{"id":18686,"date":"2016-03-24T18:56:00","date_gmt":"2016-03-24T18:56:00","guid":{"rendered":""},"modified":"2026-06-29T02:13:59","modified_gmt":"2026-06-29T02:13:59","slug":"la-60-muestra-recibe-la-asesina-la-mas","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=18686","title":{"rendered":"La 60 Muestra recibe a La asesina, la m\u00e1s reciente pel\u00edcula de Hou Hsiao-Hsien"},"content":{"rendered":"<div align=\"center\" style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<ul>\n<li><strong style=\"line-height: 22.72px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><i>Premiado en Cannes como mejor director por esta pel\u00edcula, el realizador taiwan\u00e9s ofrece un tratamiento distinto del cine de artes marciales<\/i><\/span><\/strong><\/li>\n<\/ul>\n<p><\/p>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhitR8RG7w8-TL_C5uFjqA1arUgbsyvO7GiO3mowf44R5bCT8ybPolFol1Co177_4BJfZgyOLZRwNDrBBcmaZkxq4dOZzDy8KApai8GUIZ_Vvm9i31tO7Kzsan2Ll_l3ZyPkm3RKpqxvCFc\/s1600\/x4.jpeg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" border=\"0\" height=\"240\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/03\/x4.jpeg\" class=\"wp-image-18687\" width=\"320\" \/><\/a><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><br \/><\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">El cine chino de artes marciales, tambi\u00e9n conocido como&nbsp;<\/span><em style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">wuxia<\/em><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">, es f\u00e1cilmente identificado por sus complejas coreograf\u00edas de acci\u00f3n que desaf\u00edan la gravedad, agitan a la audiencia y resaltan un c\u00f3digo de honor siempre necesario en&nbsp; un guerrero de la antigua China. La nueva propuesta de Hou Hsiao-Hsien es de un tenor muy distinto.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">La m\u00e1s reciente producci\u00f3n de este chino, premiado como mejor director en Cannes por esta cinta, formar\u00e1 parte de la 60 Muestra Internacional de Cine de la Cineteca Nacional; 13 a\u00f1os despu\u00e9s de que su pel\u00edcula&nbsp;<em style=\"line-height: 22.72px;\">Millenium Mambo<\/em>&nbsp;(<em style=\"line-height: 22.72px;\">Quianxi manbo<\/em><em style=\"line-height: 22.72px;\">,&nbsp;<\/em>2001) se presentar\u00e1 en la edici\u00f3n 41 del 22 al 27 de marzo en la Sala 3.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">China, siglo IX. A la edad de 10 a\u00f1os, Nie yin niang, hija de un general, es secuestrada por una monja para ser entrenada en artes marciales. Despu\u00e9s de varios a\u00f1os se convierte en una extraordinaria asesina encargada de eliminar a los gobernadores corruptos de la regi\u00f3n. Despu\u00e9s de fallar una importante misi\u00f3n, su maestra le encomienda regresar a su lugar de origen para asesinar a un prominente blanco que la obligar\u00e1 a decidir entre el amor y la ancestral disciplina que ha regido su vida.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">A pesar de contar con una trama sencilla,&nbsp;<em style=\"line-height: 22.72px;\">La asesina<\/em>&nbsp;deja muchos elementos a la imaginaci\u00f3n del p\u00fablico y no se detiene para aclarar cada paso del relato. Extra\u00edda de una novela de la lejana \u00e9poca de la dinast\u00eda Tang, se trata de una cinta m\u00e1s cercana al minimalismo que al espect\u00e1culo caracter\u00edstico de las pel\u00edculas&nbsp;<em style=\"line-height: 22.72px;\">wuxia<\/em>. El director opt\u00f3 por favorecer la escenograf\u00eda con largos planos generales, capturados por la distinguida fotograf\u00eda de Ping Bin Lee, e incluyendo muy pocos di\u00e1logos y a\u00fan menos escenas de acci\u00f3n, dejando la historia en segundo plano.