{"id":20538,"date":"2015-12-02T18:50:00","date_gmt":"2015-12-02T18:50:00","guid":{"rendered":""},"modified":"2026-06-29T02:30:23","modified_gmt":"2026-06-29T02:30:23","slug":"analizan-ultima-pelicula-de-hayao","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=20538","title":{"rendered":"Analizan \u00faltima pel\u00edcula de Hayao Miyazaki en la Cineteca Nacional"},"content":{"rendered":"<div align=\"center\" style=\"background-color: white; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<ul>\n<li><b><i><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"line-height: 22.72px;\">E<\/span><span style=\"line-height: 21.3px;\">l especialista Eiji \u014ctsuka desentra\u00f1\u00f3 las claves que arroja el filme&nbsp;<span style=\"line-height: 21.3px;\">Se levanta el viento<\/span>&nbsp;para revelar una paradoja en la obra del cineasta<\/span><\/span><\/i><\/b><\/li>\n<\/ul>\n<p><\/p>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjJzuKklNCY_H2UZEd4cRBNCnjiDa3imJ7-KVFNTAOSSCRGkdnD9RC4tVNQbJmMwY_wJMT1fCXtHkn4wMqQnjHuPIxjjj5_CEuOxKnCj5MqyOjFNhsAMsBuuX-mbcetKCwKUCTXuWXA4hJF\/s1600\/a15.jpe\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" border=\"0\" height=\"213\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2015\/12\/a15.jpe\" class=\"wp-image-20539\" width=\"320\" \/><\/a><\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\nHayao Miyazaki, fundador del Studio Ghibli famoso por sus mundos de fantas\u00eda y narrativas sentimentales, presenta una fuerte contradicci\u00f3n personal en su filmograf\u00eda: su pacifismo y su fascinaci\u00f3n por dibujar instrumentos de guerra. Sobre este tema fue el an\u00e1lisis de Eiji \u014ctsuka durante la charla \u201c<em style=\"line-height: 22.72px;\">Se levanta el viento<\/em>&nbsp;de Hayao Miyazaki y el fin de la fantas\u00eda\u201d, que se llev\u00f3 a cabo este 1 de diciembre en la Sala 4, Arcady Boytler.<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\nOrganizada por la Cineteca Nacional en colaboraci\u00f3n con el International Research Center for Japanese Studies, la Escuela Nacional de Antropolog\u00eda e Historia, el Posgrado en Ciencias Pol\u00edticas y Sociales de la UNAM y el Centro de Estudios de Asia y \u00c1frica de El Colegio de M\u00e9xico, la conferencia del cr\u00edtico literario explic\u00f3 la manera en que el cineasta japon\u00e9s trat\u00f3 de conciliar un conflicto interno en su \u00faltima pel\u00edcula, S<em style=\"line-height: 22.72px;\">e levanta<\/em>&nbsp;<em style=\"line-height: 22.72px;\">el viento&nbsp;<\/em>(<em style=\"line-height: 22.72px;\">Kaze tachinu<\/em>, 2013).<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\nEn M\u00e9xico, el a\u00f1o pasado esta cinta result\u00f3 una de las m\u00e1s taquilleras de la 56 Muestra Internacional de Cine. Inspirada en la historia verdadera de Jiro Horikoshi, presenta a un joven apasionado de la aviaci\u00f3n, cuya vista le impide ser piloto. Sin embargo, se convirti\u00f3 en el creador de los aviones con los cuales Jap\u00f3n pele\u00f3 la Segunda Guerra Mundial.<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\n\u201cLa obra est\u00e1 llena de contradicciones porque, por un lado, alguien que es pacifista est\u00e1 manejando un s\u00edmbolo de la guerra, que es la avioneta. Hay que entender que Hayao Miyazaki es fan de estas armas b\u00e9licas y que le gusta dibujar y ver justamente estos mecanismos. En ese sentido, s\u00ed es un&nbsp;<em style=\"line-height: 22.72px;\">otaku<\/em>&nbsp;de art\u00edculos de guerra\u201d, coment\u00f3 el especialista.<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\nEl escritor de&nbsp;<em style=\"line-height: 22.72px;\">manga<\/em>&nbsp;comparti\u00f3 su interpretaci\u00f3n del simbolismo en la producci\u00f3n m\u00e1s reciente de Miyazaki. \u201cLo importante son los lentes de Jiro porque s\u00f3lo a trav\u00e9s de ellos puede ver el mundo\u201d, asegur\u00f3. Los lentes del protagonista simbolizan su visi\u00f3n sesgada del mundo, que no le permiten ver la realidad atroz y el car\u00e1cter b\u00e9lico de los aviones que dise\u00f1a con ilusi\u00f3n est\u00e9tica.