{"id":20703,"date":"2015-11-21T15:54:00","date_gmt":"2015-11-21T15:54:00","guid":{"rendered":""},"modified":"2026-06-29T02:32:02","modified_gmt":"2026-06-29T02:32:02","slug":"abstracciones-nueva-york-paris-cuenca","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=20703","title":{"rendered":"Abstracciones. Nueva York, Par\u00eds, Cuenca, M\u00e9xico, muestra del movimiento abstracto a ambos lados del Atl\u00e1ntico entre 1950 y 1970"},"content":{"rendered":"<div align=\"center\" class=\"yiv5395664972MsoNormal\" id=\"yui_3_16_0_1_1448117868997_29252\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: center;\">\n<\/div>\n<ul>\n<li style=\"text-align: left;\"><b style=\"font-size: 14pt; text-align: justify;\"><i>Integrada por 52 obras de la Colecci\u00f3n Peralta<\/i><\/b><\/li>\n<li style=\"text-align: left;\"><b style=\"font-size: 14pt; text-align: justify;\"><i>Ser\u00e1 inaugurada el jueves 19 de noviembre en el Museo de Arte Moderno, donde permanecer\u00e1 abierta hasta el 14 de febrero de 2016<\/i><\/b><\/li>\n<li style=\"text-align: left;\"><b style=\"font-size: 14pt; text-align: justify;\"><i>Posteriormente ser\u00e1 exhibida en el Museo de Arte Contempor\u00e1neo de Monterrey y en el Museo de Arte Abstracto Manuel Felgu\u00e9rez, en Zacatecas<\/i><\/b><\/li>\n<\/ul>\n<p><\/p>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjfhTPiKs0jD-0wHDurmL_WQtsZQhwmU-mxehVoERD_ctgqZc1lF6TYJkhyphenhyphencDbQnbzlfogUeoVbNqEA5GNsug_hiyXQU5TzYNVdDzy44H-1BFGKa0qB1tBB1p0B51sIkGayTjAtutZPalGO\/s1600\/DSC_0064.JPG\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" border=\"0\" height=\"344\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2015\/11\/DSC_0064.jpg\" class=\"wp-image-20704\" width=\"640\" \/><\/a><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<i><span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">Abstracciones. Nueva York, Par\u00eds, Cuenca, M\u00e9xico<\/span><\/i><span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">&nbsp;revela un acervo especializado en el movimiento m\u00e1s influyente de la segunda mitad del siglo XX: el expresionismo abstracto nacido en Estados Unidos, y da testimonio de sus corolarios inmediatos: el informalismo y la abstracci\u00f3n l\u00edrica o geom\u00e9trica que se propagaron en Francia, Espa\u00f1a y M\u00e9xico.<\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv5395664972MsoNormal\" id=\"yui_3_16_0_1_1448117868997_29265\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span id=\"yui_3_16_0_1_1448117868997_29264\" lang=\"ES-TRAD\" style=\"font-size: 13pt;\">La muestra est\u00e1 integrada por 52 obras de la Colecci\u00f3n Peralta, realizadas entre 1950 y 1970 por 45 creadores, entre ellos Ad Reinhardt, Alberto Gironella, Antoni T\u00e0pies, Carlos M\u00e9rida,<\/span><span style=\"font-size: 13pt;\">Cordelia Urueta,&nbsp;<\/span><span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">Fernando Garc\u00eda Ponce,&nbsp;<\/span><span style=\"font-size: 13pt;\">Francisco Corzas,&nbsp;<\/span><span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">Francisco Toledo, Gunther Gerzso, Jean Dubuffet, Jos\u00e9 Luis Cuevas, Lilia Carrillo, Manuel Felgu\u00e9rez, Mark Rothko, Pierre Soulages, Robert Motherwell,&nbsp;<\/span><span style=\"font-size: 13pt;\">Serge Poliakoff,&nbsp;<\/span><span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">Willem de Kooning, Vicente Rojo e Yves Klein.<\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">Ser\u00e1 inaugurada el jueves 19 de noviembre a las 19:30 en el Museo de Arte Moderno (MAM), donde permanecer\u00e1 abierta hasta el 14 de febrero de 2016. Posteriormente ser\u00e1 exhibida en el Museo de Arte Contempor\u00e1neo de Monterrey y en el Museo de Arte Abstracto Manuel Felgu\u00e9rez, en Zacatecas.<\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" id=\"yui_3_16_0_1_1448117868997_29268\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">Si bien es cierto que los autores de las piezas proceden de pa\u00edses diferentes (adem\u00e1s de los citados, Alemania, Canad\u00e1, Holanda e Italia), su producci\u00f3n contribuy\u00f3 al realce de cuatro ciudades que asentaron la genealog\u00eda del arte abstracto, de las cuales toma esta exhibici\u00f3n su t\u00edtulo.<\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">\u00d3leos, acr\u00edlicos, acuarelas, aguatintas, dibujos y esculturas dan cuenta de c\u00f3mo, en Nueva York, Motherwell y De Kooning adoptaron el automatismo para transmitir la energ\u00eda del gesto al atacar la tela (<i>action painting<\/i>), mientras Rothko extra\u00eda acentos metaf\u00edsicos de vaporosos campos de color (<i>color field painting<\/i>).<\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">En Par\u00eds, Soulages y Poliakoff eliminaron a golpe de brochazos espont\u00e1neos cualquier referencia a objetos reconocibles, Dubuffet reivindic\u00f3 la expresividad tosca del arte bruto y Klein patent\u00f3 sus monocromos azul profundo.<\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" id=\"yui_3_16_0_1_1448117868997_29269\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">A su vez, la Espa\u00f1a franquista vio resurgir la vanguardia contestataria con T\u00e0pies y con el grupo El Paso, que se atrevi\u00f3 a injertar materiales de desecho como arpilleras y mallas de alambre a sus composiciones de severa paleta rojinegra.