{"id":22856,"date":"2015-07-22T21:51:00","date_gmt":"2015-07-22T21:51:00","guid":{"rendered":""},"modified":"2026-06-29T02:52:01","modified_gmt":"2026-06-29T02:52:01","slug":"llegara-rojo-vs-negro-del-grabador","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=22856","title":{"rendered":"Llegar\u00e1 Rojo vs. negro del grabador morelense Sergio S\u00e1nchez Santamar\u00eda a la Galer\u00eda Jos\u00e9 Mar\u00eda Velasco"},"content":{"rendered":"<div align=\"center\" class=\"yiv2417488582MsoNormal\" id=\"yui_3_16_0_1_1437598939227_293947\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: center;\">\n<\/div>\n<ul>\n<li style=\"text-align: left;\"><b><i><span style=\"font-size: 14pt; text-align: justify;\">Acompa\u00f1ar\u00e1n a la exposici\u00f3n Alejandro Caballero en la Pieza del mes; una muestra colectiva de la Elitep, en el Mezanine, y<\/span><span style=\"font-size: 14pt; text-align: justify;\">&nbsp;<\/span><span id=\"yui_3_16_0_1_1437598939227_293890\" style=\"font-size: 14pt; text-align: justify;\">Rest<\/span><span style=\"font-size: 14pt; text-align: justify;\">, en la Intervenci\u00f3n de fachada<\/span><\/i><\/b><\/li>\n<\/ul>\n<p><\/p>\n<div class=\"yiv2417488582\" id=\"yui_3_16_0_1_1437598939227_293892\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 64.35pt; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 14pt;\"><\/span><\/div>\n<div class=\"yiv2417488582\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEj9E8lsppsjrjwILsl-qzlNrYC1Q8T9fP6-S9fv2wuHXV-RsP5hRaZFCgMhV9k628gcP9YJaZ0ZMsniqrMAiELBw1Ft2yUSpSxMNfR10f0K1OVZ5qv72o0b8HhjMj1N2-rY0QHI3ofxoihN\/s1600\/inba11.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" border=\"0\" height=\"199\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2015\/07\/inba11.jpg\" class=\"wp-image-22857\" width=\"320\" \/><\/a><\/div>\n<div class=\"yiv2417488582MsoNormal\" id=\"yui_3_16_0_1_1437598939227_293896\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" id=\"yui_3_16_0_1_1437598939227_293896\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" id=\"yui_3_16_0_1_1437598939227_293896\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span id=\"yui_3_16_0_1_1437598939227_293895\" lang=\"ES-MX\" style=\"font-size: 13pt;\">La exposici\u00f3n&nbsp;<i>Rojo vs. negro<\/i>&nbsp;del grabador morelense Sergio S\u00e1nchez Santamar\u00eda, en la que el caos delirante de las urbes forma parte de la iconograf\u00eda identitaria moderna, ser\u00e1 inaugurada el mi\u00e9rcoles 15 de julio a las 19:00 horas en la Galer\u00eda Jos\u00e9 Mar\u00eda Velasco, donde permanecer\u00e1 abierta hasta el 30 de agosto.<\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv2417488582MsoNormal\" id=\"yui_3_16_0_1_1437598939227_293900\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\">Esta muestra individual se presenta bajo tres l\u00edneas. La primera aborda una serie de dibujos a plum\u00edn que rememoran al cartelismo moderno y a la psicodelia de los a\u00f1os setenta. Aqu\u00ed, S\u00e1nchez Santamar\u00eda expone su concepci\u00f3n crom\u00e1tica y revela que la habilidad de cualquier artista consiste en otorgar un efecto \u00f3ptico tras la degradaci\u00f3n y variaci\u00f3n de las texturas a la imagen, para que la obra tenga vida y movimiento propios.<\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\">En este sentido, la superposici\u00f3n de los colores rojo y negro, seg\u00fan el artista, le otorga fuerza contundente a la imagen para alcanzar un gran poder comunicativo y permitir que el mensaje sea objetivo y que se redondee el impacto y el sentido del mismo a lo largo de la obra.<\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\">La segunda l\u00ednea es una serie gr\u00e1fica con el estilo que ha caracterizado al creador, en la cual los personajes suburbanos y clandestinos son los protagonistas junto con la ciudad que los engloba. Estos grabados en lin\u00f3leo fueron inspirados por la&nbsp;<i>Pasi\u00f3n grande<\/i>&nbsp;de Alberto Durero en cuanto a sus dimensiones y al uso vertical de la imagen.<\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" id=\"yui_3_16_0_1_1437598939227_293898\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\">Finalmente, la tercera l\u00ednea es un logrado experimento de&nbsp;<i>scratches<\/i>&nbsp;in\u00e9ditos, en los cuales, por medio de un soporte de PVC, revelan el impecable dominio del artista en el dibujo y su franco entendimiento de la est\u00e9tica gr\u00e1fica mexicana de inicios del siglo XX.