{"id":20178,"date":"2016-01-12T18:50:00","date_gmt":"2016-01-12T18:50:00","guid":{"rendered":""},"modified":"2026-06-29T02:27:09","modified_gmt":"2026-06-29T02:27:09","slug":"cineteca-nacional-invita-curso-sobre","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=20178","title":{"rendered":"Cineteca Nacional invita a curso sobre adaptaciones f\u00edlmicas de la obra de Shakespeare"},"content":{"rendered":"<ul style=\"background-color: white; line-height: 21.3px; margin: 0px 0px 20px 1em; padding: 0px 0px 0px 1em;\">\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px; text-align: justify;\"><strong style=\"line-height: 21.3px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><i>Se realizar\u00e1 en 20 sesiones de tres a cuatro horas los viernes a las 17:00 horas<\/i><\/span><\/strong><\/li>\n<li style=\"line-height: 21.3px; margin: 0px 0px 3px; text-align: left;\"><strong style=\"line-height: 21.3px; text-align: justify;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><i>Las inscripciones cierran el 11 de febrero o hasta completar aforo<\/i><\/span><\/strong><\/li>\n<\/ul>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEg_AurSuUARFuJhi8BJRW6IBhc_uf9USaSmn9Wz31DG4uqwamZa3HHZ8rZ36-fYzS_dBY9pg2yW6D155kAMwSgjGXjfUWEb8GyI_4O6jjsKWeIFhlCHXjuTaiNAmEpFZ5nnCBghkSZkNJJC\/s1600\/b14.jpe\" imageanchor=\"1\" style=\"clear: right; float: right; margin-bottom: 1em; margin-left: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" border=\"0\" height=\"640\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2016\/01\/b14.jpe\" class=\"wp-image-20179\" width=\"414\" \/><\/a><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Los personajes dram\u00e1ticos de William Shakespeare siguen teniendo una presencia constante en el imaginario cinematogr\u00e1fico de diferentes latitudes, principalmente por la relevancia de los sentimientos humanos que representan; ya sean los celos agudos de Otelo, la duda de Hamlet o la abnegaci\u00f3n del amor adolescente de Romeo.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">En el marco del 400 aniversario luctuoso de El Bardo y para hacer un an\u00e1lisis de su bibliograf\u00eda atemporal, el Departamento de Extensi\u00f3n Acad\u00e9mica de la Cineteca Nacional invita al curso \u201cEl mundo entero es un escenario: William Shakespeare en el Cine\u201d, que se llevar\u00e1 a cabo del 12 de febrero al 1 de julio, los viernes de 17:00 a 20:00 horas en la Sala 4, Arcady Boytler.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Ser\u00e1 coordinado e impartido por Ignacio Dur\u00e1n; productor de televisi\u00f3n para la BBC de Londres, de pel\u00edculas como&nbsp;<em style=\"line-height: 22.72px;\">S\u00f3lo con tu pareja<\/em>&nbsp;(Alfonso Cuar\u00f3n, 1991) y&nbsp;<em style=\"line-height: 22.72px;\">Lolo<\/em>&nbsp;(Francisco Athi\u00e9, 1993) y ex director del Imcine, y Jos\u00e9 Antonio Vald\u00e9s, conductor del espacio Miradas al Cine en Canal Once, Cinema Red en Radio Red y subdirector de Informaci\u00f3n y Proyectos Especiales de la Cineteca Nacional.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Ambos estar\u00e1n presentes durante todas las sesiones para procurar un ambiente de estudio l\u00fadico y accesible con los asistentes. De esta manera, se abordar\u00e1 la biograf\u00eda del autor, las caracter\u00edsticas particulares de cada obra y la forma en que han sido adaptadas, no s\u00f3lo cinematogr\u00e1ficamente, sino tambi\u00e9n en otros medios art\u00edsticos como la literatura y el teatro.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">El curso estar\u00e1 integrado por 20 sesiones, cada una en torno a una obra teatral espec\u00edfica y ordenada cronol\u00f3gicamente de acuerdo con su fecha de lanzamiento, desde&nbsp;<em style=\"line-height: 22.72px;\">La fierecilla domada<\/em>&nbsp;(<em style=\"line-height: 22.72px;\">The Taming of the Shrew<\/em>, escrita aproximadamente en 1590) hasta&nbsp;<em style=\"line-height: 22.72px;\">La tempestad<\/em>(<em style=\"line-height: 22.72px;\">The Tempest<\/em>, alrededor de 1611). La intenci\u00f3n es lograr una apreciaci\u00f3n del crecimiento art\u00edstico de Shakespeare que se refleja en el car\u00e1cter de sus protagonistas: desde el enamoramiento inocente de Romeo hasta la sabidur\u00eda senil de Pr\u00f3spero.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Adem\u00e1s, se proyectar\u00e1 una pel\u00edcula basada en la obra de teatro asignada para ese d\u00eda, acompa\u00f1ada de fragmentos de otras adaptaciones para comparar diferentes visiones est\u00e9ticas en torno a un mismo texto.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">La \u00fanica excepci\u00f3n a este orden tem\u00e1tico ser\u00e1 la clase inaugural, que servir\u00e1 para contextualizar a los estudiantes en el ambiente hist\u00f3rico del dramaturgo ingl\u00e9s con la proyecci\u00f3n de&nbsp;<em style=\"line-height: 22.72px;\">Shakespeare apasionado<\/em>&nbsp;(<em style=\"line-height: 22.72px;\">Shakespeare in Love<\/em>, John Madden, 1998), ganadora del \u00d3scar a Mejor Pel\u00edcula en los 71 Premios de la Academia y que retrata a manera de ficci\u00f3n su vida y su tiempo.