{"id":15460,"date":"2016-08-02T15:43:00","date_gmt":"2016-08-02T15:43:00","guid":{"rendered":""},"modified":"2026-06-29T01:44:50","modified_gmt":"2026-06-29T01:44:50","slug":"modernidad-pirateada-colectiva-que","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=15460","title":{"rendered":"Modernidad pirateada  Colectiva que analiza los procesos culturales de multiplicaci\u00f3n de la copia"},"content":{"rendered":"<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: right;\">\n<\/div>\n<ul>\n<li style=\"text-align: justify;\"><b style=\"line-height: 20.8267px;\"><span style=\"line-height: 18.9333px;\"><i><span style=\"font-family: Arial, Helvetica, sans-serif;\">Investigaci\u00f3n: Jota Izquierdo<\/span><\/i><\/span><\/b><\/li>\n<li style=\"text-align: justify;\"><b style=\"line-height: 20.8267px;\"><span style=\"line-height: 18.9333px;\"><i><span style=\"font-family: Arial, Helvetica, sans-serif;\">Inauguraci\u00f3n: s\u00e1bado 30 de julio, 12:00 hrs.<\/span><\/i><\/span><\/b><\/li>\n<li style=\"text-align: justify;\"><i style=\"line-height: 20.8267px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b style=\"line-height: 20.8267px;\"><span style=\"line-height: 18.9333px;\">Como parte de la exposici\u00f3n se realizar\u00e1n conferencias,&nbsp;<\/span><\/b><b style=\"line-height: 20.8267px;\"><span style=\"line-height: 18.9333px;\">tocadas y mesas de trabajo<\/span><\/b><\/span><\/i><\/li>\n<li style=\"text-align: justify;\"><b style=\"line-height: 20.8267px;\"><span style=\"line-height: 18.9333px;\"><i><span style=\"font-family: Arial, Helvetica, sans-serif;\">Museo Universitario del Chopo, Galer\u00eda Rampas<\/span><\/i><\/span><\/b><\/li>\n<\/ul>\n<p><\/p>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhaBi-ie571BWThQRuw4i2qrFj4E8tjbap76tnOsCcjUORa4U8sxJ9KF2mdHsJDNtcPbmLV8s2BiZgKmqm2nuQt8ITNlck9u7At5l9BW6zgkStYmbUQTdDNxdhL0QUcgfqgK71DpqLMpMW6\/s1600\/S.S_MODERNIDAD_PIRATEADA_1.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" border=\"0\" height=\"300\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/08\/S.S_MODERNIDAD_PIRATEADA_1.jpg\" class=\"wp-image-15461\" width=\"400\" \/><\/a><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><i style=\"line-height: 20.8267px;\"><span style=\"line-height: 18.9333px;\"><br \/><\/span><\/i><\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><i style=\"line-height: 20.8267px;\"><span style=\"line-height: 18.9333px;\"><br \/><\/span><\/i><\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 20.8267px;\"><i style=\"line-height: 20.8267px;\"><span style=\"line-height: 18.9333px;\">Modernidad pirateada<\/span><\/i><span style=\"line-height: 18.9333px;\">&nbsp;es una exposici\u00f3n colectiva que parte de una investigaci\u00f3n y an\u00e1lisis de&nbsp; distintas culturas musicales &#8211;punk, rock, salsa, cumbia&#8211; a partir de pr\u00e1cticas que pueden relacionarse con lo que el antrop\u00f3logo Ravi Sundaram llama&nbsp;<i style=\"line-height: 18.9333px;\">modernidad pirata.<\/i><\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 18.9333px;\">&nbsp;<\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"line-height: 18.9333px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">El artista Jota Izquierdo, que ha realizado la investigaci\u00f3n de la exposici\u00f3n y la propuesta de artistas, puntualiza que el objetivo de la muestra es tratar el concepto de pirater\u00eda m\u00e1s all\u00e1 de su denostaci\u00f3n y criminalizaci\u00f3n, para entender c\u00f3mo las culturas populares, con sus im\u00e1genes y sus m\u00fasicos, se han incorporado a la modernidad mediante sus propias estrategias.