{"id":19408,"date":"2016-02-24T02:45:00","date_gmt":"2016-02-24T02:45:00","guid":{"rendered":""},"modified":"2026-06-29T02:19:29","modified_gmt":"2026-06-29T02:19:29","slug":"se-suma-un-titulo-en-la-seccion-la","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=19408","title":{"rendered":"Se suma un t\u00edtulo en la secci\u00f3n:  \u00abLa t\u00e1cita realidad\u00bb, en Ambulante 2016\u200f"},"content":{"rendered":"<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"ecxtemplateContainer\" style=\"background-color: #fafafa; border-collapse: collapse; border: 0px; color: #444444; font-family: Calibri, sans-serif; font-size: 15px; line-height: 21.3px; max-width: 600px !important; width: 100%px;\">\n<tbody style=\"line-height: 21.3px;\">\n<tr style=\"line-height: 21.3px;\">\n<td id=\"ecxtemplateHeader\" style=\"background-color: white; border-bottom-width: 0px; border-top-width: 0px; line-height: 15px; padding-bottom: 0px; padding-top: 9px;\" valign=\"top\">\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"ecxmcnImageBlock\" style=\"border-collapse: collapse; line-height: 21.3px; min-width: 100%; width: 100%px;\">\n<tbody class=\"ecxmcnImageBlockOuter\" style=\"line-height: 21.3px;\">\n<tr style=\"line-height: 21.3px;\">\n<td class=\"ecxmcnImageBlockInner\" style=\"line-height: 15px; padding: 9px;\" valign=\"top\">\n<table align=\"left\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"ecxmcnImageContentContainer\" style=\"border-collapse: collapse; line-height: 21.3px; min-width: 100%; width: 100%px;\">\n<tbody style=\"line-height: 21.3px;\">\n<tr style=\"line-height: 21.3px;\">\n<td class=\"ecxmcnImageContent\" style=\"line-height: 15px; padding: 0px 9px; text-align: center;\" valign=\"top\"><img decoding=\"async\" align=\"center\" alt=\"\" class=\"ecxmcnImage\" src=\"https:\/\/gallery.mailchimp.com\/e78bfe01a23fe4f291f90d771\/images\/beaa7738-85fe-444f-a763-3841ac4dd622.jpg\" style=\"border: 0px; display: inline !important; height: auto; line-height: 21.3px; max-width: 131px; padding-bottom: 0px; vertical-align: bottom;\" width=\"131\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr style=\"line-height: 21.3px;\">\n<td id=\"ecxtemplateBody\" style=\"background-color: white; border-bottom-color: rgb(234, 234, 234); border-bottom-style: solid; border-bottom-width: 2px; border-top-width: 0px; line-height: 15px; padding-bottom: 9px; padding-top: 0px;\" valign=\"top\">\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"ecxmcnTextBlock\" style=\"border-collapse: collapse; line-height: 21.3px; min-width: 100%; width: 100%px;\">\n<tbody class=\"ecxmcnTextBlockOuter\" style=\"line-height: 21.3px;\">\n<tr style=\"line-height: 21.3px;\">\n<td class=\"ecxmcnTextBlockInner\" style=\"line-height: 15px;\" valign=\"top\">\n<table align=\"left\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"ecxmcnTextContentContainer\" style=\"border-collapse: collapse; line-height: 21.3px; min-width: 100%; width: 100%px;\">\n<tbody style=\"line-height: 21.3px;\">\n<tr style=\"line-height: 21.3px;\">\n<td class=\"ecxmcnTextContent\" style=\"color: #202020; font-family: Helvetica; font-size: 