<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\nDe acuerdo a \u014ctsuka, la iron\u00eda de belleza y violencia representadas en Jiro Horikoshi y el avi\u00f3n de guerra que dise\u00f1a, son analog\u00edas de Hayao Miyazaki y su fanatismo por las armas y los veh\u00edculos b\u00e9licos.<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\nMiyazaki recurri\u00f3 a diferentes m\u00e9todos para tratar de conciliar esta paradoja. Adem\u00e1s del simbolismo en&nbsp;<em style=\"line-height: 22.72px;\">Se levanta el viento<\/em>, el guionista tokiota resalt\u00f3 la tendencia presente en filmes como&nbsp;<em style=\"line-height: 22.72px;\">Porco Rosso<\/em>&nbsp;(1992) y&nbsp;<em style=\"line-height: 22.72px;\">Kiki, entregas a domicilio<\/em>&nbsp;(<em style=\"line-height: 22.72px;\">Majo no takky\u00fbbin<\/em>, 1989) de desarmar las naves de guerra a trav\u00e9s de la comedia o el romance.<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\nAsimismo, mencion\u00f3 que el cineasta suele otorgar el control de las armas u otras herramientas de guerra a los personajes femeninos de sus pel\u00edculas, no s\u00f3lo como una forma de fortalecer el car\u00e1cter de sus hero\u00ednas, sino como una respuesta contestataria a las convenciones pol\u00edticas de su pa\u00eds.<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\nEl director se ha distinguido por su postura pol\u00edtica pacifista, oponi\u00e9ndose fuertemente a las propuestas de reforma constitucional que algunos pol\u00edticos han intentado consolidar en materia armamentista y de invasi\u00f3n a otros pa\u00edses. Por lo mismo, el lanzamiento de&nbsp;<em style=\"line-height: 22.72px;\">Se levanta el viento<\/em>&nbsp;fue recibido con cr\u00edticas y pol\u00e9mica medi\u00e1tica.<\/div>\n<div style=\"background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 12pt; line-height: 22.72px; margin-bottom: 1.35em; text-align: justify;\">\nLa m\u00e1s reciente producci\u00f3n de Hayao Miyazaki se proyect\u00f3 al concluir la ponencia de Eiji \u014ctsuka, quien le pidi\u00f3 al p\u00fablico que observara atentamente en qu\u00e9 momentos el protagonista se quitaba los lentes, ya que ah\u00ed estaba la clave para entender la oposici\u00f3n entre realidad y fantas\u00eda en la pel\u00edcula.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>El especialista Eiji \u014ctsuka desentra\u00f1\u00f3 las claves que arroja el filme&nbsp;Se levanta el viento&nbsp;para revelar una paradoja en la obra del cineasta Hayao Miyazaki, fundador del Studio Ghibli famoso por sus mundos de fantas\u00eda y narrativas sentimentales, presenta una fuerte contradicci\u00f3n personal en su filmograf\u00eda: su pacifismo y su fascinaci\u00f3n por dibujar instrumentos de guerra. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":20539,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-20538","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Analizan \u00faltima pel\u00edcula de Hayao Miyazaki en la Cineteca Nacional - EntrePalabras<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/entrepalabrasmxdigital.com\/?p=20538\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Analizan \u00faltima pel\u00edcula de Hayao Miyazaki en la Cineteca Nacional - EntrePalabras\" \/>\n<meta property=\"og:description\" content=\"El especialista Eiji \u014ctsuka desentra\u00f1\u00f3 las claves que arroja el filme&nbsp;Se levanta el viento&nbsp;para revelar una paradoja en la obra del cineasta Hayao Miyazaki, fundador del Studio Ghibli famoso por sus mundos de fantas\u00eda y narrativas sentimentales, presenta una fuerte contradicci\u00f3n personal en su filmograf\u00eda: su pacifismo y su fascinaci\u00f3n por dibujar instrumentos de guerra. 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