<\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 18.9333px;\">&nbsp;<\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"line-height: 18.9333px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">La exposici\u00f3n incluye obra gr\u00e1fica, videos, fotograf\u00eda, instalaciones, as\u00ed como diversos elementos de archivo y colecci\u00f3n de: Mirjiam Wirz (Suiza); Jorge Silva (Colombia); Dario Blanco (Colombia); Jota Izquierdo (Espa\u00f1a); y de los mexicanos Diego Iba\u00f1ez; Yasodari S\u00e1nchez; Vicente Razo; Audimix; Daniel Guzm\u00e1n; Taniel Morales; Israel Mart\u00ednez; Laureana Toledo; Sarah Minter; Pablo Gayt\u00e1n; Juan Pablo Mac\u00edas; Enrique Arriaga; Karina Morales; Cristian Franco; Vicente Razo; Carlos Somonte; Luis Figueroa; y El Proyecto Sonidero.<\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 18.9333px;\">&nbsp;<\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"line-height: 18.9333px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Las obras abordan diversas tem\u00e1ticas como el movimiento sonidero en la Ciudad de M\u00e9xico (investigaci\u00f3n, fotograf\u00eda, dise\u00f1o publicitario y memorabilia); la relaci\u00f3n musical entre Colombia y la Ciudad de Monterrey; diversas expresiones culturales contenidas en la colecci\u00f3n de la Fanzinoteca del Museo Universitario del Chopo; la escena punk de Guadalajara y de la Ciudad de M\u00e9xico; la apropiaci\u00f3n musical; los grupos de black metal mexicano; las disqueras independientes; el hardcore; y el rock, entre otros.<\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 18.9333px;\">&nbsp;<\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"line-height: 18.9333px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Se trata de una exploraci\u00f3n de procesos culturales relacionados con el trabajo de Ravi Sundaram, quien se\u00f1ala que lo que se (re) produce no s\u00f3lo es una copia; m\u00e1s bien, se\u00f1ala el te\u00f3rico, los procesos de copia en los pa\u00edses postcoloniales deben ser entendidos como un modo de incorporaci\u00f3n de las clases populares a la producci\u00f3n, distribuci\u00f3n y consumo de bienes y servicios globales. Estas nuevas pr\u00e1cticas introducen elementos de originalidad y creatividad que producen nuevas significaciones y distorsionan aspectos de la cultura capitalista.<\/span><\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"line-height: 18.9333px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Sundaram explica en su texto&nbsp;<i style=\"line-height: 18.9333px;\">Revisiting the Pirate Kingdom<\/i>&nbsp;que en los pa\u00edses en v\u00edas de desarrollo, el capitalismo colapsa en la fase de globalizaci\u00f3n; la crisis econ\u00f3mica se manifiesta de manera permanente, as\u00ed como el crecimiento desmedido de las ciudades y de la econom\u00eda informal que conduce a la multiplicaci\u00f3n de la copia.<\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 18.9333px;\">&nbsp;<\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"line-height: 18.9333px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">La proliferaci\u00f3n sin control define a la nueva vida urbana: talleres caseros, tianguis, fayuqueros y vendedores ambulantes, son espacios y actores que definen la \u201cglobalizaci\u00f3n desde abajo\u201d, llamada as\u00ed por el te\u00f3rico brasile\u00f1o Gustavo Lins Riveiro. De sus formas de producci\u00f3n, distribuci\u00f3n y consumo precarios emergen modos culturales que introducen desajustes, rupturas, reciclaje, aver\u00edas, saturaci\u00f3n y exceso como rasgos distintivos de su identidad.<\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 18.9333px;\">&nbsp;<\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"line-height: 18.9333px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">La modernidad pirata surge y permanece como una soluci\u00f3n local a una modernidad globalizada (pero no alcanzada), que desde la mimetizaci\u00f3n y apropiaci\u00f3n busca sus propios cauces y modos de producci\u00f3n cultural; mientras que la modernidad propone el original y la novedad en la distribuci\u00f3n vertical de sus productos culturales, la modernidad pirateada impulsa la cultura de la copia como forma de producir, distribuir y consumir productos.