<\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\">De esta forma, las tres l\u00edneas de&nbsp;<i>Rojo vs. negro<\/i>&nbsp;logran desentra\u00f1ar al hombre y al creador para mostrarnos su visi\u00f3n del mundo, sus miedos y obsesiones, a trav\u00e9s de su imaginer\u00eda y discurso visual.<\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv2417488582MsoNormal\" id=\"yui_3_16_0_1_1437598939227_293902\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\">Por otro lado, en la Pieza del mes se exhibir\u00e1 la obra de Alejandro Caballero, artista del barrio de Tepito formado de Escuela Nacional de Pintura, Escultura y Grabado La Esmeralda del Instituto Nacional de Bellas Artes (INBA).<\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv2417488582MsoNormal\" id=\"yui_3_16_0_1_1437598939227_293905\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span id=\"yui_3_16_0_1_1437598939227_293904\" lang=\"ES-MX\" style=\"font-size: 13pt;\">Profesor de artes pl\u00e1sticas desde 1997, Caballero fue fundador en 2011 de la Escuela de Arte Gratuita al Aire Libre de Tepito (Elitep) y de la Galer\u00eda Urbana Alternativa El Tendedero, en el Espacio Cultural Martes de Arte-Daniel Manrique.<\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv2417488582MsoNormal\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" id=\"yui_3_16_0_1_1437598939227_293935\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span id=\"yui_3_16_0_1_1437598939227_293934\" lang=\"ES-MX\" style=\"font-size: 13pt;\">Precisamente una exposici\u00f3n colectiva de la Elitep se presentar\u00e1 en el Mezanine, integrada por piezas realizadas por los alumnos de los talleres impartidos en el Espacio Cultural Martes de Arte-Daniel Manrique. Con ellos, la Elitep pretende fomentar la convivencia y resarcir el tejido social y comunitario en el legendario barrio de Tepito. Muchos de los artistas son autodidactas y se encuentran en este espacio para desarrollar conocimiento y oficios espec\u00edficos.<\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" id=\"yui_3_16_0_1_1437598939227_293932\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" id=\"yui_3_16_0_1_1437598939227_293930\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv2417488582MsoNormal\" id=\"yui_3_16_0_1_1437598939227_293928\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span id=\"yui_3_16_0_1_1437598939227_293927\" lang=\"ES-MX\" style=\"font-size: 13pt;\">La Intervenci\u00f3n de fachada correr\u00e1 a cargo de&nbsp;<i>Rest<\/i>, colaborador de<i>&nbsp;Minha&nbsp;<\/i>y<i>&nbsp;Black Say<\/i>, todos ellos formados en el Centro Cultural Central del Pueblo.<\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" id=\"yui_3_16_0_1_1437598939227_293925\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span lang=\"ES-MX\" style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv2417488582MsoNormal\" id=\"yui_3_16_0_1_1437598939227_293923\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv2417488582MsoNormal\" id=\"yui_3_16_0_1_1437598939227_293916\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin-left: 1cm; padding: 0px; text-align: justify;\">\n<span id=\"yui_3_16_0_1_1437598939227_293915\" lang=\"ES-MX\" style=\"font-size: 13pt;\">La Galer\u00eda Jos\u00e9 Mar\u00eda Velasco regresa a su horario habitual: de martes a domingo de las 9:00 a las 17:30 horas. Est\u00e1 ubicada en Peralvillo 55, colonia Morelos, en el barrio de Tepito.<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Acompa\u00f1ar\u00e1n a la exposici\u00f3n Alejandro Caballero en la Pieza del mes; una muestra colectiva de la Elitep, en el Mezanine, y&nbsp;Rest, en la Intervenci\u00f3n de fachada La exposici\u00f3n&nbsp;Rojo vs. negro&nbsp;del grabador morelense Sergio S\u00e1nchez Santamar\u00eda, en la que el caos delirante de las urbes forma parte de la iconograf\u00eda identitaria moderna, ser\u00e1 inaugurada el mi\u00e9rcoles [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":22857,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-22856","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Llegar\u00e1 Rojo vs. negro del grabador morelense Sergio S\u00e1nchez Santamar\u00eda a la Galer\u00eda Jos\u00e9 Mar\u00eda Velasco - 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