{"id":23346,"date":"2015-06-22T19:14:00","date_gmt":"2015-06-22T19:14:00","guid":{"rendered":""},"modified":"2026-06-29T02:56:47","modified_gmt":"2026-06-29T02:56:47","slug":"con-cineplastica-el-museo-de-arte","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=23346","title":{"rendered":"Con Cinepl\u00e1stica, el Museo de Arte Moderno favorece la apertura metodol\u00f3gica en la apreciaci\u00f3n de su colecci\u00f3n permanente"},"content":{"rendered":"<div class=\"yiv7607518976\" id=\"yui_3_16_0_1_1434996111688_546487\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: left;\">\n<\/div>\n<ul>\n<li><b style=\"font-size: 14pt; text-align: justify;\"><i>La exposici\u00f3n est\u00e1 integrada por 14 filmes de 13 cineastas y 43 piezas de 12 artistas pl\u00e1sticos<\/i><\/b><\/li>\n<li><b style=\"font-size: 14pt; text-align: justify;\"><i>Del 17 de junio de 2015 al 31 de enero de 2016<\/i><\/b><\/li>\n<\/ul>\n<p><\/p>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 64.35pt; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\"><\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 64.35pt; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 14pt;\"><br \/><\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhWLBuoaCa5fnhDK_vV5x7jRB1Lby3eIqhqd_j19Wzj4fQowXBajYH04YnXKiLvq4OBWXbE_X57XESFxRxFp3lWbqMvD-3SiI0zSkKiU6gEmn-yzszBzjPnzSyNmaYBFDftjfBm9LSRFBT7\/s1600\/blog20.JPG\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" border=\"0\" height=\"182\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2015\/06\/blog20.jpg\" class=\"wp-image-23347\" width=\"320\" \/><\/a><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\">Con la exposici\u00f3n<i>&nbsp;Cinepl\u00e1stica. El film sobre arte en M\u00e9xico (1960-1975)<\/i>, organizada en colaboraci\u00f3n con la Filmoteca de la Universidad Nacional Aut\u00f3noma de M\u00e9xico (UNAM) y el Festival DocsDF, el Museo de Arte Moderno (MAM) favorece la apertura metodol\u00f3gica en la apreciaci\u00f3n de su colecci\u00f3n permanente.<\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\">En la muestra, que ser\u00e1 exhibida del 17 de junio de 2015 al 31 de enero de 2016, dialogar\u00e1n 14 filmes de 13 cineastas y 43 piezas (23 pinturas, 12 grabados, cuatro dibujos y cuatro esculturas de la colecci\u00f3n del MAM, complementadas por otros acervos) de 12 artistas pl\u00e1sticos: David Alfaro Siqueiros, Jos\u00e9 Luis Cuevas, Helen Escobedo, Manuel Felgu\u00e9rez, Alberto Gironella, Frida Kahlo, Leopoldo M\u00e9ndez, Juan O\u2019Gorman, Jos\u00e9 Guadalupe Posada, Vicente Rojo, Rufino Tamayo y Remedios Varo.<\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv7607518976\" id=\"yui_3_16_0_1_1434996111688_546482\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv7607518976\" id=\"yui_3_16_0_1_1434996111688_546459\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span id=\"yui_3_16_0_1_1434996111688_546458\" style=\"font-size: 13pt;\">Las pel\u00edculas que podr\u00e1n apreciarse en la exposici\u00f3n son:&nbsp;<i id=\"yui_3_16_0_1_1434996111688_546460\">Frida Kahlo y Tina Misrachi<\/i>&nbsp;(1950) de Lola \u00c1lvarez Bravo;&nbsp;<i>Frida Kahlo<\/i>&nbsp;(1970) de Marcela Fern\u00e1ndez Violante;&nbsp;<i id=\"yui_3_16_0_1_1434996111688_546457\">Remedios Varo<\/i>&nbsp;(1966) de Jom\u00ed Garc\u00eda Ascot;&nbsp;<i>Jos\u00e9 Guadalupe Posada<\/i>&nbsp;(1966),&nbsp;<i>Tamayo<\/i>&nbsp;(1967) y&nbsp;<i>Siqueiros. Retrospectiva<\/i>(1969) de Manuel Gonz\u00e1lez Casanova;&nbsp;<i>La creaci\u00f3n art\u00edstica. Rojo, Cuevas, Gironella<\/i>&nbsp;(1964-1967) de Juan Jos\u00e9 Gurrola;&nbsp;<i>Helen Escobedo. Ambientes totales<\/i>&nbsp;(1976) de Alfredo