<\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 18.9333px;\">&nbsp;<\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"line-height: 18.9333px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">El ruido, la fragmentaci\u00f3n, el reciclado, el truque o la copia son formas creativas en constante reproducci\u00f3n que subvierten las leyes de propiedad intelectual y el control de contenidos del capitalismo corporativo; de esta manera, se genera una est\u00e9tica degradada, discontinua, \u201csucia\u201d, omnipresente que conecta espacios y personas creando una nueva experiencia cultural urbana, explica el investigador.<\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 18.9333px;\">&nbsp;<\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"line-height: 18.9333px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Como parte de la exposici\u00f3n se realizar\u00e1n conferencias, tocadas y mesas de trabajo con la participaci\u00f3n de protagonistas de distintas culturas musicales.<\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 18.9333px;\">&nbsp;<\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><b style=\"line-height: 20.8267px;\"><span style=\"line-height: 18.9333px;\">Jota Izquierdo<\/span><\/b><span style=\"line-height: 18.9333px;\">&nbsp;(Castell\u00f3n, Espa\u00f1a, 1972).&nbsp;<span style=\"line-height: 18.9333px;\">Vive y trabaja en la Ciudad de M\u00e9xico. Estudi\u00f3 la licenciatura en la Facultad de Bellas Artes de San Carlos, en Valencia, Espa\u00f1a. Desde 2009 trabaja en el proyecto&nbsp;<i style=\"line-height: 18.9333px;\">Capitalismo amarillo<\/i>, que investiga c\u00f3mo funciona \u00e9ste en la econom\u00eda informal.<\/span><\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 18.9333px;\">&nbsp;<\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"line-height: 18.9333px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Algunas de sus exposiciones individuales son:&nbsp;<i style=\"line-height: 18.9333px;\">Caiwen Kelai<\/i>, en la Galer\u00eda Proyecto Paralelo (Ciudad de M\u00e9xico, 2013);&nbsp;<i style=\"line-height: 18.9333px;\">Regi\u00f3n 4<\/i>, en Cable Factory Gallery (Helsinki, Finlandia, 2011); cat\u00e1logo&nbsp;<i style=\"line-height: 18.9333px;\">H.E.L.L.O.<\/i>, en La Gallera (Valencia, Espa\u00f1a, 2009); cat\u00e1logo&nbsp;<i style=\"line-height: 18.9333px;\">DESCONOCIDO N\u00ba1.<\/i>, en Espacio Contempor\u00e1neo Archivo Toledo (Espa\u00f1a, 2009);&nbsp;<i style=\"line-height: 18.9333px;\">Hombres como vacas<\/i>&nbsp;(Valencia, 2007);&nbsp;<i style=\"line-height: 18.9333px;\">The Living End<\/i>, en Laboratorio Arte Alameda (Ciudad de M\u00e9xico, 2004).<\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 18.9333px;\">&nbsp;<\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"line-height: 18.9333px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Ha participado en las exposiciones colectivas:&nbsp;<i style=\"line-height: 18.9333px;\">Punk, sus rastros en el arte contempor\u00e1neo<\/i>, MACBA, (Barcelona, Espa\u00f1a, 2016);<i style=\"line-height: 18.9333px;\">Contemporary Mexican Art<\/i>, en Oxo Tower Wharf (Londres, 2014);&nbsp;<i style=\"line-height: 18.9333px;\">Mapas m\u00f3viles<\/i>, en La Tallera (Cuernavaca, M\u00e9xico, 2014);&nbsp;<i style=\"line-height: 18.9333px;\">Simult\u00e1neo 07<\/i>, en Espacio AB9 (Murcia, Espa\u00f1a, 2014);&nbsp;<i style=\"line-height: 18.9333px;\">CACAO<\/i>, en el Museo Universitario del Chopo (Ciudad de M\u00e9xico, 2013).<\/span><\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><i style=\"line-height: 20.8267px;\"><span style=\"line-height: 18.9333px;\">Biennal Curve<\/span><\/i><span style=\"line-height: 18.9333px;\">, en Ok Centrum (Linz, Austria, 2013);&nbsp;<i style=\"line-height: 18.9333px;\">Vernetzt<\/i>, en Power Tower Energie (Linz, Austria, 2012); cat\u00e1logo&nbsp;<i style=\"line-height: 18.9333px;\">Manifesta. Bienal de Arte Contempor\u00e1neo<\/i>&nbsp;(Genk, B\u00e9lgica, 2012).