<\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">Entre la juventud disidente de M\u00e9xico, la Ruptura garantiz\u00f3 el relevo generacional, al ramificar la abstracci\u00f3n en la geometr\u00eda, con Gerzso, Felgu\u00e9rez y Rojo, y en un lirismo que obedeci\u00f3 al caprichoso flujo sensorial, con Carrillo y Urueta. Por su parte, la figuraci\u00f3n que rechaz\u00f3 el realismo encontr\u00f3 su cauce en los trazos expresionistas de Gironella, Cuevas, Corzas y Toledo.<\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv5395664972MsoNormal\" id=\"yui_3_16_0_1_1448117868997_29271\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span id=\"yui_3_16_0_1_1448117868997_29270\" lang=\"ES-TRAD\" style=\"font-size: 13pt;\">Con frecuencia, el arte del medio siglo ha sido reducido a la presunta ventaja de la llamada Escuela de Nueva York sobre las vanguardias europeas truncadas por el conflicto b\u00e9lico. Con el fin de desmentir este prejuicio, la curadora de la muestra, Sylvia Navarrete, intercal\u00f3 las obras en salas en funci\u00f3n del di\u00e1logo entre su capacidad experimental y sus convergencias formales, y prescindi\u00f3 de los habituales criterios cronol\u00f3gicos o jer\u00e1rquicos, para poder valorar en una perspectiva igualitaria la s\u00fabita expansi\u00f3n de aquel fen\u00f3meno est\u00e9tico que transform\u00f3 la cultura y los gustos de las sociedades occidentales, \u00e1vidas de lenguajes pl\u00e1sticos aptos para superar el trauma de la Segunda Guerra Mundial.<\/span><\/div>\n<p><span lang=\"ES-TRAD\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13pt;\"><br clear=\"all\" \/><\/span><span style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px;\"><\/span><\/p>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; padding: 0px;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">&nbsp;<\/span><span style=\"font-size: 13pt; text-align: justify;\">&nbsp;<\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">La exposici\u00f3n incluye obras de&nbsp;<\/span><span style=\"font-size: 13pt;\">Alfred Manessier, Antonio Saura, Antonio Su\u00e1rez, Bradley Walker Tomlin, Enrique Echeverr\u00eda, Eug\u00e8ne Leroy, Esteban Vicente, Fernando Z\u00f3bel, Jack Tworkov, Jean-Paul Riopelle, Joan Mitchell, Jorge Oteiza, Juana Franc\u00e9s, Karel Appel, Kazuo Shiraga, Luis Feito, Manuel Millares, Manuel Rivera, Manuel Viola, Mart\u00edn Chirino, Mark Tobey, Pedro Coronel, Philip Guston, Rafael Canogar y Sam Francis, adem\u00e1s de los creadores ya mencionados.<\/span><span lang=\"ES-TRAD\" style=\"font-size: 13pt;\"><\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">El MAM public\u00f3 un cat\u00e1logo que integra ensayos de Juan Manuel Bonet, director del Instituto Cervantes en Par\u00eds, y de la curadora, as\u00ed como reproducciones a color y textos monogr\u00e1ficos de cada una de las piezas en exhibici\u00f3n.<\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px;\">\n<\/div>\n<div class=\"yiv5395664972MsoNormal\" id=\"yui_3_16_0_1_1448117868997_29273\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span id=\"yui_3_16_0_1_1448117868997_29272\" lang=\"ES-TRAD\" style=\"font-size: 13pt;\">Asimismo, a partir de enero de 2016 se llevar\u00e1n a cabo diversas actividades paralelas, como un taller de pintura abstracta para el p\u00fablico en general, la presentaci\u00f3n del mencionado cat\u00e1logo y visitas guiadas para la comunidad estudiantil, en coordinaci\u00f3n con la Escuela Nacional de Pintura, Escultura y Grabado La Esmeralda del Instituto Nacional de Bellas Artes, la Facultad de Artes y Dise\u00f1o de la Universidad Nacional Aut\u00f3noma de M\u00e9xico, la Universidad del Claustro de Sor Juana y la Universidad Iberoamericana.<\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" id=\"yui_3_16_0_1_1448117868997_29290\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-TRAD\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv5395664972MsoNormal\" id=\"yui_3_16_0_1_1448117868997_29274\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv5395664972MsoNormal\" id=\"yui_3_16_0_1_1448117868997_29283\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span id=\"yui_3_16_0_1_1448117868997_29289\" lang=\"ES-TRAD\" style=\"font-size: 13pt;\">M\u00e1s informaci\u00f3n en el sitio web del recinto (<\/span><span lang=\"ES-MX\"><a href=\"http:\/\/www.museoartemoderno.com\/\" rel=\"nofollow\" style=\"background: transparent; color: #196ad4; margin: 0px; outline: none; padding: 0px;\" target=\"_blank\"><span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">www.museoartemoderno.com<\/span><\/a><\/span><span class=\"yiv5395664972\"><span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">)<\/span><\/span><span lang=\"ES-TRAD\" style=\"font-size: 13pt;\">&nbsp;y en sus redes sociales.<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Integrada por 52 obras de la Colecci\u00f3n Peralta Ser\u00e1 inaugurada el jueves 19 de noviembre en el Museo de Arte Moderno, donde permanecer\u00e1 abierta hasta el 14 de febrero de 2016 Posteriormente ser\u00e1 exhibida en el Museo de Arte Contempor\u00e1neo de Monterrey y en el Museo de Arte Abstracto Manuel Felgu\u00e9rez, en Zacatecas Abstracciones. Nueva [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":20704,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-20703","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Abstracciones. 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