Gurrola;&nbsp;<i>Leopoldo M\u00e9ndez<\/i>&nbsp;(1971) de Gonzalo Mart\u00ednez Ortega y Sergio Olhovich;&nbsp;<i>Mural ef\u00edmero<\/i>&nbsp;(1968-1973) de Ra\u00fal Kamffer;&nbsp;<i id=\"yui_3_16_0_1_1434996111688_546483\">Sal\u00f3n Independiente<\/i>&nbsp;(1969<\/span><span style=\"font-size: 13pt;\">) de&nbsp;<\/span><span style=\"font-size: 13pt;\">Rafael Castanedo, Arturo Ripstein y Felipe Cazals, y<i>Como una pintura nos iremos borrando<\/i><\/span><i><span style=\"font-size: 13pt;\">&nbsp;<\/span><\/i><span style=\"font-size: 13pt;\">(<\/span><span style=\"font-size: 13pt;\">1987) de Alfredo Robert.<\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\">En la&nbsp;<i>cinepl\u00e1stica<\/i>, las posibilidades documentales y ficcionales del cine se ampl\u00edan a din\u00e1micas experimentales y creativas, al versar sobre otras disciplinas art\u00edsticas.<a href=\"https:\/\/www.blogger.com\/null\" name=\"h.gjdgxs\" rel=\"nofollow\" style=\"background: transparent; color: #196ad4; margin: 0px; outline: none; padding: 0px; text-decoration: underline;\"><\/a><\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\">Esta exposici\u00f3n parte de la revisi\u00f3n del acervo f\u00edlmico de la Filmoteca de la UNAM, dentro del cual sobresalen las producciones de Manuel Gonz\u00e1lez Casanova \u2013principal impulsor del g\u00e9nero desde la UNAM\u2013, Juan Jos\u00e9 y Alfredo Gurrola, Marcela Fern\u00e1ndez Violante, Jom\u00ed Garc\u00eda Ascot y Alfredo Robert.<\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\">Al tomar en cuenta esta memoria cinematogr\u00e1fica nacional se subrayan v\u00ednculos con obras como&nbsp;<i>Las dos Fridas&nbsp;<\/i>(1939) de Frida Kahlo,&nbsp;<i>El autorretrato<\/i>&nbsp;(1967) de Rufino Tamayo,&nbsp;<i>Yo por yo<\/i>(1956) de David Alfaro Siqueiros y&nbsp;<i>El autorretrato m\u00faltiple<\/i>&nbsp;(1938) de Juan O\u2019Gorman. Este acercamiento evidencia un modelo de representaci\u00f3n del patrimonio art\u00edstico utilizado en la segunda mitad de siglo XX, el cual obedeci\u00f3 al uso de un nuevo medio para su difusi\u00f3n.<\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv7607518976\" id=\"yui_3_16_0_1_1434996111688_546462\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span id=\"yui_3_16_0_1_1434996111688_546461\" style=\"font-size: 13pt;\">La propuesta de Natalia de la Rosa, curadora del museo, y del curador invitado, Israel Rodr\u00edguez (Instituto de Investigaciones Hist\u00f3ricas de la UNAM), retoma los estudios sobre cine y arte del historiador franc\u00e9s \u00c9lie Faure, publicados en 1921, para entablar un di\u00e1logo entre la cinematograf\u00eda y la pintura, la escultura y la arquitectura.<\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<i><span style=\"font-size: 13pt;\">Cinepl\u00e1stica<\/span><\/i><span style=\"font-size: 13pt;\">&nbsp;evoca el concepto de&nbsp;<i>film sobre arte<\/i>&nbsp;\u2013corriente internacional que data de la segunda posguerra\u2013 y analiza su desarrollo espec\u00edfico en M\u00e9xico, de 1960 a 1975.<\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\">A principios del siglo XX, las vanguardias europeas fomentaron audaces sinergias entre todas las disciplinas y se vieron especialmente impactadas por la fotograf\u00eda y el cine. Como resultado, la c\u00e1mara de cine no se emple\u00f3 en el g\u00e9nero documental como simple aparato de reproducci\u00f3n de obras maestras o de artistas en acci\u00f3n.