{"id":16256,"date":"2016-06-21T14:46:00","date_gmt":"2016-06-21T14:46:00","guid":{"rendered":""},"modified":"2026-06-29T01:52:55","modified_gmt":"2026-06-29T01:52:55","slug":"muestra-internacional-de-cine-con","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=16256","title":{"rendered":"Muestra Internacional de Cine con Perspectiva de G\u00e9nero anuncia la selecci\u00f3n oficial de su 5\u00aa edici\u00f3n"},"content":{"rendered":"
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\nLa Muestra Internacional de Cine con Perspectiva de G\u00e9nero (MICG\u00e9nero<\/strong>) anuncia las pel\u00edculas que conforman la selecci\u00f3n oficial de su 5\u00ba edici\u00f3n: \u201cVS. MEDIA. Democracia, medios & feminismo\u201d.<\/span> <\/span><\/span><\/div>\n
\nMICG\u00e9nero <\/strong>se llevar\u00e1 a cabo del 4 de agosto al 30 de octubre en 12 estados de la Rep\u00fablica Mexicana: Ciudad de M\u00e9xico, Guerrero, Oaxaca, Chiapas, San Luis Potos\u00ed, Veracruz, Edo. M\u00e9xico, Nuevo Le\u00f3n, Morelos, Puebla, Quintana Roo y Baja California.<\/span> <\/span><\/span><\/div>\n
\nMICG\u00e9nero <\/strong>es una iniciativa cultural que acerca los estudios de g\u00e9nero y los derechos humanos a un p\u00fablico diverso, que puede o no estar familiarizado con estos temas, a trav\u00e9s del cine y otras actividades paralelas. Cuando los estudios de g\u00e9nero son aplicados al cine, estos propician formas de entender los fen\u00f3menos sociales desde una perspectiva cr\u00edtica y una experiencia est\u00e9tica. Por tal motivo, MICG\u00e9nero <\/strong>se rige como un foro en el que las producciones cinematogr\u00e1ficas sirven para movilizar conciencias y promover un cambio social.<\/span><\/span><\/div>\n
\nDado que los estudios de g\u00e9nero y los feminismos abarcan diversas agendas y l\u00edneas de investigaci\u00f3n, cada a\u00f1o MICG\u00e9nero <\/strong>organiza los filmes de la selecci\u00f3n oficial dentro de 11 categor\u00edas: Derechos sexuales y reproductivos, Movilidad humana y migraci\u00f3n, Ecofeminismos, Etarismos, Queer y Postporno, Disonancias, Minoridades en foco, Resiliencia, Cuerpo Atl\u00e9tico, VS. Media, Encierros y reclusi\u00f3n.<\/span> <\/span><\/span><\/div>\n
\nEste a\u00f1o, MICG\u00e9nero <\/strong>destaca la categor\u00eda \u201cVS. MEDIA. Democracia, medios & feminismo<\/em>\u201d. El incremento de la violencia en contra de defensores de derechos humanos y periodistas genera que M\u00e9xico atraviese una de las peores crisis humanitarias en su historia. Por otro lado, la reproducci\u00f3n de la violencia machista y  los roles de g\u00e9nero y el sexismo en medios de comunicaci\u00f3n perpet\u00faa el sistema que oprime a las mujeres.<\/span> <\/span><\/span><\/div>\n
\n87 pel\u00edculas, las cuales son 53 largometrajes y 34 cortometrajes, provenientes de 30 pa\u00edses representados, entre los cuales encontramos 56 documentales y 28 ficciones, 3 experimentales, dirigidos por 43 directoras y 44 directoes, conforman la selecci\u00f3n oficial. Adem\u00e1s, se organizar\u00e1 un ciclo en colaboraci\u00f3n con Women Ma- kes Movies<\/em><\/strong>,<\/span><\/span><\/div>\n
\nA continuaci\u00f3n, se exponen las pel\u00edculas seleccionadas y la categor\u00eda en la que se inscriben:<\/span><\/span><\/div>\n
\n<\/div>\n
    \n
  1. Democracia. Vs Media.Feminismo<\/span><\/span><\/li>\n<\/ol>\n