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Los ponentes tambi\u00e9n estudiar\u00e1n tres autores que han sido los representantes m\u00e1s destacados de Shakespeare en el cine: Laurence Olivier, Orson Welles y Sir Kenneth Branagh. Las obras de estos cineastas que se incluyen en el programa del curso son:&nbsp;<em style=\"line-height: 22.72px;\">Hamlet<\/em>(1948) de Olivier,&nbsp;<em style=\"line-height: 22.72px;\">Campanadas a la medianoche<\/em>&nbsp;(<em style=\"line-height: 22.72px;\">Chimes at Midnight<\/em>, 1965) de Welles, y<em style=\"line-height: 22.72px;\">Enrique V<\/em>&nbsp;(<em style=\"line-height: 22.72px;\">Henry V<\/em>, 1989),&nbsp;<em style=\"line-height: 22.72px;\">Tanto para nada<\/em>&nbsp;(<em style=\"line-height: 22.72px;\">Much Ado About Nothing<\/em>, 1993) y&nbsp;<em style=\"line-height: 22.72px;\">Como gust\u00e9is<\/em>&nbsp;(<em style=\"line-height: 22.72px;\">As You Like It<\/em>, 2006) de Branagh.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Asimismo, se podr\u00e1n apreciar interpretaciones m\u00e1s alejadas del contexto social, hist\u00f3rico y pol\u00edtico original de las obras, como es el caso de&nbsp;<em style=\"line-height: 22.72px;\">Enamorada<\/em>&nbsp;(Emilio Fern\u00e1ndez, 1946), ubicada en la Revoluci\u00f3n Mexicana;&nbsp;<em style=\"line-height: 22.72px;\">Romeo y Julieta<\/em>&nbsp;(<em style=\"line-height: 22.72px;\">Romeo + Juliet<\/em>, Baz Luhrmann, 1996), ambientada en los noventa;&nbsp;<em style=\"line-height: 22.72px;\">Trono de sangre<\/em>&nbsp;(<em style=\"line-height: 22.72px;\">Kumonosu-j\u00f4<\/em>, Akira Kurosawa, 1957), adaptaci\u00f3n de&nbsp;<em style=\"line-height: 22.72px;\">Macbeth<\/em>&nbsp;en el Jap\u00f3n medieval, y&nbsp;<em style=\"line-height: 22.72px;\">La tempestad<\/em>&nbsp;(<em style=\"line-height: 22.72px;\">The Tempest<\/em>, Julie Taymor, 2010), en donde el papel protag\u00f3nico cambi\u00f3 de g\u00e9nero.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Para validar su participaci\u00f3n en el curso, los estudiantes realizar\u00e1n una evaluaci\u00f3n que tendr\u00e1 lugar en la sesi\u00f3n del 1 de julio.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<a href=\"http:\/\/www.cinetecanacional.net\/docs\/extension_academica\/69.pdf\" style=\"cursor: pointer; font-weight: inherit; line-height: 22.72px;\" target=\"_blank\"><span style=\"color: black; font-family: Arial, Helvetica, sans-serif;\">PROGRAMA COMPLETO DEL CURSO<\/span><\/a><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Curso: \u00abEl mundo entero es un escenario: William Shakespeare en el cine\u00bb<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Fechas: Del 12 de febrero al 1 de julio<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Horario: Viernes de 17:00 a 20:00 horas<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Sede: Sala 4, Arcady Boytler, de la Cineteca Nacional<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Cupo: Ilimitado<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Costo: $3,000<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><strong style=\"line-height: 22.72px;\">Descuentos:<\/strong>&nbsp;10% de descuento a estudiantes, profesores, Tarjeta INAPAM, S\u00e9palo y alumnos del Diplomado en Historia del Cine Mundial o a otros alumnos que hayan participado en otro curso de la Cineteca Nacional.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.72px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Informes e inscripciones:<\/span><\/strong><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Hasta el 11 de febrero o hasta completar aforo.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.72px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Departamento de Extensi\u00f3n Acad\u00e9mica de la Cineteca Nacional<\/span><\/strong><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Orianna Paz: opaz@cinetecanacional.net<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">41 55 12 38<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Liliana Santana: lsantana@cinetecanacional.net<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">41 55 12 00 ext. 3264<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">RGY<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.72px;\"><a href=\"http:\/\/boletines.cinetecanacional.net\/uploadimages\/files\/BOLETIN_%20Curso%20Whilliam%20Shakespeare%281%29.docx\" style=\"cursor: pointer; font-weight: inherit; line-height: 22.72px;\" target=\"_blank\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">ADJUNTO_\u00bbWILLIAM SHAKESPEARE EN EL CINE\u00bb<\/span><\/a><\/strong><\/div>\n<div style=\"background-color: white; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.72px;\"><a href=\"https:\/\/www.youtube.com\/watch?v=Bhs-J5LJ3aI\" style=\"cursor: pointer; font-weight: inherit; line-height: 22.72px;\" target=\"_blank\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">VIDEO \u00abWILLIAM SHAKESPEARE EN EL CINE\u00bb<\/span><\/a><\/strong><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Se realizar\u00e1 en 20 sesiones de tres a cuatro horas los viernes a las 17:00 horas Las inscripciones cierran el 11 de febrero o hasta completar aforo Los personajes dram\u00e1ticos de William Shakespeare siguen teniendo una presencia constante en el imaginario cinematogr\u00e1fico de diferentes latitudes, principalmente por la relevancia de los sentimientos humanos que representan; [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":20179,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-20178","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cineteca Nacional invita a curso sobre adaptaciones f\u00edlmicas de la obra de Shakespeare - EntrePalabras<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/entrepalabrasmxdigital.com\/?p=20178\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cineteca Nacional invita a curso sobre 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