&nbsp;<i style=\"line-height: 18.9333px;\">Bristol Biennial. Lemexraum Project<\/i>&nbsp;(Bristol, Inglaterra, 2012);&nbsp;<i style=\"line-height: 18.9333px;\">Mad Lab<\/i>&nbsp;(Manchester Inglaterra, 2011).<\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 18.9333px;\">&nbsp;<\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"line-height: 18.9333px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Cuenta con los proyectos de arte p\u00fablico&nbsp;<i style=\"line-height: 18.9333px;\">V\u00c9NDEMELA<\/i>!!!., en Casa Vecina (Ciudad de M\u00e9xico, 2009);&nbsp;<i style=\"line-height: 18.9333px;\">\u00daltima<\/i>&nbsp;(Torrent, Valencia, 2007); y<i style=\"line-height: 18.9333px;\">contemporane@<\/i>, en Eacc Espai D\u00b4Art Cotemporani (Castell\u00f3n,&nbsp; 2005).<\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 18.9333px;\">&nbsp;<\/span><\/div>\n<div class=\"ecxMsoNormal\" style=\"background-color: white; line-height: 20.8267px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"line-height: 18.9333px;\">Recibi\u00f3 los siguientes apoyos y becas: Ayuda para la creaci\u00f3n, (Fundaci\u00f3n Arte y Derecho, Madrid, 2009); Beca Artes Pl\u00e1sticas (Fundaci\u00f3n Marcelino Bot\u00edn, Espa\u00f1a, 2010); y Ayuda para la promoci\u00f3n del arte espa\u00f1ol y apoyo a nuevas tendencias en las artes (Ministerio de Cultura, Espa\u00f1a, 2008), entre otras. Algunas de sus obras son parte de la colecci\u00f3n del Museo Arte Contempor\u00e1neo (MUAC, UNAM) y de la Fundaci\u00f3n Bot\u00edn del Banco Santander<\/span><span style=\"line-height: 18.9333px;\">.<\/span><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Investigaci\u00f3n: Jota Izquierdo Inauguraci\u00f3n: s\u00e1bado 30 de julio, 12:00 hrs. Como parte de la exposici\u00f3n se realizar\u00e1n conferencias,&nbsp;tocadas y mesas de trabajo Museo Universitario del Chopo, Galer\u00eda Rampas Modernidad pirateada&nbsp;es una exposici\u00f3n colectiva que parte de una investigaci\u00f3n y an\u00e1lisis de&nbsp; distintas culturas musicales &#8211;punk, rock, salsa, cumbia&#8211; a partir de pr\u00e1cticas que pueden relacionarse [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":15461,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15460","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Modernidad pirateada Colectiva que analiza los procesos culturales de multiplicaci\u00f3n de la copia - EntrePalabras<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/entrepalabrasmxdigital.com\/?p=15460\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Modernidad pirateada Colectiva que analiza los procesos culturales de multiplicaci\u00f3n de la copia - EntrePalabras\" \/>\n<meta property=\"og:description\" content=\"Investigaci\u00f3n: Jota Izquierdo Inauguraci\u00f3n: s\u00e1bado 30 de julio, 12:00 hrs. Como parte de la exposici\u00f3n se realizar\u00e1n conferencias,&nbsp;tocadas y mesas de trabajo Museo Universitario del Chopo, Galer\u00eda Rampas Modernidad pirateada&nbsp;es una exposici\u00f3n colectiva que parte de una investigaci\u00f3n y an\u00e1lisis de&nbsp; distintas culturas musicales &#8211;punk, rock, salsa, cumbia&#8211; a partir de pr\u00e1cticas que pueden relacionarse [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/entrepalabrasmxdigital.com\/?p=15460\" \/>\n<meta property=\"og:site_name\" content=\"EntrePalabras\" \/>\n<meta property=\"article:published_time\" content=\"2016-08-02T15:43:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-06-29T01:44:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/08\/S.S_MODERNIDAD_PIRATEADA_1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"300\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"entrepalabras\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"entrepalabras\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/?p=15460#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/?p=15460\"},\"author\":{\"name\":\"entrepalabras\",\"@id\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/#\\\/schema\\\/person\\\/7e4adbd71849efdae7f005d1c49eb0b5\"},\"headline\":\"Modernidad pirateada Colectiva que analiza los procesos culturales de multiplicaci\u00f3n de la copia\",\"datePublished\":\"2016-08-02T15:43:00+00:00\",\"dateModified\":\"2026-06-29T01:44:50+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/?p=15460\"},\"wordCount\":1064,\"image\":{\"@id\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/?p=15460#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/wp-content\\\/uploads\\\/2016\\\/08\\\/S.S_MODERNIDAD_PIRATEADA_1.