{"id":15644,"date":"2016-07-25T19:29:00","date_gmt":"2016-07-25T19:29:00","guid":{"rendered":""},"modified":"2026-06-29T01:46:29","modified_gmt":"2026-06-29T01:46:29","slug":"filminlatino-celebra-un-ano-de-ofrecer","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=15644","title":{"rendered":"FilminLatino celebra un a\u00f1o de ofrecer lo mejor  del cine mexicano e internacional en l\u00ednea"},"content":{"rendered":"<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: center;\">\n<\/div>\n<ul>\n<li style=\"text-align: left;\"><strong style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; text-align: justify;\"><i>La plataforma digital ofrece al d\u00eda de hoy m\u00e1s de 1700 t\u00edtulos<\/i><\/strong><\/li>\n<li style=\"text-align: left;\"><strong style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; text-align: justify;\"><i>Cuenta con m\u00e1s de 35 mil usuarios registrados<\/i><\/strong><\/li>\n<li style=\"text-align: left;\"><strong style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; text-align: justify;\"><i>FilminLatino es una iniciativa de la Secretar\u00eda de Cultura e IMCINE, en alianza con la empresa espa\u00f1ola Filmin<\/i><\/strong><\/li>\n<li style=\"text-align: left;\"><strong style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; text-align: justify;\"><i>Cine de ficci\u00f3n, documental, cortometraje, cl\u00e1sicos de la cinematograf\u00eda mundial y series, son parte del cat\u00e1logo de FilminLatino<\/i><\/strong><\/li>\n<\/ul>\n<p><\/p>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: left;\">\n<\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<a href=\"https:\/\/snt146.mail.live.com\/Handlers\/ImageProxy.mvc?bicild=&amp;canary=OnS%2fAzDHgIpP4IIqzDOS7gNy1r1WhXfCpFrLLlXzQ2A%3d0&amp;url=http%3a%2f%2fwww.imcine.gob.mx%2fimagenes%2ffilmin1a%25C3%25B1o.png\" imageanchor=\"1\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" alt=\"\" border=\"0\" height=\"381\" src=\"https:\/\/snt146.mail.live.com\/Handlers\/ImageProxy.mvc?bicild=&amp;canary=OnS%2fAzDHgIpP4IIqzDOS7gNy1r1WhXfCpFrLLlXzQ2A%3d0&amp;url=http%3a%2f%2fwww.imcine.gob.mx%2fimagenes%2ffilmin1a%25C3%25B1o.png\" style=\"display: block; line-height: 21.3px;\" width=\"640\" \/><\/a><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">Este 21 de julio FilminLatino celebra un a\u00f1o de su puesta en l\u00ednea, continuando con su proceso de consolidaci\u00f3n como un espacio digital no s\u00f3lo como una alternativa, sino como una ventana m\u00e1s para la apreciaci\u00f3n tanto de pel\u00edculas mexicanas como cine de todo el mundo, adem\u00e1s de fomentar una cultura cinematogr\u00e1fica en todo el pa\u00eds.<\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">&nbsp;<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">En los \u00faltimos a\u00f1os, el mundo digital reorient\u00f3 los h\u00e1bitos de consumo de contenidos audiovisuales, ante ello la Secretar\u00eda de Cultura y el Instituto Mexicano de Cinematograf\u00eda (IMCINE), desarrollaron una iniciativa de plataformas digitales, con el claro prop\u00f3sito de acercar el cine al ciudadano. De esta acci\u00f3n nace FilminLatino, en alianza con la empresa espa\u00f1ola Filmin, con m\u00e1s de 8 a\u00f1os de experiencia en el mercado del Video bajo&nbsp; demanda (VOD).&nbsp;<\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">&nbsp;<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">FilminLatino celebra as\u00ed un a\u00f1o de vida, un a\u00f1o de experiencias y aprendizaje, y sobre todo de crecimiento, hoy en d\u00eda se cuenta con m\u00e1s de 35 mil usuarios registrados y su principal fortaleza es un cat\u00e1logo que se ha ido incrementando d\u00eda con d\u00eda, en donde el cine mexicano convive de manera org\u00e1nica con el cine internacional, lo mismo en largometrajes de ficci\u00f3n, documental, animaci\u00f3n, cortos o series.<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">Los t\u00edtulos que conforman el cat\u00e1logo de FilminLatino re\u00fanen una buena parte de lo m\u00e1s destacado del cine nacional contempor\u00e1neo y mundial, as\u00ed como una selecci\u00f3n de grandes cl\u00e1sicos. Para su mejor apreciaci\u00f3n, las pel\u00edculas forman parte de diferentes curadur\u00edas, con m\u00e1s de 60 colecciones, bloques autorales o tem\u00e1ticos, que tienen que ver con la actualidad y as\u00ed facilitar al usuario su decisi\u00f3n de ver una cinta en la plataforma.