAX11KOUSQj0KUTTTu0EYP3TNyf_BBYlK8NnDXDVKKIIRFoL_9S4_aSIcuzF8WpcqCmZ8P8CY3PWF861B\/s1600\/x9.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" border=\"0\" height=\"225\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/08\/x9.jpg\" class=\"wp-image-15001\" width=\"400\" \/><\/a><\/span><\/div>\n<p><\/p>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><br \/><\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">La figura del hospital contin\u00faa estando presente en la todav\u00eda breve pero ya sustanciosa obra f\u00edlmica de Apichatpong Weerasethakul. Lo vimos en&nbsp;<em style=\"line-height: 22.72px;\">S\u00edndromes y un siglo<\/em>&nbsp;(2006), nominada al Le\u00f3n de Oro, y en su trabajo triunfador como mejor pel\u00edcula en Cannes,&nbsp;<em style=\"line-height: 22.72px;\">El t\u00edo Boonmee recuerda sus vidas pasadas<\/em>&nbsp;(2010). Y es que el misterio de la vida en sus l\u00edmites con la irrealidad de nuevo llama la atenci\u00f3n con su m\u00e1s reciente pel\u00edcula,&nbsp;<em style=\"line-height: 22.72px;\">Cementerio de esplendor<\/em>.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Nominada a mejor pel\u00edcula en la secci\u00f3n \u2018Una cierta mirada\u2019 en Cannes,&nbsp;<em style=\"line-height: 22.72px;\">Cementerio de esplendor<\/em>&nbsp;se estrena este&nbsp;<strong style=\"line-height: 22.72px;\">19 de agosto<\/strong>&nbsp;en la Cineteca Nacional en la&nbsp;<strong style=\"line-height: 22.72px;\">Sala<\/strong><strong style=\"line-height: 22.72px;\">&nbsp;10, Luis Bu\u00f1uel<\/strong>. Se trata de un t\u00edtulo que, tras su paso por el 36 Foro Internacional, da continuidad a una de las filmograf\u00edas m\u00e1s interesantes actualmente dentro del panorama de los directores asi\u00e1ticos.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">El filme nos ubica en Khon Kaen&nbsp;<span class=\"ecxst\" style=\"line-height: 22.72px;\">\u2014<\/span>lugar donde el cineasta creci\u00f3, al noreste de Tailandia<span class=\"ecxst\" style=\"line-height: 22.72px;\">\u2014<\/span>, en lo que fue en el pasado una escuela rural y que ahora como cl\u00ednica alberga a un grupo de soldados que padece la enfermedad del sue\u00f1o. La solitaria ama de casa de mediana edad Jenjira (Jenjira Pongpas Widmer) atiende a uno de estos militares (Banlop Lomnoi) quien sufre alucinaciones que desencadenan en sue\u00f1os extra\u00f1os, fantasmas y romances.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Con formaci\u00f3n de arquitecto y experiencia en el campo de las videoinstalaciones, Weerasethakul siempre genera altas expectativas con su obra. Su nueva pel\u00edcula ha circulado por m\u00faltiples festivales generando cr\u00edticas favorables, aunque ciertamente se trata de un autor no para mayor\u00edas. Su estilo ostenta una complejidad que muchos no toleran por ser demasiado personal.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Sobre el haber rodado en su ciudad natal, el realizador coment\u00f3 en entrevista para&nbsp;<em style=\"line-height: 22.72px;\">Film Comment&nbsp;<\/em>que fue la primera vez que film\u00f3 en Khon Kaen: \u201cFue m\u00e1s personal en la expresi\u00f3n de desesperanza para m\u00ed. Se siente como que al vivir all\u00ed [en Tailandia], me es cada vez m\u00e1s dif\u00edcil expresar las cosas, y ver a los amigos detenidos, encarcelados, es casi como esperar mi turno\u201d; esto en referencia al dominio militar que impera en la naci\u00f3n tailandesa y donde las personas ven regulada su conducta.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">En su cr\u00edtica para&nbsp;<em style=\"line-height: 22.72px;\">La Jornada<\/em>, Carlos Bonfil escribi\u00f3 que el cine po\u00e9tico de Weerasethakul \u201cno se limita ya a mostrar la migraci\u00f3n de las identidades ni el misterio de las reencarnaciones en un contexto budista; sino a yuxtaponer \u00e9pocas hist\u00f3ricas y registros de ficci\u00f3n y realidad para se\u00f1alar una fr\u00eda modernidad y una decadencia pol\u00edtica.&nbsp;<em style=\"line-height: 22.72px;\">Cementerio de esplendor<\/em>&nbsp;es, a un mismo tiempo, una experiencia gratificante y perturbadora.\u201d<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">La propuesta est\u00e9tica del tambi\u00e9n fundador de&nbsp;<em style=\"line-height: 22.72px;\">Kick the machine<\/em>, compa\u00f1\u00eda que se dedica al fomento del cine experimental e independiente, se apoya en el afortunado trabajo del cinefot\u00f3grafo mexicano Diego Garc\u00eda (<em style=\"line-height: 22.72px;\">Manto acu\u00edfero<\/em>, 2013;&nbsp;<em style=\"line-height: 22.72px;\">Buey ne\u00f3n<\/em>, 2015), egresado del Centro de Capacitaci\u00f3n Cinematogr\u00e1fica (CCC).<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>El realizador regresa con un filme sobre el misterio de la vida y sus l\u00edmites con la irrealidad, una cinta que retrata el duro panorama social en Tailandia La figura del hospital contin\u00faa estando presente en la todav\u00eda breve pero ya sustanciosa obra f\u00edlmica de Apichatpong Weerasethakul. Lo vimos en&nbsp;S\u00edndromes y un siglo&nbsp;(2006), nominada al [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":15001,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15000","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Apichatpong Weerasethakul vuelve a la Cineteca con Cementerio de esplendor - EntrePalabras<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/entrepalabrasmxdigital.com\/?p=15000\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Apichatpong Weerasethakul vuelve a la Cineteca con Cementerio de esplendor - EntrePalabras\" \/>\n<meta property=\"og:description\" content=\"El realizador regresa con un filme sobre el misterio de la vida y sus l\u00edmites con la irrealidad, una cinta que retrata el duro panorama social en Tailandia La figura del hospital contin\u00faa estando presente en la todav\u00eda breve pero ya sustanciosa obra f\u00edlmica de Apichatpong Weerasethakul. 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