<\/span><\/div>\n<div class=\"yiv7607518976\" id=\"yui_3_16_0_1_1434996111688_546463\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\">Quienes filmaban las artes adoptaron paulatinamente otras t\u00e9cnicas para diferenciarse del cine testimonial o de ficci\u00f3n: encuadres dram\u00e1ticos, panor\u00e1micas verticales y horizontales, focalizaci\u00f3n en detalles min\u00fasculos, contraposici\u00f3n de fragmentos y, sobre todo, el empleo del plexigl\u00e1s transparente a trav\u00e9s del cual el pintor parec\u00eda hacer sus trazos en el espacio, frente al espectador.<\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\">Finalizada la Segunda Guerra Mundial, la UNESCO adopt\u00f3 el&nbsp;<i>film sobre arte<\/i>, sus teor\u00edas y debates como instrumento para el reencuentro entre pa\u00edses que acababan de masacrarse, y cre\u00f3 una red de difusi\u00f3n que puso en contacto la herencia cultural de diversas naciones con otras.<\/span><\/div>\n<div class=\"yiv7607518976\" id=\"yui_3_16_0_1_1434996111688_546464\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\">En Europa \u2013y posteriormente en todo el orbe\u2013, cineastas-autores como Andr\u00e9 Delvaux, Agn\u00e8s Varda, Alain Fleischer, Peter Greenaway o Aleksandr Sokurov se lanzaron a traducir las obras y a sus autores desde una posici\u00f3n de igual a igual, de creador a creador, y establecieron una nueva genealog\u00eda del ensayo visual sobre pintores, arquitectos, m\u00fasicos o dramaturgos.<\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span style=\"font-size: 13pt;\"><br \/><\/span><\/div>\n<div class=\"yiv7607518976\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<\/div>\n<div class=\"yiv7607518976\" id=\"yui_3_16_0_1_1434996111688_546474\" style=\"background-color: white; font-family: 'Helvetica Neue', 'Segoe UI', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; margin: 0cm 0cm 0.0001pt 1cm; padding: 0px; text-align: justify;\">\n<span id=\"yui_3_16_0_1_1434996111688_546473\" style=\"font-size: 13pt;\">Como parte de las actividades complementarias a la muestra, y con apoyo de las instituciones participantes, se realizar\u00e1n un cat\u00e1logo con textos de Guillermo G. Peydr\u00f3, Israel Rodr\u00edguez y Natalia de la Rosa; un taller, y proyecciones extramuros de las cintas, as\u00ed como un coloquio al cual se sumar\u00e1 el Instituto de Investigaciones Est\u00e9ticas de la UNAM, bajo la coordinaci\u00f3n de los curadores y de David Wood, del Instituto de Investigaciones Hist\u00f3ricas.<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>La exposici\u00f3n est\u00e1 integrada por 14 filmes de 13 cineastas y 43 piezas de 12 artistas pl\u00e1sticos Del 17 de junio de 2015 al 31 de enero de 2016 Con la exposici\u00f3n&nbsp;Cinepl\u00e1stica. El film sobre arte en M\u00e9xico (1960-1975), organizada en colaboraci\u00f3n con la Filmoteca de la Universidad Nacional Aut\u00f3noma de M\u00e9xico (UNAM) y el [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":23347,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-23346","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Con Cinepl\u00e1stica, el Museo de Arte Moderno favorece la apertura metodol\u00f3gica en la apreciaci\u00f3n de su colecci\u00f3n permanente - EntrePalabras<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/entrepalabrasmxdigital.com\/?p=23346\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Con Cinepl\u00e1stica, el Museo de Arte Moderno favorece la apertura metodol\u00f3gica en la apreciaci\u00f3n de su colecci\u00f3n permanente - EntrePalabras\" \/>\n<meta property=\"og:description\" content=\"La exposici\u00f3n est\u00e1 integrada por 14 filmes de 13 cineastas y 43 piezas de 12 artistas pl\u00e1sticos Del 17 de junio de 2015 al 31 de enero de 2016 Con la exposici\u00f3n&nbsp;Cinepl\u00e1stica. 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