16px; line-height: 24px; padding: 9px 18px; word-break: break-word;\" valign=\"top\">\n<h1 style=\"font-size: 26px; line-height: 32.5px; margin: 0px 0px 5px; padding: 0px;\">\n&nbsp;<\/h1>\n<div style=\"margin-bottom: 1.35em; padding: 0px; text-align: center;\">\n<span style=\"font-size: 15px; line-height: 15px;\"><strong style=\"line-height: 21.3px;\">Ambulante dedicar\u00e1 una secci\u00f3n a pel\u00edculas de distintos contextos geogr\u00e1ficos e hist\u00f3ricos que convergen en la exploraci\u00f3n del personaje femenino y las realidades desapercibidas<\/strong><\/span><br style=\"line-height: 22.72px;\" \/>&nbsp;<\/div>\n<div style=\"margin-bottom: 1.35em; padding: 0px; text-align: center;\">\nEl programa, presentado en colaboraci\u00f3n con Cineteca Nacional, incluye cl\u00e1sicos del cine feminista y de vanguardia, y t\u00edtulos nunca antes vistos en M\u00e9xico<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"ecxmcnImageGroupBlock\" style=\"border-collapse: collapse; line-height: 21.3px; width: 100%px;\">\n<tbody class=\"ecxmcnImageGroupBlockOuter\" style=\"line-height: 21.3px;\">\n<tr style=\"line-height: 21.3px;\">\n<td class=\"ecxmcnImageGroupBlockInner\" style=\"line-height: 15px; padding: 9px;\" valign=\"top\">\n<table align=\"left\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"ecxmcnImageGroupContentContainer\" style=\"border-collapse: collapse; line-height: 21.3px; width: 273px;\">\n<tbody style=\"line-height: 21.3px;\">\n<tr style=\"line-height: 21.3px;\">\n<td class=\"ecxmcnImageGroupContent\" style=\"line-height: 15px; padding-bottom: 0px; padding-left: 9px; padding-top: 0px;\" valign=\"top\"><img decoding=\"async\" alt=\"\" class=\"ecxmcnImage\" src=\"https:\/\/gallery.mailchimp.com\/e78bfe01a23fe4f291f90d771\/images\/07baf987-6d6e-4620-858f-8348f9fbd462.jpg\" style=\"border: 0px; height: auto; line-height: 21.3px; max-width: 300px; padding-bottom: 0px; vertical-align: bottom;\" width=\"264\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table align=\"right\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"ecxmcnImageGroupContentContainer\" style=\"border-collapse: collapse; line-height: 21.3px; width: 273px;\">\n<tbody style=\"line-height: 21.3px;\">\n<tr style=\"line-height: 21.3px;\">\n<td class=\"ecxmcnImageGroupContent\" style=\"line-height: 15px; padding-bottom: 0px; padding-right: 9px; padding-top: 0px;\" valign=\"top\"><img decoding=\"async\" alt=\"\" class=\"ecxmcnImage\" src=\"https:\/\/gallery.mailchimp.com\/e78bfe01a23fe4f291f90d771\/images\/d27455c3-2a72-4b45-8555-b3e0a796d604.jpg\" style=\"border: 0px; height: auto; line-height: 21.3px; max-width: 399px; padding-bottom: 0px; vertical-align: bottom;\" width=\"264\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"ecxmcnBoxedTextBlock\" style=\"border-collapse: collapse; line-height: 21.3px; min-width: 100%; width: 100%px;\">\n<tbody class=\"ecxmcnBoxedTextBlockOuter\" style=\"line-height: 21.3px;\">\n<tr style=\"line-height: 21.3px;\">\n<td class=\"ecxmcnBoxedTextBlockInner\" style=\"line-height: 15px;\" valign=\"top\">\n<table align=\"left\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"ecxmcnBoxedTextContentContainer\" style=\"border-collapse: collapse; line-height: 21.3px; min-width: 100%; width: 100%px;\">\n<tbody style=\"line-height: 21.3px;\">\n<tr style=\"line-height: 21.3px;\">\n<td style=\"line-height: 15px; padding: 9px 18px;\">\n<table border=\"0\" cellpadding=\"18\" cellspacing=\"0\" class=\"ecxmcnTextContentContainer\" style=\"border-collapse: collapse; line-height: 21.3px; min-width: 100%; width: 100%px;\">\n<tbody style=\"line-height: 21.3px;\">\n<tr style=\"line-height: 21.3px;\">\n<td class=\"ecxmcnTextContent\" style=\"font-family: Helvetica; font-size: 14px; line-height: 21px; text-align: justify; word-break: break-word;\" valign=\"top\">\n<div style=\"margin-bottom: 1.35em; padding: 0px;\">\n<span style=\"font-size: 12px; line-height: 12px;\"><strong style=\"line-height: 17.04px;\">Ciudad de M\u00e9xico, 22 de febrero de 2016 \u2013&nbsp;<\/strong>La secci\u00f3n&nbsp;<strong style=\"line-height: 17.04px;\">La t\u00e1cita realidad<\/strong>&nbsp;est\u00e1 compuesta por<span style=\"color: maroon;\"><strong style=\"line-height: 17.04px;\">nueve<\/strong><\/span>&nbsp;t\u00edtulos que representan un estudio minucioso de personajes femeninos. Procedentes de distintas latitudes y momentos hist\u00f3ricos, estas pel\u00edculas disuelven las fronteras entre ficci\u00f3n y realidad, abordan din\u00e1micas sociales a partir de paisajes cotidianos y rompen con los clich\u00e9s de la \u201csubjetividad\u201d femenina. Varias de las cintas se proyectar\u00e1n en formatos originales (35 mm. y 16 mm.) y en versiones restauradas.<br style=\"line-height: 17.04px;\" \/>&nbsp;<br style=\"line-height: 17.04px;\" \/>\u201cEn este ciclo las mujeres son figuras que ocupan espacios omisos, personajes herm\u00e9ticos que revelan poco de su psicolog\u00eda, y en el desfase con el mundo que las rodea, exponen el peso de la sociedad. La secci\u00f3n est\u00e1 dedicada a ese cine que presiente, que repara no a partir de un registro puramente visual o narrativo, sino atmosf\u00e9rico: nos coloca en el tensar del espacio, en la escena de un suceso a veces indeterminado, en una densidad inquietante que evoca ambientes pol\u00edticos y climas sociales. Nos adentra en la dimensi\u00f3n t\u00e1cita de la realidad: justo ah\u00ed, donde aparentemente no sucede nada y todo acontece. El programa abarca producciones de distintos contextos geogr\u00e1ficos (Indonesia, Ir\u00e1n, Estados Unidos, Austria, B\u00e9lgica, Senegal, Bielorrusia, Espa\u00f1a), hist\u00f3ricos (1966-2014) y estil\u00edsticos. Representa una oportunidad para apreciar la obra de consagrados maestros del cine (Ousmane Semb\u00e8ne, Chantal Akerman, Valie Export, Pirjo Honkasalo) y descubrir joyas desconocidas de la cinematograf\u00eda internacional. Algunas son documentales, otras ficciones, aunque en cierto modo la diferencia es irrelevante porque ambas modalidades conducen a una verdad cinematogr\u00e1fica\u201d, &nbsp;detalla Mara Fortes, programadora de Ambulante.