{"id":25210,"date":"2014-11-21T18:55:00","date_gmt":"2014-11-21T18:55:00","guid":{"rendered":""},"modified":"2026-06-29T03:12:47","modified_gmt":"2026-06-29T03:12:47","slug":"el-apocalipsis-del-cine-dentro-del-cine","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=25210","title":{"rendered":"El apocalipsis del cine dentro del cine: La \u00faltima pel\u00edcula se estrena en salas de la ciudad de M\u00e9xico"},"content":{"rendered":"<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: center;\">\n<\/div>\n<ul>\n<li style=\"text-align: left;\"><i style=\"font-family: Arial, Helvetica, sans-serif; line-height: 21.3000011444092px; text-align: justify;\"><b>Maya Martin y Mark Perenson realizan en este filme sin concesiones y alejado de los convencionalismos un homenaje a los antiguos formatos del cine, un obituario a la forma de hacer, concebir y pensar la cinematograf\u00eca en un mundo apocal\u00edptico y digital<\/b><\/i><\/li>\n<li style=\"text-align: left;\"><i style=\"font-family: Arial, Helvetica, sans-serif; line-height: 21.3000011444092px; text-align: justify;\"><b>Tras su exhibici\u00f3n en m\u00e1s de una decena de festivales internacionales y obtener el premio Work in Progress en el Riviera Maya Film Festival,&nbsp;<span style=\"line-height: 21.3000011444092px;\">La \u00faltima pel\u00edcula<\/span>&nbsp;se estrena con la distribuci\u00f3n de Interior 13 Cine el pr\u00f3ximo 30 de octubre en Cineteca Nacional y Cineman\u00eda<\/b><\/i><\/li>\n<\/ul>\n<p><\/p>\n<div style=\"background-color: white; color: #414042; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2014\/11\/LUP-poster-philippines.jpg\" imageanchor=\"1\" style=\"clear: right; float: right; margin-bottom: 1em; margin-left: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" border=\"0\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2014\/11\/LUP-poster-philippines.jpg\" class=\"wp-image-25211\" height=\"320\" width=\"235\" \/><\/a><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Es 2012 y el mundo est\u00e1 por llegar a su fin. Al menos as\u00ed lo predestinaron los mayas, conocidos por su sabidur\u00eda y avances en materia astron\u00f3mica y cient\u00edfica. El planeta entero tiene sus ojos en la pen\u00ednsula de Quintana Roo, aguardando el fin de los d\u00edas para la humanidad. En este contexto apocal\u00edptico, un cineasta (\u00c1lex Ross Perry) tiene la firme convicci\u00f3n de hacer la \u00faltima pel\u00edcula, el \u00faltimo vestigio del cine anal\u00f3gico, filmado en celuloide. Esta es la premisa de la colaboraci\u00f3n de los realizadores Raya Martin y Mark Peranson, uno filipino y el otro canadiense, que presentan en&nbsp;<em style=\"line-height: 22.7200012207031px;\">La \u00faltima pel\u00edcula<\/em>&nbsp;una propuesta delirante, experimental, con una estructura del cine dentro del cine, c\u00f3mo filmar y para qu\u00e9 filmar en un mundo en decadencia donde la cultura y el soporte cinematogr\u00e1fico est\u00e1n agonizando.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Una memoria hist\u00f3rica, la \u00faltima pel\u00edcula filmada de la humanidad, el \u00faltimo celuloide, una pieza de museo que registra tanto el detr\u00e1s de c\u00e1maras de la realizaci\u00f3n del filme (el cineasta recorre las zonas arqueol\u00f3gicas mayas junto a un gu\u00eda tur\u00edstico, interpretado por el actor mexicano Gabino Rodr\u00edguez), un manifiesto de respeto, nostalgia y amor por los viejos formatos del cine, sus c\u00e1maras, sus procesos, sus formas, as\u00ed como una parodia acerca de las supersticiones y la ignorancia del ser humano reflejada en la multitud de fan\u00e1ticos que acuden a las pir\u00e1mides de Yucat\u00e1n como el lugar de moda, una muestra m\u00e1s de la descomposici\u00f3n del mundo.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><em style=\"line-height: 22.7200012207031px;\">La \u00faltima pel\u00edcula<\/em>&nbsp;es la pel\u00edcula que se ve en pantalla y la pel\u00edcula que se est\u00e1 filmando, un trabajo que conjunta distintas texturas, variaciones, experimentos y muchas libertades en cuanto a la narrativa y la est\u00e9tica, con ciertos gui\u00f1os de los realizadores al filme del mismo nombre que en su momento dirigi\u00f3 Dennis Hopper con otra cultura precolombina como escenario, en las ruinas de Per\u00fa.