    \n<\/div>\n
    \nShe\u00b4s beautiful when she\u00b4s angry<\/strong>, dir. Mary Dore y Nancy Kennedy, Estados Unidos, 2014<\/span><\/span><\/div>\n
    \nGuido Models<\/strong>, dir. Julieta Sans, Argentina, 2016<\/span><\/span><\/div>\n
    \nFederica Montseny, l\u00b4indomptable<\/strong>, dir. Jean-Michel Rodrigo, Francia, Espa\u00f1a, 2016<\/span><\/span><\/div>\n
    \nThe Free Voice of Egypt – Nawal El Saadawi<\/strong>, dir. Konstanze Burkard, Alema- nia, 2015<\/span><\/span><\/div>\n
    \nBernadette Lafont, et Dieu cr\u00e9a la femme libre<\/strong>, dir. Esther Hoffenberg, Fran- cia, 2016<\/span><\/span><\/div>\n
    \n<\/div>\n
    \nCortometrajes:<\/span><\/span><\/div>\n
    \nCallas Reloaded<\/strong>, dir. Fred Morin, Francia, 2015<\/span><\/span><\/div>\n
    \n<\/div>\n
      \n
    1. Movilidad humana ymigraci\u00f3n<\/span><\/span><\/li>\n<\/ol>\n
      \n<\/div>\n
      \nWe are in it<\/strong>, dir. Yehuda Sharim, Estados Unidos, 2016<\/span><\/span><\/div>\n
      \n#myescape<\/strong>, Elke Sasse, Alemania, 2016<\/span><\/span><\/div>\n
      \nOvarian Psycos <\/strong>(ciclo Women Makes Movies), dir. Kate Trumbull-LaValle Joanna Sokolowski, Estados Unidos, 2016<\/span><\/span><\/div>\n
      \nEn tr\u00e1nsito<\/strong>, dir. Oskar Tejedor, Espa\u00f1a, 2016<\/span><\/span><\/div>\n
      \n<\/div>\n
      \nMy name is Adil<\/strong>, dir. Adil Azzab, Magda Rezene y Andrea Pellizzer, Italia, 2016<\/span><\/span><\/div>\n
      \n<\/div>\n
      \nCortometrajes:<\/span><\/span><\/div>\n
      \nFatima<\/strong>, dir. Nina Khada, Francia, 2015<\/span><\/span><\/div>\n
      \nClub Amazonas<\/strong>, dir. Roberto Fiesco Trejo, M\u00e9xico<\/span><\/span><\/div>\n
      \n<\/div>\n
        \n
      1. Derechos sexuales yreproductivos<\/span><\/span><\/li>\n<\/ol>\n
        \n<\/div>\n
        \nUna Historia de Familia. Welcome home<\/strong>, dir. Pablo Rogero, Espa\u00f1a, 2015 Two Soft Things, Two Hard Things<\/strong>, dir. Mark Kenneth Woods y Michael Yerxa, Canad\u00e1, 2016<\/span><\/span><\/div>\n
        \nMajor!<\/strong>, dir. Annalise Ophelian, Estados Unidos, 2015<\/span><\/span><\/div>\n
        \nEl charro de Toluquilla<\/strong>, dir. Jos\u00e9 Villalobos Romero, M\u00e9xico, 2016 The Pearl of Africa<\/strong>, dir. Jonny von Wallstr\u00f6m, Suecia, 2016 Paulina (La Patota)<\/strong>, dir. Santiago Mitre, Argentina, 2015<\/span><\/span><\/div>\n
        \n<\/div>\n
        \nCortometrajes:<\/span><\/span><\/div>\n
        \nAustralia <\/strong>(CCC), dir. Rodrigo Ruiz Patterson, M\u00e9xico, 2016 Smuack<\/strong>, dir. Alejandra S\u00e1nchez, M\u00e9xico, 2015 Mukwano<\/strong>, dir. Cecilie McNair, Dinamarca,2016<\/span><\/span><\/div>\n
        \nAire <\/strong>(CCC), dir. Kami Garc\u00eda, M\u00e9xico, 2015<\/span><\/span><\/div>\n
        \nMemories of a strip club<\/strong>, dir. Silvana Lazaro, M\u00e9xico, 2016 Weird Times<\/strong>, dir. Mehmet Emrah Erkan\u0131, Turquia, 2015 Final Cut<\/strong>, dir. Janno J\u00fcrgens, Estonia, 2014<\/span><\/span><\/div>\n
        \n<\/div>\n
          \n
        1. Queer ypostporno<\/span><\/span><\/li>\n<\/ol>\n
          \n<\/div>\n
          \nDressed as a Girl<\/strong>, dir. Colin Rothbart, Reino Unido, 2015<\/span><\/span><\/div>\n
          \nOn the other side of the mirror<\/strong>, dir. Cecilia Grasso, Italia, 2015<\/span><\/span><\/div>\n