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/?p=15460\",\"url\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/?p=15460\",\"name\":\"Modernidad pirateada Colectiva que analiza los procesos culturales de multiplicaci\u00f3n de la copia - EntrePalabras\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/?p=15460#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/?p=15460#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/wp-content\\\/uploads\\\/2016\\\/08\\\/S.S_MODERNIDAD_PIRATEADA_1.jpg\",\"datePublished\":\"2016-08-02T15:43:00+00:00\",\"dateModified\":\"2026-06-29T01:44:50+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/#\\\/schema\\\/person\\\/7e4adbd71849efdae7f005d1c49eb0b5\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/?p=15460#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/?p=15460\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/?p=15460#primaryimage\",\"url\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/wp-content\\\/uploads\\\/2016\\\/08\\\/S.S_MODERNIDAD_PIRATEADA_1.jpg\",\"contentUrl\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/wp-content\\\/uploads\\\/2016\\\/08\\\/S.S_MODERNIDAD_PIRATEADA_1.jpg\",\"width\":400,\"height\":300},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/?p=15460#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Modernidad pirateada Colectiva que analiza los procesos culturales de multiplicaci\u00f3n de la copia\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/#website\",\"url\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/\",\"name\":\"EntrePalabras\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/#\\\/schema\\\/person\\\/7e4adbd71849efdae7f005d1c49eb0b5\",\"name\":\"entrepalabras\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/?s=96&d=mm&r=g\",\"caption\":\"entrepalabras\"},\"url\":\"https:\\\/\\\/entrepalabrasmxdigital.com\\\/?author=2\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Modernidad pirateada Colectiva que analiza los procesos culturales de multiplicaci\u00f3n de la copia - EntrePalabras","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/entrepalabrasmxdigital.com\/?p=15460","og_locale":"es_ES","og_type":"article","og_title":"Modernidad pirateada Colectiva que analiza los procesos culturales de multiplicaci\u00f3n de la copia - EntrePalabras","og_description":"Investigaci\u00f3n: Jota Izquierdo Inauguraci\u00f3n: s\u00e1bado 30 de julio, 12:00 hrs. Como parte de la exposici\u00f3n se realizar\u00e1n conferencias,&nbsp;tocadas y mesas de trabajo Museo Universitario del Chopo, Galer\u00eda Rampas Modernidad pirateada&nbsp;es una exposici\u00f3n colectiva que parte de una investigaci\u00f3n y an\u00e1lisis de&nbsp; distintas culturas musicales &#8211;punk, rock, salsa, cumbia&#8211; a partir de pr\u00e1cticas que pueden relacionarse [&hellip;]","og_url":"https:\/\/entrepalabrasmxdigital.com\/?p=15460","og_site_name":"EntrePalabras","article_published_time":"2016-08-02T15:43:00+00:00","article_modified_time":"2026-06-29T01:44:50+00:00","og_image":[{"width":400,"height":300,"url":"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/08\/S.S_MODERNIDAD_PIRATEADA_1.jpg","type":"image\/jpeg"}],"author":"entrepalabras","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"entrepalabras","Tiempo de lectura":"5 