<\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">&nbsp;<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">Para FilminLatino es muy claro que no busca competir, sino complementar y ser parte fundamental de los momentos de transformaci\u00f3n social que se vive a partir de los cambios tecnol\u00f3gicos, con una oferta cinematogr\u00e1fica diversa y variada, que ampl\u00ede las posibilidades de los usuarios en M\u00e9xico de acceder a las m\u00e1ximas expresiones del cine mundial. Adem\u00e1s de fomentar el consumo legal de materiales audiovisuales y, sobre todo, construir una comunidad que encuentre su espacio para la promoci\u00f3n y difusi\u00f3n de sus pel\u00edculas.<\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">&nbsp;<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">En este momento FilminLatino re\u00fane la obra de grandes autores de cine mundial como Luis Bu\u00f1uel, Akira Kurosawa, Ingmar Bergman, Roberto Rossellini o Robert Bresson, entre otros. Tambi\u00e9n la obra de destacados realizadores mexicanos como Arturo Ripstein, Jaime Humberto Hermosillo, Felipe Cazals, Mar\u00eda Novaro, Maryse Sistach, Nicol\u00e1s Echevarr\u00eda, Jorge Denti, o las voces de Amat Escalante, Carlos Reygadas, Juli\u00e1n Hern\u00e1ndez, Fernando Eimbcke, Juan Carlos Rulfo, Luciana Kaplan, Tatiana Huezo, Everardo Gonz\u00e1lez, Roberto Fiesco, Claudia Sainte-Luce, por mencionar algunas.<\/span><strong style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">&nbsp;<\/strong><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">La plataforma ofrece herramientas que permiten al espectador seleccionar pel\u00edculas del cat\u00e1logo de acuerdo a sus gustos e intereses de una manera \u00e1gil y directa. Est\u00e1 dirigida al p\u00fablico en general, a los amantes del cine en nuestro pa\u00eds.<\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">&nbsp;<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">Ofrece a los usuarios individuales modalidades de pago por suscripci\u00f3n (SVOD), transacci\u00f3n (TVOD), con precios competitivos en el mercado y la secci\u00f3n GratisMx, sin costo (FVOD). La plataforma est\u00e1 disponible en computadoras de escritorio y port\u00e1tiles, aplicaciones para dispositivos m\u00f3viles as\u00ed como ChromeCast, AppleTV y Android TV.<\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">&nbsp;<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">La secci\u00f3n GratisMX est\u00e1 integrada por una selecci\u00f3n de largometrajes&nbsp; y cortometrajes mexicanos. Se trata de materiales que son del acervo del IMCINE, adem\u00e1s de la colaboraci\u00f3n con Ambulante M\u00e1s All\u00e1 y Animasivo, que pueden ser apreciados de manera gratuita con s\u00f3lo registrarse en la plataforma.<\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">&nbsp;<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">En FilminLatino se han estrenado las pel\u00edculas&nbsp;<em style=\"line-height: 22.72px;\">Viento aparte, Manto acu\u00edfero, La tirisia, El incidente, Paciente 27, Me quedo contigo, Los muertos, Todos est\u00e1n muertos, Salir, Cr\u00f3nicas chilangas, Las letras<\/em>&nbsp;y&nbsp;<em style=\"line-height: 22.72px;\">Yo<\/em>, entre otras. Tambi\u00e9n ha tenido funciones especiales de&nbsp;<em style=\"line-height: 22.72px;\">La calle de la amargura, Tiempo de morir, El abrazo de la serpiente, El club,&nbsp;<\/em>y<em style=\"line-height: 22.72px;\">&nbsp;El tiempo suspendido.<\/em><\/span><em style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">&nbsp;<\/em><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">A lo largo de este a\u00f1o se ha colaborado con festivales nacionales como FICG, FICUNAM, FICM, GIFF, RMFF, Rodando Film Festival, Festival de Cine Mexicano en Guadalajara, FIC Monterrey, Festival de Cine Mexicano Durango, Feratum, entre otros Adem\u00e1s se han llevado a cabo dos festivales en l\u00ednea: Visor y My French Film Festival.