<br style=\"line-height: 17.04px;\" \/>&nbsp;<br style=\"line-height: 17.04px;\" \/>Los t\u00edtulos programados, en colaboraci\u00f3n con Cineteca Nacional, son:<\/span><br style=\"line-height: 19.88px;\" \/>&nbsp;<\/div>\n<div style=\"margin-bottom: 1.35em; padding: 0px;\">\n<span style=\"font-size: 12px; line-height: 12px;\"><em style=\"line-height: 17.04px;\"><strong style=\"line-height: 17.04px;\">Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles<\/strong>&nbsp;<\/em>(dir. Chantal Akerman)<br style=\"line-height: 17.04px;\" \/><strong style=\"line-height: 17.04px;\"><em style=\"line-height: 17.04px;\">La noire de&#8230;<\/em><\/strong>&nbsp;|<em style=\"line-height: 17.04px;\">&nbsp;La negra de&#8230; &nbsp;<\/em>(dir. Ousmane Semb\u00e8ne)<br style=\"line-height: 17.04px;\" \/><strong style=\"line-height: 17.04px;\"><em style=\"line-height: 17.04px;\">Sib&nbsp;<\/em><\/strong>|&nbsp;<em style=\"line-height: 17.04px;\">La manzana<\/em>&nbsp;(dir. Samira Makhmalbaf)<br style=\"line-height: 17.04px;\" \/><em style=\"line-height: 17.04px;\"><strong style=\"line-height: 17.04px;\">Siti<\/strong><\/em>&nbsp;(dir. Eddie Cahyono)<br style=\"line-height: 17.04px;\" \/><em style=\"line-height: 17.04px;\"><strong style=\"line-height: 17.04px;\">Tanjuska ja 7 perkelett\u00e4<\/strong>&nbsp;<\/em>|<em style=\"line-height: 17.04px;\">&nbsp;Tanjuska y los 7 demonios&nbsp;<\/em>(dir. Pirjo Honkasalo)<br style=\"line-height: 17.04px;\" \/><em style=\"line-height: 17.04px;\"><strong style=\"line-height: 17.04px;\">Tiny Furniture<\/strong>&nbsp;<\/em>|&nbsp;<em style=\"line-height: 17.04px;\">Los peque\u00f1os muebles&nbsp;<\/em>(dir. Lena Dunham)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br style=\"line-height: 17.04px;\" \/><strong style=\"line-height: 17.04px;\"><em style=\"line-height: 17.04px;\">Unischtbare Gegner<\/em><\/strong>&nbsp;|<em style=\"line-height: 17.04px;\">&nbsp;Adversarios invisibles&nbsp;<\/em>(dirs. VALIE EXPORT, Peter Weibel)<br style=\"line-height: 17.04px;\" \/><strong style=\"line-height: 17.04px;\"><em style=\"line-height: 17.04px;\">Wanda&nbsp;<\/em><\/strong>(dir. Barbara Loden)<br style=\"line-height: 17.04px;\" \/><em style=\"line-height: 17.04px;\"><strong style=\"line-height: 17.04px;\">La mujer sin cabeza<\/strong><\/em>&nbsp;(dir.&nbsp;Lucrecia Martel) &nbsp;<\/span><span style=\"font-size: 10px; line-height: 10px;\"><span style=\"color: maroon;\"><em style=\"line-height: 14.2px;\">&nbsp;\u00a1<strong style=\"line-height: 14.2px;\">NUEVO!<\/strong><\/em><\/span><\/span><\/div>\n<div style=\"margin-bottom: 1.35em; padding: 0px;\">\n<span style=\"font-size: 12px; line-height: 12px;\">&nbsp;<br style=\"line-height: 17.04px;\" \/>&nbsp;<br style=\"line-height: 17.04px;\" \/><strong style=\"line-height: 17.04px;\">SINOPSIS&nbsp;<\/strong><br style=\"line-height: 17.04px;\" \/><strong style=\"line-height: 17.04px;\"><em style=\"line-height: 17.04px;\">Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles&nbsp;<\/em><\/strong><br style=\"line-height: 17.04px;\" \/>Dir. Chantal Akerman | B\u00e9lgica-Francia | 1975 | Franc\u00e9s | Color | Ficci\u00f3n | 201\u2019<br style=\"line-height: 17.04px;\" \/>Tres d\u00edas en la minuciosa rutina de una ama de casa, que incluye diversos quehaceres como tender las camas, preparar la comida y prostituirse. Un hecho insignificante cambia por completo su rutina casi inmutable.