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Al respecto, el cineasta taiwan\u00e9s aclar\u00f3, en una entrevista para Xan Brooks, de&nbsp;<em style=\"line-height: 22.72px;\">The Guardian<\/em>, que no consideraba a la trama como algo imprescindible y que su intenci\u00f3n no era agradarle al p\u00fablico: \u201cYo no creo que la trama sea la \u00fanica manera de apelar a la audiencia. La audiencia puede captar el mensaje de una pel\u00edcula a trav\u00e9s del paisaje, los personajes y los detalles\u201d.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Ese estilo naturalista ya hab\u00eda estado presente en su obra de 1998&nbsp;<em style=\"line-height: 22.72px;\">Flores de Shanghai<\/em>&nbsp;(<em style=\"line-height: 22.72px;\">H\u01cei Sh\u00e0ng Hu\u0101<\/em>), de un ritmo pausado y meditativo. Sin embargo, sus trabajos anteriores hab\u00edan dado m\u00e1s peso a la estructura dram\u00e1tica, como en&nbsp;<em style=\"line-height: 22.72px;\">The Puppetmaster<\/em>&nbsp;(<em style=\"line-height: 22.72px;\">Xi meng ren sheng<\/em>, 1993),&nbsp;<em style=\"line-height: 22.72px;\">Ciudad del dolor<\/em>&nbsp;(<em style=\"line-height: 22.72px;\">Bei qing cheng shi<\/em>, 1989) y&nbsp;<em style=\"line-height: 22.72px;\">Los chicos de Fengkuei<\/em>&nbsp;(<em style=\"line-height: 22.72px;\">F\u0113nggu\u00ec l\u00e1i de r\u00e9n<\/em>, 1983), el filme que lo puso en la vanguardia de la Nueva Ola de Cine Taiwan\u00e9s.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Robbie Collin, de&nbsp;<em style=\"line-height: 22.72px;\">The Telegraph<\/em>, aplaudi\u00f3 la serenidad en el ritmo de la pel\u00edcula. \u201cAunque&nbsp;<em style=\"line-height: 22.72px;\">La asesina<\/em>&nbsp;tiene sus ra\u00edces en el cine de acci\u00f3n, Hou quiere bajar tu frecuencia cardiaca, no incrementarla. La banda sonora raramente es m\u00e1s compleja que un ritmo de tambor grave, que casi podr\u00eda ser el latido controlado del coraz\u00f3n de la asesina\u201d.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.72px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Consulta toda la informaci\u00f3n de la 60 Muestra Internacional de Cine en el micrositio:<\/span><\/strong><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<a href=\"http:\/\/www.cinetecanacional.net\/micrositios\/muestra60\" style=\"cursor: pointer; font-weight: inherit; line-height: 22.72px;\" target=\"_blank\"><span style=\"color: black; font-family: Arial, Helvetica, sans-serif;\">http:\/\/www.cinetecanacional.ne<wbr style=\"line-height: 22.72px;\"><\/wbr>t\/micrositios\/muestra60<\/span><\/a><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Facebook: Cineteca Nacional<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Twitter: @CinetecaMexico<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.72px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">#LaImportanciaDel60&nbsp; #VivaLaMuestra<\/span><\/strong><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<a href=\"https:\/\/www.youtube.com\/embed\/UsIulxp0dY8\" style=\"cursor: pointer; font-weight: inherit; line-height: 22.72px;\" target=\"_blank\"><strong style=\"line-height: 22.72px;\"><span style=\"color: black; font-family: Arial, Helvetica, sans-serif;\">TRAILER \u00abLA ASESINA\u00bb<\/span><\/strong><\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Premiado en Cannes como mejor director por esta pel\u00edcula, el realizador taiwan\u00e9s ofrece un tratamiento distinto del cine de artes marciales El cine chino de artes marciales, tambi\u00e9n conocido como&nbsp;wuxia, es f\u00e1cilmente identificado por sus complejas coreograf\u00edas de acci\u00f3n que desaf\u00edan la gravedad, agitan a la audiencia y resaltan un c\u00f3digo de honor siempre necesario [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":18687,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-18686","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - 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