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/entrepalabrasmxdigital.com\/?p=15460#article","isPartOf":{"@id":"https:\/\/entrepalabrasmxdigital.com\/?p=15460"},"author":{"name":"entrepalabras","@id":"https:\/\/entrepalabrasmxdigital.com\/#\/schema\/person\/7e4adbd71849efdae7f005d1c49eb0b5"},"headline":"Modernidad pirateada Colectiva que analiza los procesos culturales de multiplicaci\u00f3n de la copia","datePublished":"2016-08-02T15:43:00+00:00","dateModified":"2026-06-29T01:44:50+00:00","mainEntityOfPage":{"@id":"https:\/\/entrepalabrasmxdigital.com\/?p=15460"},"wordCount":1064,"image":{"@id":"https:\/\/entrepalabrasmxdigital.com\/?p=15460#primaryimage"},"thumbnailUrl":"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/08\/S.S_MODERNIDAD_PIRATEADA_1.jpg","articleSection":["Uncategorized"],"inLanguage":"es"},{"@type":"WebPage","@id":"https:\/\/entrepalabrasmxdigital.com\/?p=15460","url":"https:\/\/entrepalabrasmxdigital.com\/?p=15460","name":"Modernidad pirateada Colectiva que analiza los procesos culturales de multiplicaci\u00f3n de la copia - EntrePalabras","isPartOf":{"@id":"https:\/\/entrepalabrasmxdigital.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/entrepalabrasmxdigital.com\/?p=15460#primaryimage"},"image":{"@id":"https:\/\/entrepalabrasmxdigital.com\/?p=15460#primaryimage"},"thumbnailUrl":"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/08\/S.S_MODERNIDAD_PIRATEADA_1.jpg","datePublished":"2016-08-02T15:43:00+00:00","dateModified":"2026-06-29T01:44:50+00:00","author":{"@id":"https:\/\/entrepalabrasmxdigital.com\/#\/schema\/person\/7e4adbd71849efdae7f005d1c49eb0b5"},"breadcrumb":{"@id":"https:\/\/entrepalabrasmxdigital.com\/?p=15460#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/entrepalabrasmxdigital.com\/?p=15460"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/entrepalabrasmxdigital.com\/?p=15460#primaryimage","url":"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/08\/S.S_MODERNIDAD_PIRATEADA_1.jpg","contentUrl":"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/08\/S.S_MODERNIDAD_PIRATEADA_1.jpg","width":400,"height":300},{"@type":"BreadcrumbList","@id":"https:\/\/entrepalabrasmxdigital.com\/?p=15460#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/entrepalabrasmxdigital.com\/"},{"@type":"ListItem","position":2,"name":"Modernidad pirateada Colectiva que analiza los procesos culturales de multiplicaci\u00f3n de la copia"}]},{"@type":"WebSite","@id":"https:\/\/entrepalabrasmxdigital.com\/#website","url":"https:\/\/entrepalabrasmxdigital.com\/","name":"EntrePalabras","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/entrepalabrasmxdigital.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Person","@id":"https:\/\/entrepalabrasmxdigital.com\/#\/schema\/person\/7e4adbd71849efdae7f005d1c49eb0b5","name":"entrepalabras","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","caption":"entrepalabras"},"url":"https:\/\/entrepalabrasmxdigital.com\/?author=2"}]}},"_links":{"self":[{"href":"https:\/\/entrepalabrasmxdigital.com\/index.php?rest_route=\/wp\/v2\/posts\/15460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/entrepalabrasmxdigital.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/entrepalabrasmxdigital.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/entrepalabrasmxdigital.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/entrepalabrasmxdigital.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15460"}],"version-history":[{"count":1,"href":"https:\/\/entrepalabrasmxdigital.com\/index.php?rest_route=\/wp\/v2\/posts\/15460\/revisions"}],"predecessor-version":[{"id":15462,"href":"https:\/\/entrepalabrasmxdigital.com\/index.php?rest_route=\/wp\/v2\/posts\/15460\/revisions\/15462"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/entrepalabrasmxdigital.com\/index.php?rest_route=\/wp\/v2\/media\/15461"}],"wp:attachment":[{"href":"https:\/\/entrepalabrasmxdigital.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/entrepalabrasmxdigital.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/entrepalabrasmxdigital.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}