<\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">&nbsp;<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">Tambi\u00e9n la plataforma se sum\u00f3 a las actividades del III Concurso de Cr\u00edtica Cinematogr\u00e1fica, convocado por Cineteca Nacional, CorreC\u00e1mara, IMCINE y la Embajada de Francia en M\u00e9xico, logrando una mayor participaci\u00f3n de personas del toda la Rep\u00fablica Mexicana.<\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">&nbsp;<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">Para la semana de aniversario en FilminLatino se estrenar\u00e1n&nbsp;<em style=\"line-height: 22.72px;\">600 millas<\/em>, de Gabriel Ripstein (M\u00e9xico),&nbsp;<em style=\"line-height: 22.72px;\">Ivy Maraey<\/em>&nbsp;de Juan Carlos Valdivia (Bolivia),&nbsp;<em style=\"line-height: 22.72px;\">Gloria<\/em>, de Sebasti\u00e1n Lelio (Chile), entre otras.<\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">&nbsp;<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">Se parte de la comunidad de FilminLatino, s\u00edguenos:<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">www.filminlatino.mx<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">En Twitter: @filminlatino<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">Facebook: filminlatino<\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: center;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Las pel\u00edculas m\u00e1s vistas en FilminLatino&nbsp;<br style=\"line-height: 22.72px;\" \/>(julio 2015- julio-2016)<\/strong><\/span><\/div>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<table border=\"1\" style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px;\">\n<tbody style=\"line-height: 21.3px;\">\n<tr style=\"line-height: 21.3px;\">\n<td style=\"line-height: 21.3px;\">\n<div style=\"line-height: 21.3px; margin-bottom: 1.35em;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\"><br style=\"line-height: 22.72px;\" \/>Cat\u00e1logo GratisMX Cortometrajes&nbsp;<br style=\"line-height: 22.72px;\" \/><\/strong><\/span><\/div>\n<\/td>\n<td style=\"line-height: 21.3px;\">\n<div style=\"line-height: 21.3px; margin-bottom: 1.35em;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\"><br style=\"line-height: 22.72px;\" \/>Cat\u00e1logo GratisMX Largometrajes&nbsp;<br style=\"line-height: 22.72px;\" \/><\/strong><\/span><\/div>\n<\/td>\n<\/tr>\n<tr style=\"line-height: 21.3px;\">\n<td style=\"line-height: 21.3px;\">\n<ul style=\"line-height: 21.3px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Tr\u00e9mulo, de Roberto Fiesco<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Para vestir santos, de Armando Casas<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Muchacho en la barra se masturba con rabia y osad\u00eda, de Juli\u00e1n Hern\u00e1ndez<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">La teta de Botero, de Humberto Busto<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">La tiricia o c\u00f3mo curar la tristeza, de \u00c1ngeles Cruz<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Huevos, de Ren\u00e9 Pe\u00f1aloza Galv\u00e1n<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Porcelana, de&nbsp;<\/strong><strong style=\"line-height: 22.72px;\">Betzab\u00e9 Garc\u00eda<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">El trompetista, de Ra\u00fal Rob\u00edn Morales<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Estamos por todos lados, de&nbsp; Sof\u00eda P\u00e9rez Suinaga<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">M\u00fasica para poder dormir, de Nicol\u00e1s Rojas S\u00e1nchez<\/strong><\/span><\/li>\n<\/ul>\n<\/td>\n<td style=\"line-height: 21.3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\">&nbsp;<\/span><\/p>\n<ul style=\"line-height: 21.3px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Profundo carmes\u00ed, de Arturo Ripstein<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Cabeza de vaca, de Nicol\u00e1s Echevarr\u00eda<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">La otra virginidad, de Juan Manuel Torres<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Un