{"id":17520,"date":"2016-05-02T17:51:00","date_gmt":"2016-05-02T17:51:00","guid":{"rendered":""},"modified":"2026-06-29T02:04:07","modified_gmt":"2026-06-29T02:04:07","slug":"orozco-rivera-siqueiros-la-exposicion","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=17520","title":{"rendered":"Orozco, Rivera, Siqueiros. La exposici\u00f3n pendiente y La conexi\u00f3n Sur"},"content":{"rendered":"<div align=\"center\" class=\"yiv6793841545\" id=\"yui_3_16_0_ym19_1_1462204037369_60855\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: center;\">\n<\/div>\n<ul>\n<li style=\"text-align: left;\"><b><i><span style=\"font-size: 14pt; text-align: justify;\">Del<\/span><span style=\"font-size: 14pt; text-align: justify;\">&nbsp;<\/span><a href=\"https:\/\/www.blogger.com\/null\" name=\"OBJ_PREFIX_DWT731_com_zimbra_date\" rel=\"nofollow\" style=\"-webkit-padding-start: 0px; background: transparent; color: #196ad4; font-size: 14pt; margin: 0px; outline: none; padding: 0px; text-align: justify; text-decoration: underline;\"><\/a><span style=\"font-size: 14pt; text-align: justify;\">3 de mayo al<\/span><span style=\"font-size: 14pt; text-align: justify;\">&nbsp;<\/span><a href=\"https:\/\/www.blogger.com\/null\" name=\"OBJ_PREFIX_DWT732_com_zimbra_date\" rel=\"nofollow\" style=\"-webkit-padding-start: 0px; background: transparent; color: #196ad4; font-size: 14pt; margin: 0px; outline: none; padding: 0px; text-align: justify; text-decoration: underline;\"><\/a><span style=\"font-size: 14pt; text-align: justify;\">7 de agosto de 2016 en el Museo Nacional de Bellas Artes de Argentina<\/span><\/i><\/b><\/li>\n<\/ul>\n<p><\/p>\n<div class=\"yiv6793841545\" id=\"yui_3_16_0_ym19_1_1462204037369_60771\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhxvA8_9-_hhTYFsIoD1s4SETViseiKDMxtM_B3vNvxOZZ-WBJ0rgEyIyMY39bmJsDa9LOFvDNEelVeBJl5qMAbhQggTOmtGEpCTgdqNsk0vHdYLwS_cIsq7gWTpYt5iCOPK3-o2B3nk8xH\/s1600\/x19.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img decoding=\"async\" border=\"0\" height=\"120\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/05\/x19.png\" class=\"wp-image-17521\" width=\"320\" \/><\/a><\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<\/div>\n<p><\/p>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\">El Museo Nacional de Bellas Artes de Argentina presentar\u00e1, por primera vez en el pa\u00eds sudamericano, una exposici\u00f3n de los grandes maestros mexicanos Jos\u00e9 Clemente Orozco,&nbsp;<a href=\"https:\/\/www.blogger.com\/null\" name=\"DWT734\" rel=\"nofollow\" style=\"-webkit-padding-start: 0px; background: transparent; color: #196ad4; margin: 0px; outline: none; padding: 0px; text-decoration: underline;\"><\/a>Diego Rivera y David Alfaro Siqueiros, integrada por obras provenientes de uno de los acervos m\u00e1s importantes de Latinoam\u00e9rica: la colecci\u00f3n del Museo de Arte Carrillo Gil (MACG).<\/span><span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\"><\/span><\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv6793841545\" id=\"yui_3_16_0_ym19_1_1462204037369_60775\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\"><br style=\"-webkit-padding-start: 0px;\" \/><\/span><\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\">La muestra se despliega en dos grandes n\u00facleos:&nbsp;<i style=\"-webkit-padding-start: 0px;\">La exposici\u00f3n pendiente<\/i>, del curador del MACG, Carlos Palacios, y&nbsp;<i style=\"-webkit-padding-start: 0px;\">La conexi\u00f3n Sur<\/i>, que cuenta con la curadur\u00eda de Cristina Rossi. En el primero se exhibir\u00e1 una selecci\u00f3n de 76 obras que formaron parte de&nbsp;<i style=\"-webkit-padding-start: 0px;\">Orozco, Rivera y Siqueiros. Pintura mexicana<\/i>, muestra organizada por el muse\u00f3grafo mexicano Fernando Gamboa que debi\u00f3 ser inaugurada en Santiago de Chile el&nbsp;<a href=\"https:\/\/www.blogger.com\/null\" name=\"OBJ_PREFIX_DWT735_com_zimbra_date\" rel=\"nofollow\" style=\"-webkit-padding-start: 0px; background: transparent; color: #196ad4; margin: 0px; outline: none; padding: 0px; text-decoration: underline;\"><\/a>13 de septiembre de 1973, y que fue cancelada dos d\u00edas antes de su apertura al p\u00fablico, en medio de la convulsi\u00f3n provocada por el golpe militar de Augusto Pinochet.