{"id":20956,"date":"2015-10-31T21:36:00","date_gmt":"2015-10-31T21:36:00","guid":{"rendered":""},"modified":"2026-06-29T02:34:15","modified_gmt":"2026-06-29T02:34:15","slug":"el-cortometraje-un-espacio-de","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=20956","title":{"rendered":"El cortometraje, un espacio de confrontaci\u00f3n: Alejandro Gerber"},"content":{"rendered":"<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<ul>\n<li><b style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\"><i>El cineasta mexicano presenta su cortometraje Luces brillantes en la competencia del Festival de Cine de Morelia<\/i><\/b><\/li>\n<li><b style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\"><i>Ocho historias cortas de ficci\u00f3n apoyadas por IMCINE participan en la d\u00e9cimo tercera edici\u00f3n del certamen<\/i><\/b><\/li>\n<\/ul>\n<p><\/p>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhwYdZw-Y2odTX2j8GWzz6LTty43eUxXLa6YQnKOCvYyR0sDW94y1cPMyNvZK4eRVTvHwmZnhb-5n5vNHTxaB7XnqekC9MI4hFi22h248jp-y0npXpCOeTEHc4pc2byXMyqi8Lw4f0xXO_G\/s1600\/r14.jpe\" imageanchor=\"1\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" border=\"0\" height=\"320\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2015\/10\/r14.jpe\" class=\"wp-image-20957\" width=\"213\" \/><\/a><span style=\"line-height: 22.72px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Durante su formaci\u00f3n como cineasta, en los a\u00f1os 90, el mexicano Alejandro Gerber recuerda que el cortometraje era el cine mexicano. Muy poca gente pod\u00eda hacer largometrajes y no hab\u00eda mecanismos de financiamiento como los&nbsp;que actualmente existen.<\/span><\/span><\/div>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">\u201cDesde ese punto de vista le tengo mucho respeto a este formato. El corto era el recurso creativo m\u00e1ximo. Despu\u00e9s se abri\u00f3 el camino para hacer largometraje y evolucionar hacia all\u00e1\u201d, comenta en entrevista el egresado del Centro de Capacitaci\u00f3n Cinematogr\u00e1fica (CCC).<\/span><\/div>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Para el director de la pel\u00edcula&nbsp;<\/span><em style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Viento aparte<\/em><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">&nbsp;(2014), el cortometraje representa un espacio de aprendizaje, de libertad, de confrontaci\u00f3n y reinvenci\u00f3n de uno mismo. Al generarle tal afecto, quiso desarrollar una historia corta a la que titul\u00f3&nbsp;<\/span><em style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Luces brillantes<\/em><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">.<\/span><\/div>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Gerber nos sit\u00faa en una la playa, donde el peque\u00f1o Tom\u00e1s, acompa\u00f1ado por su madre, est\u00e1n a la espera de observar unos misteriosos objetos luminosos que se aparecen por las noches.<\/span><\/div>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">El fen\u00f3meno ocurre: Un OVNI&nbsp;(objeto volador no identificado)&nbsp;sobrevuela la playa ante el asombro de un pu\u00f1ado de asistentes. Sin embargo, el objeto volador podr\u00eda no ser lo que parece; y la familia de Tom\u00e1s podr\u00eda tambi\u00e9n no ser la que \u00e9l piensa que es.<\/span><\/div>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">\u201cEl corto surge a partir de la lectura&nbsp;de&nbsp;una cr\u00f3nica period\u00edstica que tambi\u00e9n se llama&nbsp;<\/span><em style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Luces en el cielo<\/em><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">. En ella se habla sobre la entrada del narcotr\u00e1fico a Veracruz. Es una mezcla entre la fantas\u00eda infantil con la realidad de la violencia que estamos viviendo\u201d, explic\u00f3 el cineasta.<\/span><\/div>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Sobre la necesidad de contar una historia de este tipo a trav\u00e9s de la mirada de un ni\u00f1o, Gerber comparti\u00f3 que como realizador tiene la sensaci\u00f3n de que cuando uno utiliza la violencia cruda -algo que tambi\u00e9n es un recurso v\u00e1lido para \u00e9l- se deja perplejo al espectador y no le permite reflexionar. &nbsp;<\/span><\/div>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">\u201cQuer\u00eda generar una met\u00e1fora donde el personaje se da cuenta que el mal no viene de afuera sino que a veces sale de uno mismo y pertenece a nuestras propias rutinas de sobrevivencia. Quer\u00eda plantear esa iron\u00eda en donde la sobrevivencia de una familia implica la destrucci\u00f3n de un pa\u00eds y una sociedad\u201d, agreg\u00f3.