{"id":7385,"date":"2019-12-09T20:00:00","date_gmt":"2019-12-09T20:00:00","guid":{"rendered":""},"modified":"2026-06-29T00:33:29","modified_gmt":"2026-06-29T00:33:29","slug":"la-melancolia-del-turista-un-ejercicio","status":"publish","type":"post","link":"https:\/\/entrepalabrasmxdigital.com\/?p=7385","title":{"rendered":"La melancol\u00eda del turista, un ejercicio de memoria y b\u00fasqueda"},"content":{"rendered":"<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<\/div>\n<ul>\n<li><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><i>Estreno: 13 de diciembre de 2019<\/i><\/b><\/span><\/li>\n<li><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><i>Funciones en diciembre 2019 y enero 2020<\/i><\/b><\/span><\/li>\n<li><span style=\"font-family: Arial, Helvetica, sans-serif;\"><b><i>Museo Universitario del Chopo<\/i><\/b><\/span><\/li>\n<\/ul>\n<p><\/p>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><br \/><\/span><\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiYSV2sh4UzqiO6eeAha7Sc-sYnhyphenhyphent41EhsYPU1jkXgroOyhReYLVD8AONqmcE62gS8MjBdCFYu-gKe-wEhVhl8hXQ1EYjYHee_Ii8u6YGwwCLiXDH2n9KI2sVE_hpXJTFOrPHIV75wHqU\/s1600\/x94.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img fetchpriority=\"high\" decoding=\"async\" border=\"0\" data-original-height=\"578\" data-original-width=\"770\" height=\"300\" src=\"https:\/\/entrepalabrasmxdigital.com\/wp-content\/uploads\/2019\/12\/x94.jpg\" class=\"wp-image-7386\" width=\"400\" \/><\/a><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><br \/><\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><br \/><\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\"><br \/><\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Las compa\u00f1\u00edas Oligor y Microscop\u00eda (Espa\u00f1a-M\u00e9xico) presentan La melancol\u00eda del turista, teatro de objetos documentales que explora, mediante fotograf\u00edas, postales&nbsp; y otros objetos, algunos lugares que han sido emblem\u00e1ticos en el imaginario vacacional y que en la actualidad se encuentran en cierta decadencia. La pieza profundiza sobre el tipo de im\u00e1genes que el individuo crea a partir de recuerdos en un lapso corto que busca discontinuar el flujo estable de la existencia.<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">La pieza plantea, como un inventario de preguntas, aquellos motivos que llevan al individuo a ser un turista en diversos \u00e1mbitos de la vida, a\u00fan dentro de su propia ciudad. Aborda diversos temas como pertenencia, p\u00e9rdida y b\u00fasqueda,&nbsp;<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Se trata de una galer\u00eda de espejismos sostenida detr\u00e1s de un paisaje sublimado que ya no existe o que nunca existi\u00f3; un estado de las cosas que se difumina en el tiempo y que en ocasiones revive a trav\u00e9s de los residuos de la memoria y de ciertas resistencias.<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">La melancol\u00eda es un estado an\u00edmico en pausa, una fuerza activa que conduce al deseo de re-inventar y re-inventarse en lapsos donde la inercia de lo cotidiano se fractura.<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">La melancol\u00eda del turista es la m\u00e1s reciente creaci\u00f3n de Oligor y Microscop\u00eda, estrenada en noviembre del 2019 en el Festival Temporada Alta de Girona, Espa\u00f1a. En 2020 realizar\u00e1 una extensa gira en diversos pa\u00edses.<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">13 de diciembre de 2019, 20:00 h<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">14 de diciembre, 19:00 h<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">15 de diciembre, 18:00 h<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">9 y 10 de enero de 2020, 20:00 h<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">11 de enero, 19:00 h<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">12 de enero, 18:00 h<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">General: $100; estudiantes, maestros e INAPAM: $50<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Creaci\u00f3n, realizaci\u00f3n e interpretaci\u00f3n: Shaday Larios y Jomi Oligor<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Colaboraci\u00f3n po\u00e9tica: \u00c1ngel Hern\u00e1ndez<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Colaboraci\u00f3n inventiva: Ivan Puig y Jordi Fondevila<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Colaboraci\u00f3n musical y sonora: Suetszu &amp; Jayrope<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Agradecemos de coraz\u00f3n a: Guillermina Delis Barrientos, Juan Obreg\u00f3n \u201cEl peque\u201d, L&#8217;animal a l&#8217;esquena, Taller 30_SMA, Jordi Fondevila, Yanisbel Mart\u00ednez, Claudio y Charo, David Continente, Gilberto Esparza, Cabo San Roque, Violeta Gil, Lirio y Mart\u00edn, Aitor, La u\u00d1a RoTa y a todas las personas, paisajes y seres que permanecen en las instant\u00e1neas de la melancol\u00eda.