<\/span><span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\"><\/span><\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\"><br style=\"-webkit-padding-start: 0px;\" \/><\/span><\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\">Este primer apartado abarca un per\u00edodo hist\u00f3rico que recorre desde las primeras d\u00e9cadas del siglo XX hasta 1973, cuando el golpe al sistema democr\u00e1tico chileno impidi\u00f3 la presentaci\u00f3n de la muestra e imprimi\u00f3 este episodio sobre las obras de la colecci\u00f3n del MACG. Recuperado por la investigaci\u00f3n y curadur\u00eda de Carlos Palacios, este hecho forma parte de&nbsp;<i style=\"-webkit-padding-start: 0px;\">La exposici\u00f3n pendiente<\/i>, que finalmente tuvo lugar en el Museo Nacional de Bellas Artes de Chile, entre noviembre de 2015 y febrero de 2016.<\/span><span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\"><\/span><\/div>\n<p><span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13pt;\"><br clear=\"all\" style=\"-webkit-padding-start: 0px;\" \/><\/span><span style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px;\"><\/span><\/p>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\">Denominado&nbsp;<i style=\"-webkit-padding-start: 0px;\">La conexi\u00f3n Sur<\/i>, el segundo n\u00facleo registra los intercambios que tejieron los tres maestros mexicanos con el medio y los artistas argentinos. Aqu\u00ed podr\u00e1n ser apreciados pinturas, dibujos, esculturas, grabados, bocetos y documentaci\u00f3n de acciones, realizados por Antonio Berni, Carlos Alonso, Lino Enea Spilimbergo, Juan Carlos Romero, Diana Dowek, Juan Carlos Dist\u00e9fano, Demetrio Urruch\u00faa y Juan Carlos Castagnino, entre otros. A partir de estos trabajos se propone abrir un espacio para repensar tanto las inquietudes compartidas como la densidad de la trama sobre la que los creadores latinoamericanos continuaron con sus propias respuestas est\u00e9ticas.<\/span><span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\"><\/span><\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\"><br style=\"-webkit-padding-start: 0px;\" \/><\/span><\/div>\n<div class=\"yiv6793841545\" id=\"yui_3_16_0_ym19_1_1462204037369_60777\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span id=\"yui_3_16_0_ym19_1_1462204037369_60776\" lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\">Este acercamiento reaviva las coincidencias y divergencias en las interpretaciones frente a la realidad de los a\u00f1os treinta y cuarenta, mientras que la simbolizaci\u00f3n de los conflictos de los a\u00f1os sesenta y setenta subraya la voluntad de acci\u00f3n de quienes no han distinguido entre la censura, la represi\u00f3n o las desapariciones que ocurrieron en Latinoam\u00e9rica. La posibilidad de reponer la trama hist\u00f3rica devuelve a estas obras su poder de intervenci\u00f3n sobre aquella realidad y, en el presente, abre un espacio para la elaboraci\u00f3n de nuestra memoria a\u00fan herida.<\/span><span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\"><\/span><\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\"><br style=\"-webkit-padding-start: 0px;\" \/><\/span><\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\">La muestra \u201cposee un significado que trasciende largamente el \u00e1mbito de las artes, pues algo de reparaci\u00f3n, de justicia hist\u00f3rica, tiene el hecho de poder asistir al despliegue del m\u00e1s alto imaginario pict\u00f3rico de M\u00e9xico a cuatro d\u00e9cadas de la interdicci\u00f3n de su versi\u00f3n original por parte de la dictadura de Pinochet\u201d, sostiene Andr\u00e9s Duprat, director del Museo Nacional de Bellas Artes de Argentina. \u201cPresentarla&nbsp;<a href=\"https:\/\/www.blogger.com\/null\" name=\"OBJ_PREFIX_DWT736_com_zimbra_date\" rel=\"nofollow\" style=\"-webkit-padding-start: 0px; background: transparent; color: #196ad4; margin: 0px; outline: none; padding: 0px; text-decoration: underline;\"><\/a>hoy en nuestro pa\u00eds nos permite interrogar esas poderosas visiones bajo la pregunta por el devenir de las artes y de los pueblos latinoamericanos en un nuevo contexto hist\u00f3rico\u201d, completa.