          \nHorse-Being<\/strong>, dir. J\u00e9r\u00f4me Cl\u00e9ment-Wilz, Francia, 2015<\/span><\/span><\/div>\n
          \nWaiting for B<\/strong>, dir. Paulo Cesar Toledo, Brasil, 2015<\/span><\/span><\/div>\n
          \nDesire will set you free<\/strong>, dir. Nicolas Sarkissian, Alemania, 2015<\/span><\/span><\/div>\n
          \n<\/div>\n
          \nCortometrajes:<\/span><\/span><\/div>\n
          \nGar\u00e7onne<\/strong>, dir. Nicolas Sarkissian, Francia, 2014<\/span><\/span><\/div>\n
          \nBearded Ladies – The Photography of Rosamond Norbury<\/strong>, dir. Sharon McGowan, Canad\u00e1, 2016<\/span><\/span><\/div>\n
          \nUriel y Jade <\/strong>(UdG), dir. Eduardo Esquivel, M\u00e9xico, 2016 Sexo Limpio <\/strong>(CCC), dir. Mar\u00eda Conchita D\u00edaz, M\u00e9xico 2015 Alex y Eric para siempre<\/strong>, dir. Leo Adef, Espa\u00f1a, 2015 The Cream<\/strong>, dir. Jean- Marie Villeneuve, Francia, 2014<\/span><\/span><\/div>\n
          \nWhile the unicorn is watching me<\/strong>, dir. Shanti Masud, Francia, 2014<\/span><\/span><\/div>\n
          \n<\/div>\n
            \n
          1. Minoridades enfoco<\/span><\/span><\/li>\n<\/ol>\n
            \n<\/div>\n
            \nNarar\u00e1chi<\/strong>, dir. Susana Bernal, M\u00e9xico, 2014<\/span><\/span><\/div>\n
            \nSwagger<\/strong>, dir. Olivier Babinet, Francia, 2016<\/span><\/span><\/div>\n
            \nLittle go girls<\/strong>, dir. Eliane De Latour, Francia, 2015<\/span><\/span><\/div>\n
            \nNarcisa<\/strong>, dir. Daniela Muttis, Argentina, 2014<\/span><\/span><\/div>\n
            \nLUTAH. A Passion for Architecture: A Life in Design<\/strong>, dir. Kum-Kum Bhavna- ni, Estados Unidos, 2014<\/span><\/span><\/div>\n
            \n<\/div>\n
            \nCortometrajes:<\/span><\/span><\/div>\n
            \nIvan’s need<\/strong>, dir. Veronica Lingg Monta\u00f1o, Suiza, 2015<\/span><\/span><\/div>\n
            \nBorgo Vecchio Factory<\/strong>, dir. Claudio Esposito, Italia, 2016<\/span><\/span><\/div>\n
            \n<\/div>\n
              \n
            1. Encierros yreclusi\u00f3n<\/span><\/span><\/li>\n<\/ol>\n
              \n<\/div>\n
              \nDuda razonable. El caso de Florence Cassez<\/strong>, dir. Daniel Salvador Ruiz Delga- dillo, M\u00e9xico, 2015<\/span><\/span><\/div>\n
              \nLa sargento Matacho<\/strong>, dir. William Gonz\u00e1lez, Colombia, 2015<\/span><\/span><\/div>\n
              \nNunca vas a estar solo<\/strong>, dir. Alex Anwandter, Chile, 2016<\/span><\/span><\/div>\n
              \nAmong believers<\/strong>, dir. Hemal Trivedi and Mohammed Ali Naqvi, Pakistan, 2015<\/span><\/span><\/div>\n
              \n<\/div>\n
              \nCortometrajes:<\/span><\/span><\/div>\n
              \nLa Rabia de Clara <\/strong>(CCC), dir. Michelle Garza Cervera, M\u00e9xico, 2016 Sonata y Bronce <\/strong>(CCC), dir. Luz Mar\u00eda Rodr\u00edguez P\u00e9rez, M\u00e9xico, 2016 Semillas de guam\u00fachil<\/strong>, dir. Carolina Corral Paredes, M\u00e9xico, 2016<\/span><\/span><\/div>\n
              \n<\/div>\n
              \nRosario <\/strong>(CCC), dir. Mar\u00e9n R\u00edos-Farjat, M\u00e9xico, 2016<\/span><\/span><\/div>\n
              \n<\/div>\n
                \n
              1. Resiliencia<\/span><\/span><\/li>\n<\/ol>\n
                \n<\/div>\n