<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Jomi Oligor (Tudela, Navarra, 1973). Doctor en Bellas Artes por la Facultad de Cuenca, en la Universidad de Castilla-La Mancha (2006), y licenciado en Bellas Artes por la misma instituci\u00f3n.<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Como artista pl\u00e1stico ha participado en diversas exposiciones colectivas y una individual en Castel Ruiz, Tudela, (2003). Fund\u00f3 la compa\u00f1\u00eda Hermanos Oligor, cre\u00f3 el espect\u00e1culo Las tribulaciones de Virginia, co-producido por Hermanos Oligor (www.oligor.org), y el Festival internacional Teatre Visual I de Titelles de Barcelona, con la colaboraci\u00f3n de Teatres de la Generalitat Valenciana. Se ha presentado en diversos lugares sumando hasta la fecha 16 pa\u00edses, 100 plazas, 500 representaciones. Su trabajo ha sido traducido a 13 idiomas y premiado en cinco ocasiones. Dirige y asesora espect\u00e1culos para compa\u00f1\u00edas como Antigua i Barbuda, \u00fanica en su faceta de teatro mec\u00e1nico, y B.A.R.R.A. (2009).<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">En 2012 se asoci\u00f3 con Microscop\u00eda, de Shaday Larios, con quien cre\u00f3 La m\u00e1quina de la soledad&nbsp; (www.lamaquinadelasoledad.org) y La melancol\u00eda del turista, teatro de objetos documentales. Actualmente investiga, junto a Xavi Bob\u00e9s, la memoria de las ciudades a trav\u00e9s de sus objetos, y con el colectivo El solar. Agencia de detectives de objetos (www.agenciaelsolar.org)<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Shaday Larios (M\u00e9xico, 1978). Doctora en Artes Esc\u00e9nicas por la Universidad Aut\u00f3noma de Barcelona, en donde se especializ\u00f3 en filosof\u00eda del teatro de objetos. Estudi\u00f3 la Licenciatura en Letras Espa\u00f1olas en la Universidad de Guanajuato. Es directora de Microscop\u00eda Teatro, grupo de escena con objetos fundado en 2004. Ha sido asesora, profesora, seminarista y tallerista sobre objetualidad en escena en m\u00faltiples instituciones. Actualmente se dedica a la investigaci\u00f3n-creaci\u00f3n del \u201cteatro de objetos documentales\u201d, y escribe art\u00edculos en diversas publicaciones.<\/span><\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<\/div>\n<div class=\"x_MsoNormal\" style=\"-webkit-font-smoothing: antialiased; background-color: white; margin: 0cm 0cm 0.0001pt; text-align: justify;\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;\">Trabaja en su proyecto La m\u00e1quina de la soledad y La melancol\u00eda del turista en asociaci\u00f3n con Jomi Oligor,&nbsp; de Espa\u00f1a. Es co-fundadora del colectivo El solar. Agencia de detectives de objetos, dedicado a explorar los v\u00ednculos entre barrio, memoria, escena y objetos cotidianos. Gan\u00f3 el Premio Internacional de Ensayo Teatral CITRU-Paso de Gato- ARTEZ (2010) con el texto Escenarios post-cat\u00e1strofe: filosof\u00eda esc\u00e9nica del desastre. Es autora de los libros: Los objetos vivos. Escenarios de la materia ind\u00f3cil (Paso de Gato, 2018); y Detectives de objetos (La u\u00d1a RoTa, 2019).<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Estreno: 13 de diciembre de 2019 Funciones en diciembre 2019 y enero 2020 Museo Universitario del Chopo Las compa\u00f1\u00edas Oligor y Microscop\u00eda (Espa\u00f1a-M\u00e9xico) presentan La melancol\u00eda del turista, teatro de objetos documentales que explora, mediante fotograf\u00edas, postales&nbsp; y otros objetos, algunos lugares que han sido emblem\u00e1ticos en el imaginario vacacional y que en la actualidad [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7386,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7385","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - 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