<\/span><\/div>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<em style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Luces brillantes<\/em><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">, apoyado en su producci\u00f3n por el Instituto Mexicano de Cinematograf\u00eda (IMCINE), participa actualmente en la competencia de cortometraje de ficci\u00f3n de la d\u00e9cimo&nbsp;<\/span><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">tercera edici\u00f3n del Festival Internacional de Cine de Morelia (FICM).<\/span><\/div>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.72px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><br \/><\/span><\/strong><\/div>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.72px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Ocho cortometrajes de ficci\u00f3n del IMCINE en Morelia<\/span><\/strong><\/div>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">En la selecci\u00f3n oficial del 13\u00ba Festival Internacional de Cine de Morelia participan ocho producciones de ficci\u00f3n apoyadas por el Instituto Mexicano de Cinematograf\u00eda (IMCINE), incluida&nbsp;<\/span><em style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Luces brillantes<\/em><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">, de Alejandro Gerber.<\/span><\/div>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Se trata de&nbsp;<\/span><em style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">A trav\u00e9s de los p\u00e1rpados<\/em><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">&nbsp;(2015), de Jos\u00e9 Luis Briones;&nbsp;<\/span><em style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Cuarto de hotel<\/em><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">&nbsp;(2015), de Alejandro Zuno;&nbsp;<\/span><em style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Gloria<\/em><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">&nbsp;(2015), de Luis Roberto Hern\u00e1ndez de la Pe\u00f1a; y&nbsp;<\/span><em style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Luisa<\/em><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">&nbsp;(2015), de Alejandra S\u00e1nchez.<\/span><\/div>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Completan la lista&nbsp;<\/span><em style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Tome la pistola y empiece a despachar<\/em><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">&nbsp;(2015), de Eduardo Sabugal Torres;&nbsp;<\/span><em style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Tr\u00e9mulo<\/em><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">&nbsp;(2015), de Roberto Fiesco; y&nbsp;<\/span><em style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Un paso hacia el camale\u00f3n<\/em><span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">(2015), de Francisco Fuentes Lara.<\/span><\/div>\n<div style=\"background-color: white; line-height: 18.46px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif; line-height: 22.72px;\">Estas historias representan el compromiso del IMCINE por apoyar a las nuevas generaciones de cineastas y ser parte de la diversidad que vive el cine mexicano hoy en d\u00eda a trav\u00e9s de sus tem\u00e1ticas, narrativas y formatos.&nbsp;<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>El cineasta mexicano presenta su cortometraje Luces brillantes en la competencia del Festival de Cine de Morelia Ocho historias cortas de ficci\u00f3n apoyadas por IMCINE participan en la d\u00e9cimo tercera edici\u00f3n del certamen Durante su formaci\u00f3n como cineasta, en los a\u00f1os 90, el mexicano Alejandro Gerber recuerda que el cortometraje era el cine mexicano. Muy [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":20957,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-20956","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>El cortometraje, un espacio de confrontaci\u00f3n: Alejandro Gerber - EntrePalabras<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/entrepalabrasmxdigital.com\/?p=20956\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El cortometraje, un espacio de confrontaci\u00f3n: Alejandro Gerber - EntrePalabras\" \/>\n<meta property=\"og:description\" content=\"El cineasta mexicano presenta su cortometraje Luces brillantes en la competencia del Festival de Cine de Morelia Ocho historias cortas de ficci\u00f3n apoyadas por IMCINE participan en la d\u00e9cimo tercera edici\u00f3n del certamen Durante su formaci\u00f3n como cineasta, en los a\u00f1os 90, el mexicano Alejandro Gerber recuerda que el cortometraje era el cine mexicano. 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