                \nHow I saved Africa<\/strong>, dir. Kullar Viimne, Estonia, 2014<\/span><\/span><\/div>\n
                \nEl Cuarto de los Huesos <\/strong>(ciclo Women Makes Movies), dir. Marcela Zamora Chamorro, El Salvador, 2015<\/span><\/span><\/div>\n
                \nDamiana Kryygi<\/strong>, dir. Alejandro Fern\u00e1ndez Mouj\u00e1n, Argentina, 2015<\/span><\/span><\/div>\n
                \nPa\u00f1uelos para la Historia<\/strong>, dir. Nicol\u00e1s Valentini y Alejandro Haddad, Argentina, 2015<\/span><\/span><\/div>\n
                \nAllende, mi abuelo Allende<\/strong>, dir. Marcia Tambutti Allende, Chile- M\u00e9xico, 2015<\/span><\/span><\/div>\n
                \n<\/div>\n
                \nCortometrajes:<\/span><\/span><\/div>\n
                \nShireen of al-Walaja<\/strong>, dir. Daz Chandler, Palestina, 2015<\/span><\/span><\/div>\n
                \n<\/div>\n
                  \n
                1. Ecofeminismos<\/span><\/span><\/li>\n<\/ol>\n
                  \n<\/div>\n
                  \nThis changes everything<\/strong>, dir. Avi Lewis, Estados Unidos, 2015<\/span><\/span><\/div>\n
                  \nLa hija de la laguna<\/strong>, dir. Ernesto Cabellos, Per\u00fa, 2015<\/span><\/span><\/div>\n
                  \nN-AGUA<\/strong>, dir. Pietro Belfiore, Italia, 2015<\/span><\/span><\/div>\n
                  \nTisseues de r\u00eaves<\/strong>, dir. Ithri Iroudhane, Francia, 2015<\/span><\/span><\/div>\n
                  \nRemolino (The swirl)<\/strong>, dir. Laura Herrero Garv\u00edn, M\u00e9xico, 2016<\/span><\/span><\/div>\n
                  \n<\/div>\n
                  \nCortometrajes:<\/span><\/span><\/div>\n
                  \nEnchikunye<\/strong>, dir. Sandro Bozzolo, Italia, 2016<\/span><\/span><\/div>\n
                  \nFeed the Green: Feminist Voices for the Earth <\/strong>(ciclo Women Makes Movies), dir. Jane Caputi, Estados Unidos, 2015<\/span><\/span><\/div>\n
                  \n<\/div>\n
                    \n
                  1. Etarismo y relacionesintergeneracionales<\/span><\/span><\/li>\n<\/ol>\n
                    \n<\/div>\n
                    \nFlores Silvestres <\/strong>(CCC), dir. Pablo P\u00e9rez Lombardini, M\u00e9xico, 2015<\/span><\/span><\/div>\n
                    \nStory of courtesan<\/strong>, dir. Geraldine Jonckers, B\u00e9lgica, 2015 El comienzo de la vida<\/strong>, dir. Estela Renner, Brasil, 2016 Margarita<\/strong>, <\/em>dir. Bruno Santamar\u00eda, M\u00e9xico, 2016<\/span><\/span><\/div>\n
                    \n<\/div>\n
                    \nGr\u00fc\u00dfe aus Fukushima (Fukushima, mon Amour)<\/strong>, dir. Doris D\u00f6rrie, Alemania, 2016<\/span><\/span><\/div>\n
                    \n<\/div>\n
                    \nCortometrajes:<\/span><\/span><\/div>\n
                    \nLa Chair et les volcans<\/strong>, dir. Cl\u00e9mence Demesme, Francia, 2015 La Canci\u00f3n del abuelo <\/strong>(CCC), dir. Carlos Alc\u00e1zar, M\u00e9xico, 2015 Crush<\/strong>, dir. Lara Kose, Australia, 2015<\/span><\/span><\/div>\n
                    \n09:55- 11:05, Ingrid Ekman, Bergsgatan 4 B<\/strong>, dir. Cristine Berglund y Sophie Vukovic, Suecia, 2015<\/span><\/span><\/div>\n
                    \n<\/div>\n
                      \n
                    1. Disonancias<\/span><\/span><\/li>\n<\/ol>\n
                      \n<\/div>\n
