{"id":16245,"date":"2016-06-21T14:56:00","date_gmt":"2016-06-21T14:56:00","guid":{"rendered":""},"modified":"2026-06-29T01:52:50","modified_gmt":"2026-06-29T01:52:50","slug":"la-cara-mas-terrorifica-del-cine-sera","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=16245","title":{"rendered":"La cara m\u00e1s terror\u00edfica del cine ser\u00e1 tema de estudio en la Cineteca Nacional"},"content":{"rendered":"<div align=\"center\" style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<ul>\n<li><strong style=\"line-height: 21.3px;\"><i><span style=\"font-family: Arial, Helvetica, sans-serif;\">El g\u00f3tico brit\u00e1nico y el horror oriental ser\u00e1n son algunos temas dentro del curso \u201cHistoria moderna del cine de horror\u201d que impartir\u00e1 Leonardo Garc\u00eda Tsao<\/span><\/i><\/strong><\/li>\n<li><strong style=\"line-height: 21.3px;\"><i><span style=\"font-family: Arial, Helvetica, sans-serif;\">El periodo de inscripciones cierra el 4 de julio o hasta completar aforo<\/span><\/i><\/strong><\/li>\n<\/ul>\n<p><\/p>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/06\/x8-1.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" width=\"448\" height=\"640\" border=\"0\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/06\/x8-1.jpg\" class=\"wp-image-16246\" \/><\/a><\/span><\/div>\n<p><\/p>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><br \/><\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Actualmente el zombi, el gore y el falso documental puede que nos parezcan de lo m\u00e1s usual en el cine, pero \u00bfcu\u00e1les son los or\u00edgenes de estos elementos que logran estremecer los nervios del p\u00fablico? Al menos la aparici\u00f3n de la figura del zombi se remonta a hace cinco d\u00e9cadas, y el surgimiento del gore lo ubicamos en los a\u00f1os setenta. Esto nos dice que el cine de horror es un g\u00e9nero en constante transformaci\u00f3n, y que se caracteriza por componentes que derivan de diferentes sucesos hist\u00f3ricos y naciones.&nbsp;&nbsp;<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Con la intenci\u00f3n de profundizar en el cine de horror, que ha sido desde un elemental producto de explotaci\u00f3n comercial a una muestra depurada de cine de autor, el Departamento de Extensi\u00f3n Acad\u00e9mica de la Cineteca Nacional abre inscripciones al curso<strong style=\"line-height: 22.72px;\">Historia moderna del cine de horror<\/strong>, que impartir\u00e1 Leonardo Garc\u00eda Tsao los d\u00edas<strong style=\"line-height: 22.72px;\">mi\u00e9rcoles y viernes de 17:00 a 20:00 horas a partir del 6 de julio y hasta el 2 de septiembre.<\/strong><\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">El temario abarca desde el cine de horror y la guerra de Vietnam en los a\u00f1os sesenta con filmes como&nbsp;<em style=\"line-height: 22.72px;\">La noche de los muertos vivientes<\/em>&nbsp;(George A. Romero, 1968), hasta la actualidad con una de las pel\u00edculas de horror m\u00e1s esperadas este 2016:&nbsp;<em style=\"line-height: 22.72px;\">La bruja<\/em>&nbsp;(Robert Eggers, 2015). Se trata de un gran recorrido en el que se abordar\u00e1n los principales puntos del panorama del g\u00e9nero considerado como el lado oscuro del onirismo cinematogr\u00e1fico.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Leonardo Garc\u00eda Tsao ha escrito cr\u00edtica de cine para los diarios&nbsp;<em style=\"line-height: 22.72px;\">Unom\u00e1suno<\/em>,&nbsp;<em style=\"line-height: 22.72px;\">El Nacional<\/em>&nbsp;y&nbsp;<em style=\"line-height: 22.72px;\">La Jornada<\/em>, donde actualmente escribe una columna semanal. Tambi\u00e9n ha colaborado en revistas nacionales e internacionales, entre ellas&nbsp;<em style=\"line-height: 22.72px;\">Variety<\/em>,&nbsp;<em style=\"line-height: 22.72px;\">Film Comment<\/em>,&nbsp;<em style=\"line-height: 22.72px;\">Sight &amp; Sound<\/em>,<em style=\"line-height: 22.72px;\">Cahiers du Cin\u00e9ma<\/em>,&nbsp;<em style=\"line-height: 22.72px;\">Cine<\/em>,&nbsp;<em style=\"line-height: 22.72px;\">Im\u00e1genes<\/em>,&nbsp;<em style=\"line-height: 22.72px;\">Cine Premiere<\/em>,&nbsp;<em style=\"line-height: 22.72px;\">Nexos<\/em>&nbsp;y&nbsp;<em style=\"line-height: 22.72px;\">Universidad de M\u00e9xico<\/em>. Tambi\u00e9n ha sido programador del festival de Canc\u00fan, la Muestra de Cine Mexicano en Guadalajara, el Palm Springs International Film Festival y del Festival Internacional de Bangkok.