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Raya Martin es guionista y documentalista, mientras que Mark Peranson se ha desempe\u00f1ado como cineasta, escritor y programador, y quien tambi\u00e9n actualmente dirige el equipo de programaci\u00f3n del Festival Internacional de Cine de Locarno. Ambos han conseguido con&nbsp;<em style=\"line-height: 22.7200012207031px;\">La \u00faltima pel\u00edcula<\/em>&nbsp;un filme \u00e1cido y vanguardista que escapa de las convenciones y tradicionalismos para hablar justamente de procesos condenados a morir, al tiempo que reflexiona acerca de la permanencia de los objetos y en particular de las obras de arte hacia un futuro ya condenado en el presente.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">El filme, que se ha exhibido en m\u00e1s de una decena de festivales internacionales, en FICUNAM y el Riviera Maya Film Festival en M\u00e9xico; en este \u00faltimo obtuvo el premio Kodak Work in Progress en su edici\u00f3n 2013,&nbsp;<strong style=\"line-height: 22.7200012207031px;\">se estrena el pr\u00f3ximo 30 de octubre en la Cineteca Nacional y Cineman\u00eda gracias a la distribuci\u00f3n de Interior 13 Cine.<\/strong><\/span><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.7200012207031px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Ficha t\u00e9cnica<\/span><\/strong><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.7200012207031px;\"><em style=\"line-height: 22.7200012207031px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">La \u00faltima pel\u00edcula<\/span><\/em><\/strong><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Director: Raya Martin, Mark Peranson<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Productor: Mark Peranson<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Compa\u00f1\u00eda productora: Cinema Scope Productions en cooperaci\u00f3n con Cinematogr\u00e1fica DOX: LAB, Fischer Film, Canana Films<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Pa\u00eds de producci\u00f3n: Canad\u00e1\/Dinamarca\/Alemania\/M\u00e9xico\/Filipinas<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Duraci\u00f3n: 88 minutos<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.7200012207031px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Sinopsis<\/span><\/strong><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Con el apoyo de un gu\u00eda tur\u00edstico, un desilusionado cineasta norteamericano viaja a la pen\u00ednsula de Yucat\u00e1n con una misi\u00f3n personal: buscar los mejores lugares para filmar ah\u00ed la \u00faltima pel\u00edcula. Las predicciones de los mayas acerca del fin del mundo intervendr\u00e1n en la trama con resultados delirantes al tiempo que los cineastas filman un filme dentro de otro filme.<\/span><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<strong style=\"line-height: 22.7200012207031px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">Redes sociales:<\/span><\/strong><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><strong style=\"line-height: 22.7200012207031px;\">Facebook:&nbsp;<\/strong><a href=\"https:\/\/www.facebook.com\/interior13cine\" style=\"cursor: pointer; font-weight: inherit; line-height: 22.7200012207031px;\" target=\"_blank\">https:\/\/www.facebook.com\/interior13cine<\/a><\/span><\/div>\n<div style=\"background-color: white; line-height: 22.7200012207031px; margin-bottom: 1.35em; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><strong style=\"line-height: 22.7200012207031px;\">Twitter:&nbsp;<\/strong><a href=\"https:\/\/twitter.com\/Interior13Cine\" style=\"cursor: pointer; font-weight: inherit; line-height: 22.7200012207031px;\" target=\"_blank\">https:\/\/twitter.com\/Interior13Cine<\/a><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Maya Martin y Mark Perenson realizan en este filme sin concesiones y alejado de los convencionalismos un homenaje a los antiguos formatos del cine, un obituario a la forma de hacer, concebir y pensar la cinematograf\u00eca en un mundo apocal\u00edptico y digital Tras su exhibici\u00f3n en m\u00e1s de una decena de festivales internacionales y obtener [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":25211,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-25210","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - 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