<\/span><span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\"><\/span><\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\"><br style=\"-webkit-padding-start: 0px;\" \/><\/span><\/div>\n<div class=\"yiv6793841545\" id=\"yui_3_16_0_ym19_1_1462204037369_60819\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv6793841545\" id=\"yui_3_16_0_ym19_1_1462204037369_60779\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<i style=\"-webkit-padding-start: 0px;\"><span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\">Orozco, Rivera, Siqueiros. La exposici\u00f3n pendiente y La conexi\u00f3n Sur<\/span><\/i><span id=\"yui_3_16_0_ym19_1_1462204037369_60778\" lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\">&nbsp;se presentar\u00e1 en el pabell\u00f3n de exposiciones temporarias del Museo Nacional de Bellas Artes, ubicado en Buenos Aires, del&nbsp;<a href=\"https:\/\/www.blogger.com\/null\" name=\"OBJ_PREFIX_DWT737_com_zimbra_date\" rel=\"nofollow\" style=\"-webkit-padding-start: 0px; background: transparent; color: #196ad4; margin: 0px; outline: none; padding: 0px; text-decoration: underline;\"><\/a>3 de mayo al&nbsp;<a href=\"https:\/\/www.blogger.com\/null\" name=\"OBJ_PREFIX_DWT738_com_zimbra_date\" rel=\"nofollow\" style=\"-webkit-padding-start: 0px; background: transparent; color: #196ad4; margin: 0px; outline: none; padding: 0px; text-decoration: underline;\"><\/a>7 de agosto de 2016.<\/span><span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\"><\/span><\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\"><br style=\"-webkit-padding-start: 0px;\" \/><\/span><\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\">Adem\u00e1s, se publicar\u00e1 un libro-cat\u00e1logo con textos cr\u00edticos de especialistas, reproducciones de todas las obras exhibidas y la documentaci\u00f3n del episodio de 1973. Tambi\u00e9n se realizar\u00e1n m\u00faltiples actividades complementarias que acompa\u00f1ar\u00e1n a la muestra.<\/span><span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\"><\/span><\/div>\n<div class=\"yiv6793841545\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\"><br style=\"-webkit-padding-start: 0px;\" \/><\/span><\/div>\n<p><span lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13pt;\"><br clear=\"all\" style=\"-webkit-padding-start: 0px;\" \/><\/span><span style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px;\"><\/span><\/p>\n<div class=\"yiv6793841545\" id=\"yui_3_16_0_ym19_1_1462204037369_60814\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv6793841545\" id=\"yui_3_16_0_ym19_1_1462204037369_60816\" style=\"-webkit-padding-start: 0px; background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 48.2pt 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span id=\"yui_3_16_0_ym19_1_1462204037369_60815\" lang=\"ES-TRAD\" style=\"-webkit-padding-start: 0px; font-size: 13pt;\">La exposici\u00f3n es resultado del esfuerzo conjunto de M\u00e9xico, Chile y Argentina, a trav\u00e9s de sus organismos de Cultura y sus representaciones diplom\u00e1ticas, el MACG, el Museo de Bellas Artes de Chile y la Asociaci\u00f3n Amigos del Museo Nacional de Bellas Artes de Argentina.<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Del&nbsp;3 de mayo al&nbsp;7 de agosto de 2016 en el Museo Nacional de Bellas Artes de Argentina El Museo Nacional de Bellas Artes de Argentina presentar\u00e1, por primera vez en el pa\u00eds sudamericano, una exposici\u00f3n de los grandes maestros mexicanos Jos\u00e9 Clemente Orozco,&nbsp;Diego Rivera y David Alfaro Siqueiros, integrada por obras provenientes de uno de [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":17521,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-17520","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Orozco, Rivera, Siqueiros. La exposici\u00f3n pendiente y La conexi\u00f3n Sur - EntrePalabras<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/entrepalabrasmxdigital.com\/?p=17520\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Orozco, Rivera, Siqueiros. 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