dulce olor a muerte, de Gabriel Retes<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">La viuda negra de Arturo Ripstein<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Tivoli, de Alberto Isaac<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Ll\u00e1menme Mike, de Alfredo Gurrola<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Estas ruinas que ves, de Juli\u00e1n Pastor<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">El coraz\u00f3n de la noche, de Jaime Humberto Hermosillo<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Fe, Esperanza y Caridad, de Jorge Fons, Luis Alcoriza y Alberto Boj\u00f3rquez<\/strong><\/span><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<table border=\"1\" style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px;\">\n<tbody style=\"line-height: 21.3px;\">\n<tr style=\"line-height: 21.3px; text-align: justify;\">\n<td style=\"line-height: 21.3px;\">\n<div style=\"line-height: 21.3px; margin-bottom: 1.35em;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\"><br style=\"line-height: 22.72px;\" \/>Cat\u00e1logo de Suscripci\u00f3n (SVOD)<\/strong><\/span><\/div>\n<\/td>\n<td style=\"line-height: 21.3px;\">\n<div style=\"line-height: 21.3px; margin-bottom: 1.35em;\">\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\"><br style=\"line-height: 22.72px;\" \/>Cat\u00e1logo de Renta Individual&nbsp;<br style=\"line-height: 22.72px;\" \/>(Transacci\u00f3n) (TVOD)<\/strong><\/span><\/div>\n<div style=\"line-height: 21.3px; margin-bottom: 1.35em;\">\n<\/div>\n<\/td>\n<\/tr>\n<tr style=\"line-height: 21.3px; text-align: justify;\">\n<td style=\"line-height: 21.3px;\">\n<ul style=\"line-height: 21.3px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Laurence Anyways, de Xavier Dolan<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">La historia del Cine, de Mark Cousins<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">El castillo de la pureza, de Arturo Ripstein<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Quebranto, de Roberto Fiesco<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Yo te saludo Mar\u00eda, de Jean-Luc Godard<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Luc\u00eda y el sexo, de Julio Medem<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Como una enamorada, de Abbas Kiarostami&nbsp;<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Pina, de Wim Wenders<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">A\u00f1o bisiesto, de Michael Rowe<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Luz silenciosa, de Carlos Reygadas<\/strong><\/span><\/li>\n<\/ul>\n<div style=\"line-height: 21.3px; margin-bottom: 1.35em;\">\n<\/div>\n<\/td>\n<td style=\"line-height: 21.3px;\">\n<ul style=\"line-height: 21.3px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">El Alcalde, de Carlos Rossini, Emiliano Altuna y Diego Osorno<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">G\u00fceros, de Alonso Ruizpalacios<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">El abrazo de la serpiente, de Ciro Guerra<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Carm\u00edn tropical, de Rigoberto Perezcano<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Zonas h\u00famedas, de&nbsp;<\/strong><strong style=\"line-height: 22.72px;\">David Wnendt<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Viento aparte, de Alejandro Gerber<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Los ins\u00f3litos peces gato, de Claudia Sainte-Luce<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Me quedo contigo, de Artemio Narro<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">Club S\u00e1ndwich, de Fernando Eimbcke<\/strong><\/span><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 22.72px;\"><strong style=\"line-height: 22.72px;\">La tirisia, de Jorge P\u00e9rez Solano<\/strong><\/span><\/li>\n<\/ul>\n<div style=\"line-height: 21.3px; margin-bottom: 1.35em;\">\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div style=\"background-color: white; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; margin-bottom: 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