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Entre los cineastas y sus facetas terror\u00edficas que se estudiar\u00e1n, se encuentra David Cronenberg con&nbsp;<em style=\"line-height: 22.72px;\">El engendro del diablo&nbsp;<\/em>(1979), y Takashi Miike con&nbsp;<em style=\"line-height: 22.72px;\">Audici\u00f3n&nbsp;<\/em>(1999). Tambi\u00e9n se contempla el an\u00e1lisis de t\u00f3picos como el horror metaf\u00edsico, el horror coreano, el g\u00f3tico brit\u00e1nico, la influencia asi\u00e1tica y la deconstrucci\u00f3n del g\u00e9nero.&nbsp;<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Una de las d\u00e9cadas clave que se encuentran es la de los ochenta, cuando hallamos a Sam Raimi con&nbsp;<em style=\"line-height: 22.72px;\">El despertar del diablo<\/em>&nbsp;(1981) y a Kathryn Bigelow con&nbsp;<em style=\"line-height: 22.72px;\">Cuando cae la oscuridad<\/em>(1987). Del cine contempor\u00e1neo se estudiar\u00e1n t\u00edtulos como&nbsp;<em style=\"line-height: 22.72px;\">La noche del demonio<\/em>&nbsp;(James Wan, 2010),&nbsp;<em style=\"line-height: 22.72px;\">La caba\u00f1a del terror&nbsp;<\/em>(Drew Goddard, 2012 y&nbsp;<em style=\"line-height: 22.72px;\">Est\u00e1 detr\u00e1s de ti<\/em>&nbsp;(David Robert Mitchell, 2014).<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.72px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Historia Moderna del Cine de Horror<\/span><\/strong><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><strong style=\"line-height: 22.72px;\">Fechas:<\/strong>&nbsp;Del 6 de julio al 2 de septiembre<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><strong style=\"line-height: 22.72px;\">Horario:<\/strong>&nbsp;Lunes y mi\u00e9rcoles de 17:00 a 20:00 horas. 16 sesiones de 3 horas cada una.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><strong style=\"line-height: 22.72px;\">Costo:<\/strong>&nbsp;$2,500<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><strong style=\"line-height: 22.72px;\">Descuentos:<\/strong>&nbsp;10% de descuento a estudiantes, profesores, Tarjeta INAPAM, con credencial vigente y a personas que hayan participado en otro curso organizado por la Cineteca Nacional.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.72px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Informes e inscripciones:<\/span><\/strong><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Hasta el 4 de julio de 2016 o hasta completar aforo.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.72px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Cupo limitado<\/span><\/strong><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.72px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Departamento de Extensi\u00f3n Acad\u00e9mica de la Cineteca Nacional<\/span><\/strong><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Orianna Paz:&nbsp;<a href=\"mailto:opaz@cinetecanacional.net\" style=\"cursor: pointer; font-weight: inherit; line-height: 22.72px;\" target=\"_blank\">opaz@cinetecanacional.net<\/a><\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">41 55 12 38<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Liliana Santana:&nbsp;<a href=\"mailto:lsantana@cinetecanacional.net\" style=\"cursor: pointer; font-weight: inherit; line-height: 22.72px;\" target=\"_blank\">lsantana@cinetecanacional.net<\/a><\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">41 55 12 00 ext. 3264<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<a href=\"http:\/\/www.cinetecanacional.net\/\" style=\"cursor: pointer; font-weight: inherit; line-height: 22.72px;\" target=\"_blank\"><span style=\"color: black; font-family: Arial, Helvetica, sans-serif;\">www.cinetecanacional.net<\/span><\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>El g\u00f3tico brit\u00e1nico y el horror oriental ser\u00e1n son algunos temas dentro del curso \u201cHistoria moderna del cine de horror\u201d que impartir\u00e1 Leonardo Garc\u00eda Tsao El periodo de inscripciones cierra el 4 de julio o hasta completar aforo Actualmente el zombi, el gore y el falso documental puede que nos parezcan de lo m\u00e1s usual [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":16246,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-16245","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La cara m\u00e1s terror\u00edfica del cine ser\u00e1 tema de estudio en la Cineteca Nacional - EntrePalabras<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/entrepalabrasmxdigital.com\/?p=16245\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La cara m\u00e1s terror\u00edfica del 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