                      \nSonita <\/strong>(ciclo Women Makes Movies), dir. Rokhsareh Ghaem Maghami, Alemania, Ir\u00e1n, Suiza, 2016<\/span><\/span><\/div>\n
                      \nEl ruise\u00f1or y la noche. Chavela Vargas canta a Lorca<\/strong>, dir. Rub\u00e9n Rojo Aura, M\u00e9xico, 2015<\/span><\/span><\/div>\n
                      \nInside the mind of Favela Funk<\/strong>, dir. Fleur Beemster & Elise Roodenburg, Ho- landa, 2015<\/span><\/span><\/div>\n
                      \nA peine j\u00b4ouvre les yeux<\/strong>, dir. Leyla Bouzid, T\u00fanez, 2015<\/span><\/span><\/div>\n
                      \n<\/div>\n
                      \nCortometrajes:<\/span><\/span><\/div>\n
                      \nKeep the Cumbia Going<\/strong>, dir. Candy Guinea, Estados Unidos, 2015<\/span><\/span><\/div>\n
                      \n<\/div>\n
                        \n
                      1. Cuerpoatl\u00e9tico<\/span><\/span><\/li>\n<\/ol>\n
                        \n<\/div>\n
                        \nBa\u00f1o de Vida <\/strong>(CCC), dir. Dalia Reyes, M\u00e9xico, 2016<\/span><\/span><\/div>\n
                        \nT\u00e1nger Gool<\/strong>, dir. Juan Gautier, Espa\u00f1a, 2015<\/span><\/span><\/div>\n
                        \nPlayme Burlesque<\/strong>, dir. Malgorzata Saniewska, Estados Unidos, 2016<\/span><\/span><\/div>\n
                        \nROLLER DERBY, parcours de battantes<\/strong>, dir. Laetitia Rodari, Francia, 2015<\/span><\/span><\/div>\n
                        \n<\/div>\n
                        \nCortometrajes:<\/span><\/span><\/div>\n
                        \nCoalville Gold<\/strong>, dir. Ross Bolidai, Reino Unido, 2016 Brave Girls<\/strong>, dir. Carmit Shlomi, Israel, 2015Turning<\/strong>, dir. Eoin Heaney, Irlanda, 2014<\/span><\/span><\/div>\n
                        \n<\/div>\n
                        \nRedes Sociales: <\/strong>Facebook: \/MICGenero<\/span><\/span><\/div>\n
                        \nTwitter: @MICGenero<\/span><\/span><\/div>\n
                        \nInstagram: \/MICGenero<\/span><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

                        La Muestra Internacional de Cine con Perspectiva de G\u00e9nero (MICG\u00e9nero) anuncia las pel\u00edculas que conforman la selecci\u00f3n oficial de su 5\u00ba edici\u00f3n: \u201cVS. MEDIA. Democracia, medios & feminismo\u201d.  MICG\u00e9nero se llevar\u00e1 a cabo del 4 de agosto al 30 de octubre en 12 estados de la Rep\u00fablica Mexicana: Ciudad de M\u00e9xico, Guerrero, Oaxaca, Chiapas, San Luis […]<\/p>\n","protected":false},"author":2,"featured_media":16257,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-16256","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nMuestra Internacional de Cine con Perspectiva de G\u00e9nero anuncia la selecci\u00f3n oficial de su 5\u00aa edici\u00f3n - EntrePalabras<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/entrepalabrasmxdigital.com\/?p=16256\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Muestra Internacional de Cine con Perspectiva de G\u00e9nero anuncia la selecci\u00f3n oficial de su 5\u00aa edici\u00f3n - EntrePalabras\" \/>\n<meta property=\"og:description\" content=\"La Muestra Internacional de Cine con Perspectiva de G\u00e9nero (MICG\u00e9nero) anuncia las pel\u00edculas que conforman la selecci\u00f3n oficial de su 5\u00ba edici\u00f3n: \u201cVS. 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