{"id":21313,"date":"2015-10-11T04:48:00","date_gmt":"2015-10-11T04:48:00","guid":{"rendered":""},"modified":"2026-06-29T02:37:27","modified_gmt":"2026-06-29T02:37:27","slug":"la-ruptura-femenina","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=21313","title":{"rendered":"La ruptura femenina"},"content":{"rendered":"
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\nLa cinta del director Alberto Boj\u00f3rquez no s\u00f3lo es el Retrato de una mujer casada, <\/em>es la historia de muchas de ellas. Es el reflejo de la mujer mexicana en los a\u00f1os setenta en su camino a la emancipaci\u00f3n. Los primeros gritos de mentes subversivas que buscan romper los moldes impuestos por la arraigada tradici\u00f3n machista en nuestro pa\u00eds, tema que sigue presente en nuestro cotidiano actual.<\/span><\/span><\/div>\n
\nActuaciones memorables como la de Alma Muriel representando no s\u00f3lo el personaje de Irene, sino el de la madre, la ama de casa y la estudiante que vive con su esposo Guillermo (Gonzalo Vega) el cual aparentemente le da la vida de clase media a la que toda mujer aspira, pero que no le entrega del todo la libertad que por derecho de le pertenece.<\/span><\/div>\n
\nDentro de ese letargo de estabilidad en el que vive Irene, se sabe distinta y vive en disyuntiva del conflicto de la transici\u00f3n de salir del hogar para explorar \u00e1reas que le resultaban desconocidas e inalcanzables y su papel de mujer medianamente sumisa. Situaci\u00f3n que por m\u00e1s que ella no la busque est\u00e1 destinada a la fatalidad inminente.<\/span><\/div>\n
\nHace temblar no s\u00f3lo la ideolog\u00eda de los hombres sino despierta la curiosidad de las mujeres que la rodean pues la ven como una mente moderna y transgresora a la que conviene seguir. Gracias esta actuaci\u00f3n, Alma Muriel fue nominada al Ariel a la Mejor Actriz en 1983 y comparti\u00f3 cr\u00e9ditos en este filme con la actriz Patricia Reyes Sp\u00edndola.<\/span><\/div>\n
\nEste filme tambi\u00e9n hizo acreedor a su director a una Diosa de Plata por Mejor Gui\u00f3n, con el que se destaca su habilidad \u00fanica por retratar hechos cotidianos con trasfondos complejos que se viven en una sociedad llena de cambios y retrocesos sociales donde los personajes transitan entre lo que quieren, lo que deben y lo que terminan por hacer.<\/span><\/div>\n
\nTodo esto acompa\u00f1ado por im\u00e1genes de algunos puntos de la Ciudad de M\u00e9xico que traer\u00e1n recuerdos a aquellos que la han visto transformarse: la antigua Cineteca Nacional, Ciudad Universitaria, la Alberca Ol\u00edmpica e incluso, las viejas cabinas telef\u00f3nicas que denotaban el r\u00e1pido progreso urbano.<\/span><\/div>\n
\nEn FilminLatino contamos con dos cintas de este importante director, <\/span>Retrato de una mujer casada<\/em> y otro de los grandes cl\u00e1sicos del cine mexicano: <\/span>F\u00e9, esperanza y caridad.<\/em><\/div>\n
\nDebido a la importancia de esta pel\u00edcula, la versi\u00f3n disponible en la plataforma cuenta con una gran calidad, debido al proceso que se le realiz\u00f3 en el laboratorio de Restauraci\u00f3n Digital tanto para su digitalizaci\u00f3n, estabilizaci\u00f3n de color y sonido, gracias al Instituto Mexicano de Cinematograf\u00eda en conjunto con la Cineteca Nacional para preservar las joyas cinematogr\u00e1ficas del pa\u00eds.<\/span><\/div>\n
\nEl IMCINE, a trav\u00e9s de FilminLatino, ha centrado algunas de sus acciones en estabilizar algunos materiales de su acervo, en un trabajo coordinado con la Cineteca Nacional, que son considerados filmes referenciales de una \u00e9poca del cine mexicano.<\/span><\/div>\n
\nEsta acci\u00f3n comenz\u00f3 con<\/span> <\/span>Los murmullos<\/em>, de Rub\u00e9n G\u00e1mez, despu\u00e9s vino<\/span> <\/span>Mariana, Mariana<\/em>, de Alberto Isaac y<\/span> <\/span>El imperio de la fortuna, <\/em>de Arturo Ripstein.<\/span><\/div>\n
\nTambi\u00e9n se han recuperado para alimentar la memoria f\u00edlmica nacional,<\/span> <\/span>El lugar sin l\u00edmites<\/em>, de Arturo Ripstein;<\/span> <\/span>Cuartelazo<\/em> <\/span>y<\/span> <\/span>El rinc\u00f3n de las v\u00edrgenes<\/em>, de Alberto Isaac;<\/span> <\/span>Los indolentes<\/em>, de Jos\u00e9 Estrada;<\/span> <\/span>Vidas errantes<\/em>, de Juan Antonio de la Riva;<\/span> <\/span>Miroslava<\/em>, de Alejandro Pelayo y<\/span> <\/span>Una cita de amor<\/em>, de Emilio<\/span> <\/span>El Indio<\/em> <\/span>Fern\u00e1ndez.<\/span><\/div>\n
\nPara m\u00e1s informaci\u00f3n visitar<\/span> <\/span>www.filminlatino.mx<\/a><\/div>\n
\nS\u00edguenos en Facebook y Twitter: FilminLatino<\/span><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

La cinta del director Alberto Boj\u00f3rquez no s\u00f3lo es el Retrato de una mujer casada, es la historia de muchas de ellas. Es el reflejo de la mujer mexicana en los a\u00f1os setenta en su camino a la emancipaci\u00f3n. Los primeros gritos de mentes subversivas que buscan romper los moldes impuestos por la arraigada tradici\u00f3n machista en nuestro pa\u00eds, […]<\/p>\n","protected":false},"author":2,"featured_media":21314,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-21313","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nLa ruptura femenina - EntrePalabras<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/entrepalabrasmxdigital.com\/?p=21313\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La ruptura femenina - EntrePalabras\" \/>\n<meta property=\"og:description\" content=\"La cinta del director Alberto Boj\u00f3rquez no s\u00f3lo es el Retrato de una mujer casada, es la historia de muchas de ellas. Es el reflejo de la mujer mexicana en los a\u00f1os setenta en su camino a la emancipaci\u00f3n. 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