<br style=\"line-height: 17.04px;\" \/>&nbsp;<br style=\"line-height: 17.04px;\" \/><strong style=\"line-height: 17.04px;\"><em style=\"line-height: 17.04px;\">La noire de\u2026&nbsp;<\/em><\/strong><strong style=\"line-height: 17.04px;\">|&nbsp;<em style=\"line-height: 17.04px;\">La negra de\u2026&nbsp;<\/em><\/strong><br style=\"line-height: 17.04px;\" \/>Dir. Ousmane Semb\u00e8ne | Francia-Senegal | 1966 | Franc\u00e9s | Blanco y negro | Ficci\u00f3n | 65\u2019<br style=\"line-height: 17.04px;\" \/>Una joven de Senegal es empleada por una pareja francesa como nana. Pronto, sus sue\u00f1os de aventura se estampan contra la realidad: una rutina esclavizante que le hace cuestionar el valor de su vida.<br style=\"line-height: 17.04px;\" \/>&nbsp;<br style=\"line-height: 17.04px;\" \/><strong style=\"line-height: 17.04px;\"><em style=\"line-height: 17.04px;\">Sib<\/em><\/strong><strong style=\"line-height: 17.04px;\">&nbsp;|<em style=\"line-height: 17.04px;\">&nbsp;La manzana&nbsp;<\/em><\/strong><br style=\"line-height: 17.04px;\" \/>Dir. Samira Makhmalbaf | Ir\u00e1n-Francia | 1998 | Persa | Color | Docudrama | 86\u2019<br style=\"line-height: 17.04px;\" \/>Bajo el argumento de que son como flores que pueden marchitarse con el sol, una pareja ha mantenido encerradas a sus hijas desde su nacimiento. Despu\u00e9s de ser liberadas, deben enfrentarse a un mundo desconocido.<br style=\"line-height: 17.04px;\" \/>&nbsp;<br style=\"line-height: 17.04px;\" \/><strong style=\"line-height: 17.04px;\"><em style=\"line-height: 17.04px;\">Siti<\/em><\/strong><br style=\"line-height: 17.04px;\" \/>Dir. Eddie Cahyono | Indonesia | 2014 | Indonesio | Blanco y negro | Ficci\u00f3n | 88\u2019<br style=\"line-height: 17.04px;\" \/>Un d\u00eda en la vida de Siti, una mujer de 24 a\u00f1os que es el sustento de su familia, sin importar que su trabajo provoque el rechazo de la sociedad y de su esposo Bagus.<br style=\"line-height: 17.04px;\" \/><br style=\"line-height: 17.04px;\" \/><strong style=\"line-height: 17.04px;\"><em style=\"line-height: 17.04px;\">Tanjuska ja 7 perkelett\u00e4<\/em><\/strong><strong style=\"line-height: 17.04px;\">&nbsp;|<em style=\"line-height: 17.04px;\">&nbsp;Tanjuska y los 7 demonios<\/em><\/strong><br style=\"line-height: 17.04px;\" \/>Dir. Pirjo Honkasalo | Finlandia-Suecia | 1993 | Bielorruso | Color | Documental | 80\u2019<br style=\"line-height: 17.04px;\" \/>Tanjuska, una ni\u00f1a muda y con atrofia de crecimiento desde hace dos a\u00f1os, es llevada por su padre a un exorcista estonio que asegura que sus males son causados por siete demonios.<br style=\"line-height: 17.04px;\" \/>&nbsp;<br style=\"line-height: 17.04px;\" \/><strong style=\"line-height: 17.04px;\"><em style=\"line-height: 17.04px;\">Tiny Furniture&nbsp;<\/em><\/strong><strong style=\"line-height: 17.04px;\">|<em style=\"line-height: 17.04px;\">&nbsp;Los peque\u00f1os muebles&nbsp;<\/em><\/strong><br style=\"line-height: 17.04px;\" \/>Dir. Lena Dunham | Estados Unidos | 2010 | Ingl\u00e9s | Color | Ficci\u00f3n | 98\u2019<br style=\"line-height: 17.04px;\" \/>Sin una perspectiva clara sobre su futuro, la reci\u00e9n graduada de cine y deprimida Aura debe lidiar con el \u00e9xito de su madre y su hermana, y con los chicos malos que se le atraviesan en el camino.<br style=\"line-height: 17.04px;\" \/><br style=\"line-height: 17.04px;\" \/><strong style=\"line-height: 17.04px;\"><em style=\"line-height: 17.04px;\">Unischtbare Gegner<\/em><\/strong>&nbsp;<strong style=\"line-height: 17.04px;\">|<em style=\"line-height: 17.04px;\">&nbsp;Adversarios invisibles<\/em><\/strong><br style=\"line-height: 17.04px;\" \/>Dirs. VALIE EXPORT, Peter Weibel | Austria | 1976 | Alem\u00e1n | Color, blanco y negro | Ficci\u00f3n |&nbsp;104\u2019<br style=\"line-height: 17.04px;\" \/>Anna es una joven fot\u00f3grafa vienesa convencida de que una fuerza hostil de seres invisibles est\u00e1 invadiendo los cuerpos de los humanos. Una met\u00e1fora po\u00e9tica del sentir apocal\u00edptico de los tiempos modernos.<br style=\"line-height: 17.04px;\" \/>&nbsp;<br style=\"line-height: 17.04px;\" \/><strong style=\"line-height: 17.04px;\"><em style=\"line-height: 17.04px;\">Wanda<\/em><\/strong><br style=\"line-height: 17.04px;\" \/>Dir. Barbara Loden | Estados Unidos | 1970 | Ingl\u00e9s | Color | Ficci\u00f3n | 105\u2019<br style=\"line-height: 17.04px;\" \/>Despu\u00e9s de abandonar a su familia, Wanda se va a la deriva y se enreda con un criminal abusivo. Una inusual&nbsp;<em style=\"line-height: 17.04px;\">roadmovie&nbsp;<\/em>que retrata la situaci\u00f3n claustrof\u00f3bica de una mujer en la regi\u00f3n minera de Pensilvania.<\/span><br style=\"line-height: 19.88px;\" \/>&nbsp;<\/div>\n<div style=\"margin-bottom: 1.35em; padding: 0px;\">\n<strong style=\"line-height: 19.88px;\"><span style=\"font-size: 12px; line-height: 12px;\"><em style=\"line-height: 17.04px;\">La mujer sin cabeza<\/em><\/span><\/strong><\/div>\n<div style=\"margin-bottom: 1.35em; padding: 0px;\">\n<span style=\"font-size: 12px; line-height: 12px;\">Dir. Lucrecia Martel | Argentina-Francia-Italia-Espa\u00f1a | 2008 | Espa\u00f1ol | Color | Ficci\u00f3n | 87\u2019<br style=\"line-height: 17.04px;\" \/>Vero atropella&nbsp;<em style=\"line-height: 17.04px;\">algo&nbsp;<\/em>mientras maneja distra\u00edda en la carretera.<strong style=\"line-height: 17.04px;\">&nbsp;<\/strong>Aunque en un principio parece que el accidente no pasar\u00e1 a mayores, un macabro hallazgo pone en jaque a esta mujer atormentada por la culpa.<\/span><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Ambulante dedicar\u00e1 una secci\u00f3n a pel\u00edculas de distintos contextos geogr\u00e1ficos e hist\u00f3ricos que convergen en la exploraci\u00f3n del personaje femenino y las realidades desapercibidas&nbsp; El programa, presentado en colaboraci\u00f3n con Cineteca Nacional, incluye cl\u00e1sicos del cine feminista y de vanguardia, y t\u00edtulos nunca antes vistos en M\u00e9xico Ciudad de M\u00e9xico, 22 de febrero de [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-19408","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - 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